Sol LeWitt's Studio Drawings in the Vecchia Torre PDF Download
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Author: Rye Dag Holmboe
Publisher: MIT Press
ISBN: 0262047624
Category : Art
Languages : en
Pages : 137
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Book Description
An intimate look at American artist Sol LeWitt’s masterpiece of conceptual art, drawn on the walls of a medieval tower in Italy. In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt’s major works and a milestone in American conceptual art. This groundbreaking volume brings together an extended essay on LeWitt’s work by art historian Rye Dag Holmboe and a series of 60 photographic plates of the drawings by artist Joschi Herczeg, giving readers an intimate experience of this singular, site-specific work. A visual archive, this book situates LeWitt’s provisional, material, bodily, and highly personal drawings in their historical, biographical, and theoretical contexts. The result is nothing less than a reconsideration of LeWitt’s lifework. At once a work of conservation and a reflection on the relationship between drawing and architecture, Sol LeWitt’s Studio Drawings in the Vecchia Torre sheds new and welcome light on an unseen masterpiece.
Author: Rye Dag Holmboe
Publisher: MIT Press
ISBN: 0262047624
Category : Art
Languages : en
Pages : 137
Get Book Here
Book Description
An intimate look at American artist Sol LeWitt’s masterpiece of conceptual art, drawn on the walls of a medieval tower in Italy. In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt’s major works and a milestone in American conceptual art. This groundbreaking volume brings together an extended essay on LeWitt’s work by art historian Rye Dag Holmboe and a series of 60 photographic plates of the drawings by artist Joschi Herczeg, giving readers an intimate experience of this singular, site-specific work. A visual archive, this book situates LeWitt’s provisional, material, bodily, and highly personal drawings in their historical, biographical, and theoretical contexts. The result is nothing less than a reconsideration of LeWitt’s lifework. At once a work of conservation and a reflection on the relationship between drawing and architecture, Sol LeWitt’s Studio Drawings in the Vecchia Torre sheds new and welcome light on an unseen masterpiece.
Author: Moran Sheleg
Publisher: Manchester University Press
ISBN: 1526172461
Category : Art
Languages : en
Pages : 421
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Book Description
Following the critical scepticism surrounding the notion of the ‘self’ as a singular entity during the 1960s, many artists and writers sought to test the apparent problem posed by autobiography as both a traditional genre and as a way of working. Considering the consequent emergence of autotheory, Lifework traces this shift in artistic and literary production during the late twentieth century and beyond, examining a set of diverse practices that mine the line between what it is to make art and what it is to live life. The book’s chapters connect a variety of artistic strategies that cut across medium, geography and time, uncovering how the historical marginalisation of first-person experience has taken on larger social, cultural and political implications in the contemporary moment and how the work of living might still relate to the work of art.
Author: Vito Acconci
Publisher: MIT Press
ISBN: 0262012243
Category : American poetry
Languages : en
Pages : 433
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Book Description
Poems and other texts from the 1960s by a pioneering conceptual artist that show a continuity with his subsequent work in performance and video art. Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. Almost all of this work remains unknown; much of it appeared in the self-produced magazines of the Lower East Side's mimeo revolution, and many other pieces were never published. Language to Cover a Page collects these writings for the first time and not only shows Acconci to be an important experimental writer of the period, but demonstrates the continuity of his early writing with his later work in film, video, and performance. Language to Cover a Page documents a key moment in the unprecedented intersection of artists and poets in the late 1960s -- as seen in the Dwan Gallery's series of "Language" shows (1967-1970) and in Acconci's own journal 0 to 9. Indeed, as Acconci moved from the poetry scene to the art world, his poetry became increasingly performative while his artwork was often structured and motivated by linguistic play. Acconci's early writing recalls the work of Samuel Beckett, the deadpan voice of the nouveau roman, and the jump cuts and fraught permutations of the nouvelle vague. Poems in Language to Cover a Page explore the materiality of language ("language as matter and not ideas," as Robert Smithson put it), the physical space of the page, and the physicality of source texts (phonebooks, thesauruses, dictionaries). Other poems take the space of the page as an analogue to performance space or implicate the poem in a network of activity (as in his "Dial-a-Poem" pieces). Readers will find Acconci's inventive and accomplished poetry as edgy and provocative as anything published today.
Author: Paul Brown
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 472
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Book Description
"In this heroic period of computer art, artists were required to build their own machines, collaborate closely with computer scientists, and learn difficult computer languages. White Heat Cold Logic's chapters, many written by computer art pioneers themselves, describe the influence of cybernetics, with its emphasis on process and interactivity; the connections to the constructivist movement; and the importance of work done in such different venues as commercial animation, fine art schools, and polytechnics."--Jaquette.
Author: Bruce Nauman
Publisher: MIT Press
ISBN: 9780262640602
Category : Art
Languages : en
Pages : 438
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Book Description
The most comprehensive collection to date of the artist Bruce Nauman's writings plus all of his major interviews from 1965 to 2001. Since the 1960s, the artist Bruce Nauman has developed a highly complex and pluralistic oeuvre ranging from discrete sculpture, performance, film, video, and text-based works to elaborate multipart installations incorporating sound, video recording and monitors, and architectural structures. Nauman's work is often interpreted in terms of movements and mediums, including performance, postminimalism, process, and conceptual art, thereby emphasizing its apparent eclecticism. But what is often overlooked is that underlying these seemingly disparate artistic tendencies are conceptual continuities, one of which is an investigation of the nature of language. Unlike many of his contemporaries, Nauman has refrained from participating in the critical discourse surrounding his own work. He has given relatively few interviews over the course of his career and has little to do with the art press or critical establishment. Indeed, he granted Janet Kraynak and The MIT Press almost complete autonomy in the preparation of this volume. In contrast to Nauman's reputation for silence, however, from the beginning of his career, the incorporation of language has been a central feature of his art. This collection takes as its starting point the seeming paradox of an artist of so few words who produces an art of so many words. Please Pay Attention Please contains all of Nauman's major interviews from 1965 to 2001, as well as a comprehensive body of his writings, including instructions and proposal texts, dialogues transcribed from audio-video works, and prose texts written specifically for installation sculptures. Where relevant, the texts are accompanied by illustrations of the artworks for which they were composed. In the critical essay that serves as the book's introduction, the editor investigates Nauman's art in relation to the linguistic turn in art practices of the 1960s—understanding language through the speech act—and its legacy in contemporary art.
Author: Rye Dag Holmboe
Publisher: UCL Press
ISBN: 1787359468
Category : Social Science
Languages : en
Pages : 168
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Book Description
What do we mean when we say that we are bored? Or when we find a subject boring? Contributors to On Boredom: Essays in art and writing, which include artists, art historians, psychoanalysts and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance and automation. On Boredom is idiosyncratic for its combination of image and text, and the artworks included in its pages – by Mathew Hale, Martin Creed and Susan Morris – help turn this volume into a material expression of boredom itself. With other contributions from Josh Cohen, Briony Fer, Anouchka Grose, Rye Dag Holmboe, Margaret Iversen, Tom McCarthy and Michael Newman, the book will appeal to readers in the fields of art history, literature, cultural studies and visual culture, from undergraduate students to professional artists working in new media.
Author: Oona Doyle
Publisher:
ISBN: 9780995745605
Category : Art
Languages : en
Pages : 96
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Book Description
At a time when Abstract Expressionism prevailed and was identified as an American-abstract art, artists with a different vision adopted a less painterly and subjective approach. These?Minimal? artists attempted to remove expressive, narrative or symbolic interpretations for the viewer to concentrate on the qualities of form, colour, space and materials. To draw the viewer into a direct relationship with the artwork they created their own pictorial language, often based on the use of simple geometric forms and employed industrial materials.0The Marzona Collection was shown in a museum context in Vienna at the Museum Moderner Kunst Stiftung Ludwig in 1995, then during the 2001 Venice Biennale at Villa Manin (and also in the Kunsthalle Bielefeld) and has been on long-term loan to the Staatliche Museen zu Berlin.00Exhibition: Galerie Thaddaeus Ropac - Ely House, London, UK (28.04.-29.07.2017)).
Author: Anna Mahler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
Author: Sol LeWitt
Publisher: Archer Fields
ISBN:
Category : Art
Languages : en
Pages : 506
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Book Description
Author: Helen Cerne
Publisher:
ISBN: 9780980665178
Category :
Languages : en
Pages :
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Book Description
If we do not remember our childhoods do they still exist?Shifting is the true story of two children growing up in the aftermath of the Second World War. Attracted like a law of nature, Serge, a boy born in northern Italy and Helen, a girl born in Australia are inextricably drawn to each other in a changing world. A social history of the west of Melbourne in the 1950s-1960s, it is also a unique love story.This collaborative autobiography, told from a male and female perspective, explores the dynamics of family life, the importance of place and cultural dislocation in shaping identity. Understated and simply told, this is an evocative narrative about the emotional, social and psychological changes of two individuals maturing into adulthood. A fine and impressive work. It is accomplished at a high literary standard, with an acute understanding of the way fictive-literary stratagems can be incorporated in an autobiographical work to achieve an engaging and richly rewarding text for the reader.' - Kevin Brophy The vivid and detailed recreation of the texture of the decades through which the characters live is one of the strengths of the novel. - Jeri Kroll Shifting skilfully weaves and patterns two distinct voices and cultures ... to create a tapestry full of evocative detail and memorable characters struggling with loss, new beginnings and love. - Tom Petsinis
