Social Radicalism and the Arts PDF Download
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Author: Donald Drew Egbert
Publisher: Knopf Books for Young Readers
ISBN: 9780394446004
Category : Arts
Languages : en
Pages : 821
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Book Description
Author: Donald Drew Egbert
Publisher: Knopf Books for Young Readers
ISBN: 9780394446004
Category : Arts
Languages : en
Pages : 821
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Book Description
Author: Donald Drew Egbert
Publisher: Bloomsbury Academic
ISBN:
Category : Art
Languages : en
Pages : 916
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Book Description
Author: Donald Drew Egbert
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: David Art
Publisher: Cambridge University Press
ISBN: 1139498835
Category : Political Science
Languages : en
Pages : 289
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Book Description
What explains the cross-national variation in the radical right's electoral success over the last several decades? Challenging existing structural and institutional accounts, this book analyzes the dynamics of party building and explores the attitudes, skills and experiences of radical right activists in eleven different countries. Based on extensive field research and an original data set of radical right candidates for office, David Art links the quality of radical right activists to broader patterns of success and failure. He demonstrates how a combination of historical legacies and incentive structures produced activists who helped party building in some cases and doomed it in others. In an age of rising electoral volatility and the fading of traditional political cleavages, Inside the Radical Right makes a strong case for the importance of party leaders and activists as masters of their own fate.
Author: W. Eugene Kleinbauer
Publisher: University of Toronto Press
ISBN: 9780802067081
Category : Art
Languages : en
Pages : 548
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Book Description
A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. Originally published by Holt, Rinehart, and Winston, 1971.
Author: David Roberts
Publisher: Cornell University Press and Cornell University Library
ISBN: 0801460972
Category : Art
Languages : en
Pages : 305
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Book Description
In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.
Author: Gabriel Rockhill
Publisher: Columbia University Press
ISBN: 0231527780
Category : Philosophy
Languages : en
Pages : 289
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Book Description
Gabriel Rockhill opens new space for rethinking the relationship between art and politics. Rather than understanding the two spheres as separated by an insurmountable divide or linked by a privileged bridge, Rockhill demonstrates that art and politics are not fixed entities with a singular relation but rather dynamically negotiated, sociohistorical practices with shifting and imprecise borders. Radical History and the Politics of Art proposes a significant departure from extant debates on what is commonly called "art" and "politics," and the result is an impressive foray into the force field of history, in which cultural practices are meticulously analyzed in their social and temporal dynamism without assuming a conceptual unity behind them. Rockhill thereby develops an alternative logic of history and historical change, as well as a novel account of social practices and a multidimensional theory of agency. Engaging with a diverse array of intellectual, artistic, and political constellations, this tour de force diligently maps the various interactions between different dimensions of aesthetic and political practices as they intertwine and sometimes merge in precise fields of struggle.
Author: P. McLaughlin
Publisher: Springer
ISBN: 1137034823
Category : Political Science
Languages : en
Pages : 221
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Book Description
Confusion, controversy and even fear surrounds the political phenomenon of radicalism. This book attempts to make conceptual and historical sense of this phenomenon, both as a kind of practice and as a kind of thought, before defending it in a traditional if unfashionable form: a form that is historically progressive and politically humanistic.
Author: Dieter Rucht
Publisher: Westview Press
ISBN:
Category : History
Languages : en
Pages : 468
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Book Description
A study of social movements in ten Western democracies - a field of social science that is difficult to survey. The book summarizes theoretical approaches and their methodological correlates and provides an inventory of research on social movements in the US and nine West European countries.
Author: Gail E. Husch
Publisher: UPNE
ISBN: 9781584650065
Category : Art
Languages : en
Pages : 332
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Book Description
This major contribution to the study of antebellum religious art offers a detailed case study of American postmillennialism and its many visual expressions. Treating paintings as "intersections of cultural expression," Gail E. Husch begins with a single painting to spin out an interpretation in many directions, from the specific aesthetic and social concerns of artist and patron to the wider political and cultural concerns of Americans in the mid-19th century. Arguing that "genuine apocalyptic faith" was fundamental to American Protestants, Husch shows how artists, patrons, and ordinary citizens actively engaged contemporary questions of peace and war, freedom and slavery, and the equality of human beings before God in their visual arts. Part of an emerging revaluation of the role of the religious in American art, Husch asks us to read ideas as they function in works, rather than see images merely as passive illustrations of ideas. Weaving images drawn from high and low culture, politics, and religion, she develops a complex cultural narrative of the times, thus showing the truth of one picture being worth a thousand words.
