Solo Tabla Drumming of North India: Inam Ali Khan, Keramatullah Khan, and Wajid Hussain PDF Download
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Author: Robert S. Gottlieb
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120810938
Category : Hindustani music
Languages : en
Pages : 166
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Book Description
Author: Robert S. Gottlieb
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120810938
Category : Hindustani music
Languages : en
Pages : 166
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Book Description
Author: Pashaura Singh
Publisher: Oxford University Press
ISBN: 0199087733
Category : Religion
Languages : en
Pages : 272
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Book Description
This book examines three closely related questions in the process of canon formation in the Sikh tradition: how the text of the Adi Granth came into being, the meaning of gurbani, and how the Adi Granth became the Guru Granth Sahib. The censure of scholarly research on the Adi Granth was closely related to the complex political situation of Punjab and brought the whole issue of academic freedom into sharper focus. This book addresses some of these issues from an academic perspective. The Adi Granth, the sacred scripture of the Sikhs, means ‘first religious book’ (from the word ‘adi’ which means ‘first’ and ‘granth’ which means ‘religious book’). Sikhs normally refer to the Adi Granth as the Guru Granth Sahib to indicate a confession of faith in the scripture as Guru. The contents of the Adi Granth are commonly known as bani (utterance) or gurbani (the utterance of the Guru). The transcendental origin (or ontological status) of the hymns of the Adi Granth is termed dhur ki bani (utterance from the beginning). This particular understanding of revelation is based upon the doctrine of the sabad, or divine word, defined by Guru Nanak and the succeeding Gurus. This book also explores the revelation of the bani and its verbal expression, devotional music in the Sikh tradition, the role of the scripture in Sikh ceremonies, and the hymns of Guru Nanak and Guru Arjan.
Author: Zoe C. Sherinian
Publisher: Oxford University Press
ISBN: 0197566251
Category : Music
Languages : en
Pages : 545
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Book Description
Music and Dance as Everyday South Asia offers an inclusive lens through which to study the music, dance, and allied arts of South Asia, its diasporas, and the people who produce and use these cultural expressions. The authors in this collection--ethnomusicologists, dance scholars, anthropologists, and practitioners--understand music and dance as everyday lived experience. "The everyday" comprises practices of South Asians in multiple countries, whose identities include numerous castes, classes, tribes, genders, sexualities, religions, nationalities, more than twenty languages, and other affiliations. With the goal to de-emphasize an approach that fetishizes analysis of classical form and its technical virtuosity, this book instead contextualizes the understanding of aesthetic meaning within six themes: place and community; style, genre, and function; intersectional identities of caste, class, and tribe; gender and sexuality; technology, media, and transmission; and diaspora and globalization. The thirty chapters in this collection demonstrate how the arts are meaningful expressions of human identities and relationships for ordinary people as well as virtuosic performers. Each author ties their thesis to hands-on, participatory exercises that provide multiple entryways to understand and engage with cultural meaning. In so doing, they empower classroom dialogue that treats embodied experience as a vital mode of enquiry, supplementing critical textual analysis to cultivate attentive, responsive, and ethical dispositions toward the music and dance practices of other humans and their life experiences.
Author: Indian Musicological Society
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 186
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Book Description
Author: Jean-Guy Goulet
Publisher: U of Nebraska Press
ISBN: 9780803206984
Category : Social Science
Languages : en
Pages : 484
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Book Description
What happens when anthropologists lose themselves during fieldwork while attempting to understand divergent cultures? When they stray from rigorous agendas and are forced to confront radically unexpected or unexplained experiences? In Extraordinary Anthropology leading ethnographers from across the globe discuss the importance of the deeply personal and emotionally volatile ?ecstatic? side of fieldwork. ø Anthropologists who have worked in communities in Central America, North America, Australia, Africa, and Asia share their intimate experiences of tranformations in the field through details of significant dreams, haunting visions, and their own conflicting emotional tensions. Their experiences demonstrate the necessary fluidity of research agendas, the value of going beyond an accepted (and safe) cultural and academic vantage point, and the inevitability of wrestling with tension and unhappiness when faced with irreconcilable cultural and psychological dichotomies. The contributors explore ways in which conventional research methods can be adapted to creatively engage the intellectual, ethical, and practical dimensions of these dislocations and capitalize on them. Unsettling and revealing, Extraordinary Anthropology will spark debate and reflection among anthropologists for years to come.
Author:
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1444
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Book Description
Author:
Publisher:
ISBN:
Category : India
Languages : en
Pages : 1084
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Book Description
Author: Robert S. Gottlieb
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 236
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 252
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Book Description
Author: Francesca Orsini
Publisher: Open Book Publishers
ISBN: 1783741023
Category : Literary Criticism
Languages : en
Pages : 568
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Book Description
Examining materials from early modern and contemporary North India and Pakistan, Tellings and Texts brings together seventeen first-rate papers on the relations between written and oral texts, their performance, and the musical traditions these performances have entailed. The contributions from some of the best scholars in the field cover a wide range of literary genres and social and cultural contexts across the region. The texts and practices are contextualized in relation to the broader social and political background in which they emerged, showing how religious affiliations, caste dynamics and political concerns played a role in shaping social identities as well as aesthetic sensibilities. By doing so this book sheds light into theoretical issues of more general significance, such as textual versus oral norms; the features of oral performance and improvisation; the role of the text in performance; the aesthetics and social dimension of performance; the significance of space in performance history and important considerations on repertoires of story-telling. The book also contains links to audio files of some of the works discussed in the text. Tellings and Texts is essential reading for anyone with an interest in South Asian culture and, more generally, in the theory and practice of oral literature, performance and story-telling.
