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Author: Vincent van Gogh
Publisher: Metropolitan Museum of Art
ISBN: 0870993763
Category : Arles (France)
Languages : en
Pages : 273
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Book Description
"A collection of paintings and drawings produced by Vincent van Gogh while living in the South of France is accompanied by discussions of this period of his life and work."--GoogleBooks.
Author: Vincent van Gogh
Publisher: Metropolitan Museum of Art
ISBN: 0870993763
Category : Arles (France)
Languages : en
Pages : 273
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Book Description
"A collection of paintings and drawings produced by Vincent van Gogh while living in the South of France is accompanied by discussions of this period of his life and work."--GoogleBooks.
Author: Martin Bailey
Publisher: Frances Lincoln Children's Books
ISBN: 0711268185
Category : Art
Languages : en
Pages : 226
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Book Description
Studio of the South tells the fascinating story of Van Gogh's time in Arles and the Yellow House.
Author: Adele Tutter
Publisher: Taylor & Francis
ISBN: 1317510852
Category : Art
Languages : en
Pages : 281
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Book Description
Psychoanalysts have long been fascinated with creative artists, but have paid far less attention to the men and women who motivate, stimulate, and captivate them. The Muse counters this trend with nine original contributions from distinguished psychoanalysts, art historians, and literary scholars—one for each of the nine muses of classical mythology—that explore the muses of disparate artists, from Nicholas Poussin to Alison Bechdel. The Muse breaks new ground, pushing the traditional conceptualization of muses by considering the roles of spouse, friend, rival, patron, therapist—even a late psychoanalytic theorist—in facilitating creativity. Moreover, they do so not only by providing inspiration, but also by offering the artist needed material and emotional support; tolerating competitive aggression; promoting reflection and insight; and eliciting awe, anxiety and gratitude. Integrating art history and literary criticism with a wide spectrum of contemporary psychoanalytic perspectives, The Muse is essential reading for psychoanalysts and psychotherapists interested in the relationships that enhance and support creative work. Fully interdisciplinary, it is also accessible to readers in the fields of art, art history, literature, memoir, and film. The Muse sheds new light on that most mysterious dyad, the artist and muse—and thus on the creative process itself.
Author: Bernadette Murphy
Publisher: Farrar, Straus and Giroux
ISBN: 0374716021
Category : Art
Languages : en
Pages : 337
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Book Description
The best-known and most sensational event in Vincent van Gogh’s life is also the least understood. For more than a century, biographers and historians seeking definitive facts about what happened on a December night in Arles have unearthed more questions than answers. Why would an artist at the height of his powers commit such a brutal act? Who was the mysterious “Rachel” to whom he presented his macabre gift? Did he use a razor or a knife? Was it just a segment—or did Van Gogh really lop off his entire ear? In Van Gogh’s Ear, Bernadette Murphy reveals, for the first time, the true story of this long-misunderstood incident, sweeping away decades of myth and giving us a glimpse of a troubled but brilliant artist at his breaking point. Murphy’s detective work takes her from Europe to the United States and back, from the holdings of major museums to the moldering contents of forgotten archives. She braids together her own thrilling journey of discovery with a narrative of Van Gogh’s life in Arles, the sleepy Provençal town where he created his finest work, and vividly reconstructs the world in which he moved—the madams and prostitutes, café patrons and police inspectors, shepherds and bohemian artists. We encounter Van Gogh’s brother and benefactor Theo, his guest and fellow painter Paul Gauguin, and many local subjects of Van Gogh’s paintings, some of whom Murphy identifies for the first time. Strikingly, Murphy uncovers previously unknown information about “Rachel”—and uses it to propose a bold new hypothesis about what was occurring in Van Gogh’s heart and mind as he made a mysterious delivery to her doorstep. As it reopens one of art history’s most famous cold cases, Van Gogh’s Ear becomes a fascinating work of detection. It is also a study of a painter creating his most iconic and revolutionary work, pushing himself ever closer to greatness even as he edged toward madness—and one fateful sweep of the blade that would resonate through the ages.
Author: Various Authors
Publisher: Penguin Random House New Zealand Limited
ISBN: 1869799356
Category : Fiction
Languages : en
Pages : 240
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Book Description
From fifteen of New Zealand's finest short-fiction practitioners come stories to delight, amuse and move. These stories have been gathered from a range of titles, published in recent years by Vintage New Zealand and commended by readers and reviewers alike. Owen Marshall is regularly described as New Zealand's finest living short-story writer and his subtle story included here is testament to his skill. Peter Hawes presents a wickedly funny story alongside an amusing and intriguing tale from Craig Cliff's Commonwealth Prize winning collection A Man Melting. There are two very different stories playing with the genre of crime writing, from Julian Novitz and Fiona Farrell, about whom one reviewer wrote: 'she has the rare ability of turning the mundane events of domestic life into profound human experiences'. The stories range from New Zealand settings, such as Shonagh Koea's 'Rain', to stories set in America, Australia, Russia, Morocco and the Galapagos Islands, among other places. Montana Award winner Charlotte Grimshaw is represented by a vivid story of a childhood experience in France, her short story collections having been twice placed in the prestigious Frank O'Connor shortlist. Among the many other prize-winning authors, Fiona Kidman has also had a collection, The Trouble with Fire, shortlisted for this award, and the story included here is from that fine book. Sue Orr's story 'Recreation' comes from From Under the Overcoat, which won the 2012 People's Choice Award at the NZ Post Book Awards. While Sue Orr's story is a contemporary riff on a Maori myth, there are several stories touching on the war, of recent travel, of colonial appropriation, of love and friendship. Other stories are by Witi Ihimaera, Stephanie Johnson, Sarah Laing, Carl Nixon, Sarah Quigley and Peter Wells. A fabulous smorgasbord to satisfy every taste.
Author:
Publisher: John Francis Kinsella
ISBN:
Category : Fiction
Languages : en
Pages : 485
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Book Description
A mysterious French nobleman arrives at Ekaterina Tuomonova's gallery in Chelsea, London. He is in search of an expert in early 20th century Post Impressionist art. Olivier de la Salle proposes John and Ekaterina visit his château in Provence, in the South of France, where he needs help in identifying a collection of paintings long forgotten in the recesses of his château. The story explores the world of art and art dealers with their immensely rich clients, collectors and oligarchs, crooks and forgers, auction houses and museums, the vast sums of money that art attracts today, artists and their friends, their wealth and their misery, their mistresses and their patrons. It is the Belle Epoque, then comes World War I, the Russian Revolution, followed by World War II and the looting by the Nazis of Museums and Jewish families in 1940, and finally the arrival of Russian oligarchs who spend hundreds of millions of dollars to own the works of Picasso, Modigliani and their fellow artists who lived when Paris was the cultural centre of the world at the beginning of the twentieth century.
Author: John Bagnell Bury
Publisher:
ISBN:
Category : Byzantine Empire
Languages : en
Pages : 526
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Book Description
Author: Gerhard F. Probst
Publisher: University Press of Kentucky
ISBN: 0813161428
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Max Frisch, with his countryman Friederich Diirrenmatt, shares the place of eminence in contemporary Swiss literature. Indeed, he ranks high among the recent leading writers in the German language. But, although several of his works— novels and plays—have been translated into English, he remains little known in America. In this collection of essays an international group of scholars provides a fresh introduction to this noted author. The three leading essays review Frisch's work in the forms he has used most extensively—drama, narrative fiction, and the personal diary. The remaining nine essays focus on specific works or topics. Among the works examined are I'm Not Stiller, A Wilderness of Mirrors, Wilhelm Tell, and the recent Man in the Holocene. Among the topics are Frisch's use of language and images, his treatment of women, and the element of parody. Concluding the volume is the most complete bibliography on Frisch to appear in English to date.
Author: Julius Meier-Graefe
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 564
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Book Description
Author: Anna Barskaya
Publisher: Parkstone International
ISBN: 1780424868
Category : Art
Languages : en
Pages : 160
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Book Description
Paul Gauguin was first a sailor, then a successful stockbroker in Paris. In 1874 he began to paint at weekends as a Sunday painter. Nine years later, after a stock-market crash, he felt confident of his ability to earn a living for his family by painting and he resigned his position and took up the painter’s brush full time. Following the lead of Cézanne, Gauguin painted still-lifes from the very beginning of his artistic career. He even owned a still-life by Cézanne, which is shown in Gauguin’s painting Portrait of Marie Lagadu. The year 1891 was crucial for Gauguin. In that year he left France for Tahiti, where he stayed till 1893. This stay in Tahiti determined his future life and career, for in 1895, after a sojourn in France, he returned there for good. In Tahiti, Gauguin discovered primitive art, with its flat forms and violent colours, belonging to an untamed nature. With absolute sincerity, he transferred them onto his canvas. His paintings from then on reflected this style: a radical simplification of drawing; brilliant, pure, bright colours; an ornamental type composition; and a deliberate flatness of planes. Gauguin termed this style “synthetic symbolism”.
