Social Caricature in the Eighteenth Century PDF Download
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Author: George Paston
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 424
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Book Description
Author: George Paston
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 424
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Book Description
Author: Selwyn Brinton
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 144
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Author: Amelia Faye Rauser
Publisher: Associated University Presse
ISBN: 9780874139860
Category : Art
Languages : en
Pages : 168
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Book Description
"This book is the first to examine the meaning encoded in the very form of caricature, and to explain its rise as a consequence of the emergence of modernity, especially the modern self."--BOOK JACKET.
Author: David Francis Taylor
Publisher: Yale University Press
ISBN: 0300235593
Category : Literary Criticism
Languages : en
Pages : 379
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Book Description
This engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the eighteenth-century British public make sense of political issues, outrages, and personalities. The first in-depth exploration of the relationship between literature and visual satire in this period, David Taylor’s book explores how great texts, seen through the lens of visual parody, shape how we understand the political world. It offers a fascinating, novel approach to literary history.
Author: Diana Donald
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300071788
Category : Art
Languages : en
Pages : 248
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Book Description
A study of history and satire in cartoons of the late eighteenth century.
Author: Joan B. Landes
Publisher: Cornell University Press
ISBN: 1501727532
Category : History
Languages : en
Pages : 273
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Book Description
Popular images of women were everywhere in revolutionary France. Although women's political participation was curtailed, female allegories of liberty, justice, and the republic played a crucial role in the passage from old regime to modern society. In her lavishly illustrated and gracefully written book, Joan B. Landes explores this paradox within the workings of revolutionary visual culture and traces the interaction between pictorial and textual political arguments. Landes highlights the widespread circulation of images of the female body, notwithstanding the political leadership's suspicions of the dangers of feminine influence and the seductions of visual imagery. The use of caricatures and allegories contributed to the destruction of the masculinized images of hierarchic absolutism and to forging new roles for men and women in both the intimate and public arenas. Landes tells the fascinating story of how the depiction of the nation as a desirable female body worked to eroticize patriotism and to bind male subjects to the nation-state. Despite their political subordination, women too were invited to identify with the project of nationalism. Recent views of the French Revolution have emphasized linguistic concerns; in contrast, Landes stresses the role of visual cognition in fashioning ideas of nationalism and citizenship. Her book demonstrates as well that the image is often a site of contestation, as individual viewers may respond to it in unexpected, even subversive, ways.
Author: Cindy McCreery
Publisher: Oxford University Press
ISBN: 9780199267569
Category : Art
Languages : en
Pages : 316
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Book Description
This is the first scholarly study to focus on satirical prints of women in the late eighteenth century. This was the golden age of graphic satire: thousands of prints were published, and they were viewed by nearly all sections of the population. These prints both reflected and sought to shape contemporary debate about the role of women in society. Cindy McCreery's study examines the beliefs and prejudices of Georgian England which they revealed.
Author: Nicholas K. Robinson
Publisher: Yale University Press
ISBN: 0300068018
Category : Biography & Autobiography
Languages : en
Pages : 233
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Book Description
For more than thirty years until his death in 1797, the statesman and writer Edmund Burke was a powerful and passionate voice on the great political issues of late eighteenth-century Britain. The broad range of his interests, as well as his Irish origins and his Catholic connections, made Burke a favorite target of such vitriolic and sometimes scurrilous caricaturists as Gillray, Rowlandson, Dent, and Sayers. This book follows and sheds new light on Burke's political, literary, and personal life by examining a wide selection of the caricatures in which he was featured. Nicholas Robinson puts the caricatures in context by reconstructing the day-to-day episodes of social and parliamentary activity and by reviewing the debates that took place about such issues as the influence of the Crown, relations with America, the governance of India, and the French Revolution. He shows how caricature was forged into a formidable political weapon, unravels the caricaturists' devices in representing the mannerisms and characteristics of Burke and his contemporaries, and investigates how Burke and other political figures, including Charles James Fox, William Pitt, George III, Lord North, and the Prince of Wales, fared as the subjects of the satirical prints. Robinson demonstrates that Catholic entryism, party politics, economic reform, aesthetics, good governance, the constitutional role of the monarch, the role and conduct of his heir, radicalism, and dissent were all treated pungently, facetiously, and often savagely in the prints. And from them emerges a fresh portrait of Burke as a person, statesman, intellectual, and man of honor.
Author: Henry George Hahn
Publisher: Scarecrow Press
ISBN: 9780810817869
Category : Fiction
Languages : en
Pages : 414
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Book Description
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