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Author: Theresa M. Collins
Publisher: UNC Press Books
ISBN: 1469620219
Category : Biography & Autobiography
Languages : en
Pages : 398
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Book Description
In the early decades of the twentieth century, almost everyone in modern theater, literature, or film knew of Otto Kahn (1867-1934), and those who read the financial press or followed the news from Wall Street could scarcely have missed his name. A partner at one of America's premier private banks, he played a leading role in reorganizing the U.S. railroad system and supporting the Allied war effort in World War I. The German-Jewish Kahn was also perhaps the most influential patron of the arts the nation has ever seen: he helped finance the Metropolitan Opera, brought the Ballets Russes to America, and bankrolled such promising young talent as poet Hart Crane, the Provincetown Players, and the editors of the Little Review. This book is the full-scale biography Kahn has long deserved. Theresa Collins chronicles Kahn's life and times and reveals his singular place at the intersection of capitalism and modernity. Drawing on research in private correspondence, congressional testimony, and other sources, she paints a fascinating portrait of the figure whose seemingly incongruous identities as benefactor and banker inspired the New York Times to dub him the "Man of Velvet and Steel."
Author: Theresa M. Collins
Publisher: UNC Press Books
ISBN: 1469620219
Category : Biography & Autobiography
Languages : en
Pages : 398
Get Book Here
Book Description
In the early decades of the twentieth century, almost everyone in modern theater, literature, or film knew of Otto Kahn (1867-1934), and those who read the financial press or followed the news from Wall Street could scarcely have missed his name. A partner at one of America's premier private banks, he played a leading role in reorganizing the U.S. railroad system and supporting the Allied war effort in World War I. The German-Jewish Kahn was also perhaps the most influential patron of the arts the nation has ever seen: he helped finance the Metropolitan Opera, brought the Ballets Russes to America, and bankrolled such promising young talent as poet Hart Crane, the Provincetown Players, and the editors of the Little Review. This book is the full-scale biography Kahn has long deserved. Theresa Collins chronicles Kahn's life and times and reveals his singular place at the intersection of capitalism and modernity. Drawing on research in private correspondence, congressional testimony, and other sources, she paints a fascinating portrait of the figure whose seemingly incongruous identities as benefactor and banker inspired the New York Times to dub him the "Man of Velvet and Steel."
Author: Mary Jane Phillips-Matz
Publisher: Pendragon Press
ISBN: 9780918728364
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
Here was a man who was both equipped and disposed to be the most considerable Maecenas in the history of our theater, wrote Alexander Woollcott. It is the man behind that legend whom Mary Jane Matz brings. to life in this spirited biography. Otto Kahn, The King of New York in the twenties, had virtually created the city's new Metropolitan Opera with his enormous energy and financial backing. He was responsible for introducing Stanislavski, Nijinski, the Abbey Players, the Moscow Art Theater, and practically every other important personage and event in the most vigorous era of American theatrical history. He subsidized, sponsored, and had close relationships with Toscanini, Caruso, Chaliapin, Pavlova, Pirandello, Eugene O'Neill, Paul Robeson, Grace Moore, and hundreds of other artists whose names are now part of that history. This was the Otto Kahn whose fame lives on today-the man who was an activating force in American opera and theater for more than two decades. But there was another Otto Kahn, now less well known, who was more than a theatrical patron. The other Otto Kahn had amassed a banking fortune through his perspicuity and integrity in the era of unbridled Big Business, and had gone on to win the respect of the nation with his political, economic, and humanitarian activities in the First World War and its boom-and-bust aftermath. That Otto Kahn, a partner in the banking firm of Kuhn, Loeb, was often accused of being a socialist.
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Category : New York (N.Y.)
Languages : en
Pages : 222
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Book Description
Author: Morris David Waldman
Publisher:
ISBN:
Category : Charity organization
Languages : en
Pages : 84
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Book Description
Author: Milly Heyd
Publisher: Rutgers University Press
ISBN: 9780813526188
Category : Art
Languages : en
Pages : 266
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Book Description
This text examines the mutual relationship between Jews and African Americans through visual art. It investigates how artists of both backgrounds have viewed each other in the past - how visual languages and thematic concerns have changed to reflect different issues of concern to each group.
Author: Stephen Birmingham
Publisher: Open Road Media
ISBN: 1504038959
Category : History
Languages : en
Pages : 672
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Book Description
Three New York Times bestsellers chronicle the rise of America’s most influential Jewish families as they transition from poor immigrants to household names. In his acclaimed trilogy, author Stephen Birmingham paints an engrossing portrait of Jewish American life from the colonial era through the twentieth century with fascinating narrative and meticulous research. The collection’s best-known book, “Our Crowd” follows nineteenth-century German immigrants with recognizable names like Loeb, Sachs, Lehman, Guggenheim, and Goldman. Turning small family businesses into institutions of finance, banking, and philanthropy, they elevated themselves from Lower East Side tenements to Park Avenue mansions. Barred from New York’s gentile elite because of their religion and humble backgrounds, they created their own exclusive group, as affluent and selective as the one that had refused them entry. The Grandees travels farther back in history to 1654, when twenty-three Sephardic Jews arrived in New York. Members of this small and insulated group—considered the first Jewish community in America—soon established themselves as wealthy businessmen and financiers. With descendants including poet Emma Lazarus, Barnard College founder Annie Nathan Meyer, and Supreme Court Justice Benjamin N. Cardozo, these families were—and still are—hugely influential in the nation’s culture, politics, and economics. In “The Rest of Us,” Birmingham documents the third major wave of Jewish immigration: Eastern Europeans who swept through Ellis Island between 1880 and 1924. These refugees from czarist Russia and Polish shtetls were considered barbaric, uneducated, and too steeped in the traditions of the “old country” to be accepted by the well-established German American Jews. But the new arrivals were tough, passionate, and determined. Their incredible rags to riches stories include those of the lives of Hollywood tycoon Samuel Goldwyn, Broadway composer Irving Berlin, makeup mogul Helena Rubenstein, and mobster Meyer Lansky. This unforgettable collection comprises a comprehensive account of the Jewish American upper class, their opulent world, and their lasting mark on American society.
Author: Yoshitsugu Sawai
Publisher: Bloomsbury Publishing
ISBN: 1350259454
Category : Religion
Languages : en
Pages : 216
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Book Description
This book provides an up-to-date treatment of Rudolf Otto and his work, placing him in the context of comparative religion, theology, and the philosophy of religion. Yoshitsugu Sawai shows how Otto has “three faces”: the Lutheran Theologian, the Philosopher of Religion, and the Comparative Religionist. The book also shows how, of these, Otto saw himself primarily as a Lutheran Theologian, and provides an account of Otto's engagement with India and the centrality that Hindu theology had on his thinking. In Otto's theory of religion, his well-known concepts including “wholly other” and “numinous” constitute a multiple structure of meaning. For example, his concept of the “wholly other” (das ganz Andere) no doubt has the meaning of “God” in his Christian theological studies. At the same time, however, from the perspective of comparative religion or the phenomenology of religion, this same term semantically implies the “ultimate reality” of other religious traditions; “Brahman” and “God” (Isvara) in Hindu religious tradition as well as “God” in Christianity.
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Category : Journalism
Languages : en
Pages : 1804
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Author: James Fisher
Publisher: Rowman & Littlefield
ISBN: 1538123029
Category : Performing Arts
Languages : en
Pages : 1233
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Book Description
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
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Category : Medicine
Languages : en
Pages : 906
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Book Description
