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Author: Jitāmitra Prasāda Siṃhadeba
Publisher:
ISBN:
Category : Hindu antiquities
Languages : en
Pages : 448
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Book Description
On antiquities from various excavated sites in Orissa mostly Hindu artefacts; a study.
Author: Jitāmitra Prasāda Siṃhadeba
Publisher:
ISBN:
Category : Hindu antiquities
Languages : en
Pages : 448
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Book Description
On antiquities from various excavated sites in Orissa mostly Hindu artefacts; a study.
Author: Jitāmitra Prasāda Siṃhadeba
Publisher:
ISBN:
Category : History
Languages : en
Pages : 386
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Book Description
Deals with the regional study of modern Nuapada district of Orissa, an area that has findings of stone age, medieval period, till the advent of Chauhan dynasty rule."
Author: Jitāmitra Prasāda Siṃhadeba
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 306
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Book Description
The Nuapada And Kalahandi Districts Of Orissa Province Are Rich In Archaeological Remains. Systematic Surveys And Required Excavations Are Not Yet Done. From The Archaeological Works So Far, In Individual Level Of The Author, The Antidiluvian, Pre-History, Proto-History, Early History And Medieaval History, Till The Rise Of Chauhan Dynastieshave Been Done. The Study Shows The Path For Such Works To Be Taken Up In All Districts Of Of All The Provinces Of India, I.E. Bharatavarsha.
Author:
Publisher:
ISBN:
Category : Odisha (India)
Languages : en
Pages : 532
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Book Description
Author: Saroj Kumar Patel
Publisher:
ISBN:
Category : History
Languages : en
Pages : 254
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Book Description
Author: Bjarne Wernicke Olesen
Publisher: Routledge
ISBN: 1317585216
Category : Social Science
Languages : en
Pages : 244
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Book Description
Hinduism cannot be understood without the Great Goddess and the goddess-orientated Śākta traditions. The Goddess pervades Hinduism at all levels, from aniconic village deities to high-caste pan-Hindu goddesses to esoteric, tantric goddesses. Nevertheless, the highly influential tantric forms of South Asian goddess worship have only recently begun to draw scholarly attention. This book addresses the increasing interest in the Great Goddess and the tantric traditions of India by exploring the history, doctrine and practices of the Śākta tantric traditions. The highly influential tantric forms of South Asian goddess worship form a major part of what is known as ‘Śāktism’, and is often considered one of the major branches of Hinduism next to Śaivism, Vaiṣṇavism and Smārtism. Śāktism is, however, less clearly defined than the other major branches, and the book looks at the texts of the Śākta traditions that constitute the primary sources for gaining insights into the Śākta religious imaginative, ritual practices and history. It provides an historical exploration of distinctive Indian ways of imagining God as Goddess, and surveys the important origins and developments within Śākta history, practice and doctrine in its diversity. Bringing together contributions from some of the foremost scholars in the field of tantric studies, the book provides a platform for the continued research into Hindu goddesses, yoga, and tantra for those interested in understanding the religion and culture in South Asia.
Author: H. C. Das
Publisher:
ISBN:
Category : Odisha (India)
Languages : en
Pages : 482
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Book Description
Author: Teja Nārāyaṇa Miśra
Publisher:
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 192
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Book Description
The Book Offers An Account Of Tantra S Evolution, Cultic Variations, Culture, Philosophy, Mysticism, Etc. And Shows How Tantrism Has Deeply Influenced Major Indian Religions And The Art Tradition.
Author: H. C. Das
Publisher:
ISBN:
Category : Shaktism
Languages : en
Pages : 108
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Book Description
Author: Andrea Acri
Publisher: ISEAS-Yusof Ishak Institute
ISBN: 9814951528
Category : Religion
Languages : en
Pages : 265
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Book Description
This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. "Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places. This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography."-- Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS) "The collective objective of this two-volume work is to give substance to the oft cited mantra that mediaeval maritime Southeast Asia was as much an innovative contributor to, as a recipient, in the cultural conversations that took place across the Bay of Bengal and South China Sea. In bracketing these studies between the 7th and 14th centuries, the editors have drawn into focus two key traditions that are explicated in texts, ritual art and architecture and religious landscapes of this period: tantric Buddhism and esoteric Shaivism. A great strength of these studies is this focus, for which the editors are to be commended. The chapters contain much that represents significant milestones in building new understanding in the field, including overdue recognition of the importance of Southeast Asian esoteric Buddhist practice in shaping Chinese Buddhism. Nowhere did the architects of the religious landscape of early Southeast Asia think of themselves as being on the periphery, or as outsiders, looking in. Rather, they knowingly imbued their tirthas and sacred centres with the same authority as those in India and created religious edifices that were on occasions beyond India’s experience. I highly commend this publication to anyone with an interest in bringing a wider lens to the study of Indian esoteric religious practices and to understanding the relationship of early Hindu-Buddhist Southeast Asia to the wider Asian world." -- John Guy, Senior Curator of South and Southeast Asian Art, The Metropolitan Museum of Art, New York "The Creative South is a rich compendium of scholarship concerning the religious art of Southeast Asia and its ties to India in the period beginning in the 8th century. It was a time when merchants were crisscrossing the seas from India to China and when advocates of innovative doctrines and rituals were finding ready support among the rulers of the varied kingdoms. From the identification of images embraced by the seafarers to the mysteries of the fire shrines in Cambodian temples, from the funerary beliefs of Odisha to the unique character of the Javanese Ramayana, these eighteen studies provide fresh understandings of the patterns of reception and innovation." -- Hiram Woodward, Mr. and Mrs. Thomas Quincy Scott Curator of Asian Art Emeritus, The Walters Art Museum
