Author: George Haddock
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 180
Book Description
Some Early Musical Recollections of G. Haddock
Author: George Haddock
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 180
Book Description
Thirty Years' Musical Recollections
Author: Henry Fothergill Chorley
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 340
Book Description
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 340
Book Description
Some Musical Recollections of Fifty Years
Author: Richard Hoffman
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
Catalogs
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
Book Description
Musical and Personal Recollections During Half a Century
Author: Henry Phillips
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 336
Book Description
The Strad
Author:
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 494
Book Description
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 494
Book Description
British Violin Makers
Author: William Meredith Morris
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 392
Book Description
British Violin Makers
Author: M. Meredith Morris
Publisher: Pelican Publishing
ISBN: 9781455601554
Category : Music
Languages : en
Pages : 404
Book Description
This adaptable instrument's origins date back centuries. Celtic legends amuse us with mystical stories describing the creation of stringed music, but practical history recounts that the modern birth of the violin occurred in Italy as early as the sixteenth century. The skilled craft of hand production was renowned in France as well, but it is the British classic type and its history that W. Meredith Morris writes about in British Violin Makers . This classic, comprehensive reference to violin making, reprinted in 1920, features a biographical dictionary of craftsmen, along with many of their signatures and marks. Twenty-six photographs of selected makers and their instruments help place the contemporary reader in the style of the period. Reverend Morris's second editionimproves upon the first 1904 edition by adding more than 150 names to the list of makers who produced six violins or more. A new foreword by music scholar Benjamin Hebbert explains the important role British violin makers played in the development of the instrument. From Morris's narrative, one gets a feel for the importance of the craftsman and his materials. He explains the various types of wood and varnish used, and how they, along with the arch and contour, work together to produce a specific tone. Speaking with fervor, the way a wine connoisseur does when describing a certain vintage, Morris compares and contrasts the quality of British instruments to that of other nations.
Publisher: Pelican Publishing
ISBN: 9781455601554
Category : Music
Languages : en
Pages : 404
Book Description
This adaptable instrument's origins date back centuries. Celtic legends amuse us with mystical stories describing the creation of stringed music, but practical history recounts that the modern birth of the violin occurred in Italy as early as the sixteenth century. The skilled craft of hand production was renowned in France as well, but it is the British classic type and its history that W. Meredith Morris writes about in British Violin Makers . This classic, comprehensive reference to violin making, reprinted in 1920, features a biographical dictionary of craftsmen, along with many of their signatures and marks. Twenty-six photographs of selected makers and their instruments help place the contemporary reader in the style of the period. Reverend Morris's second editionimproves upon the first 1904 edition by adding more than 150 names to the list of makers who produced six violins or more. A new foreword by music scholar Benjamin Hebbert explains the important role British violin makers played in the development of the instrument. From Morris's narrative, one gets a feel for the importance of the craftsman and his materials. He explains the various types of wood and varnish used, and how they, along with the arch and contour, work together to produce a specific tone. Speaking with fervor, the way a wine connoisseur does when describing a certain vintage, Morris compares and contrasts the quality of British instruments to that of other nations.
British Violin-makers, Classical and Modern ...
Author: William Meredith Morris
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 388
Book Description
Making Music
Author: William C. Allsbrook Jr.
Publisher: Univ. Press of Mississippi
ISBN: 1496845854
Category : Music
Languages : en
Pages : 184
Book Description
The banjo has been emblematic of the Southern Appalachian Mountains since the late twentieth century. Making Music: The Banjo in a Southern Appalachian County takes a close look at the instrument and banjo players in Haywood County, North Carolina. Author William C. Allsbrook Jr., MD, presents the oral histories of thirty-two banjo players, all but two of whom were born in Haywood County. These talented musicians recount, in their own words, their earliest memories of music, and of the banjo, as well as the appeal of the banjo. They also discuss learning to play the instrument, including what it “feels like” playing the banjo, many describing occasional “flow states.” In the book, Allsbrook explores an in-home musical folkway that developed along the colonial frontier. By the mid-1800s, frontier expansion had ceased in Haywood County due to geographic barriers, but the in-home musical tradition, including the banjo, survived in largely isolated areas. Vestiges of that tradition remain to this day, although the region has undergone significant changes over the lifetimes of the musicians interviewed. As a result, the survival of the in-home tradition is not guaranteed. Readers are invited into the private lives of the banjo players and asked to consider the future of the banjo in the face of contemporary trends. The future will be shaped by how this remarkable mountain culture continues to adapt to these challenges. Still, this thriving community of banjo players represents the vibrant legacy of the banjo in Haywood County and the persistence of tradition in the twenty-first century.
Publisher: Univ. Press of Mississippi
ISBN: 1496845854
Category : Music
Languages : en
Pages : 184
Book Description
The banjo has been emblematic of the Southern Appalachian Mountains since the late twentieth century. Making Music: The Banjo in a Southern Appalachian County takes a close look at the instrument and banjo players in Haywood County, North Carolina. Author William C. Allsbrook Jr., MD, presents the oral histories of thirty-two banjo players, all but two of whom were born in Haywood County. These talented musicians recount, in their own words, their earliest memories of music, and of the banjo, as well as the appeal of the banjo. They also discuss learning to play the instrument, including what it “feels like” playing the banjo, many describing occasional “flow states.” In the book, Allsbrook explores an in-home musical folkway that developed along the colonial frontier. By the mid-1800s, frontier expansion had ceased in Haywood County due to geographic barriers, but the in-home musical tradition, including the banjo, survived in largely isolated areas. Vestiges of that tradition remain to this day, although the region has undergone significant changes over the lifetimes of the musicians interviewed. As a result, the survival of the in-home tradition is not guaranteed. Readers are invited into the private lives of the banjo players and asked to consider the future of the banjo in the face of contemporary trends. The future will be shaped by how this remarkable mountain culture continues to adapt to these challenges. Still, this thriving community of banjo players represents the vibrant legacy of the banjo in Haywood County and the persistence of tradition in the twenty-first century.