Some Aspects of Richard Brome's Coemdies of Manners PDF Download
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Author: Richard Hollis Jefferson
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
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Book Description
Author: Richard Hollis Jefferson
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
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Book Description
Author: Ralph James Kaufmann
Publisher: New York, Columbia University Press
ISBN:
Category : BROME, RICHARD,D. 1652
Languages : en
Pages : 216
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Book Description
Author: KATHLEEN MARTHA LYNCH
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
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Book Description
Author: Laurence F. McNamee
Publisher: New York : Bowker
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1148
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Book Description
Author: Sandra A. Burner
Publisher: State University of New York Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
Author: Herbert Francis Allen
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
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Book Description
Author: Joe Lee Davis
Publisher: Detroit : Wayne State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Author: Clarence Edward Andrews
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 168
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Book Description
Author: Richard Brome
Publisher: Columbia : University of Missouri Press
ISBN:
Category : Drama
Languages : en
Pages : 184
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Book Description
Author: Richard W. Bevis
Publisher: Routledge
ISBN: 1317870913
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.
