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Author: Jacob Pinger
Publisher: McFarland
ISBN: 1476640238
Category : Performing Arts
Languages : en
Pages : 205
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Book Description
Becoming a TV director is nothing like other professions. There is no road map. Traditionally, the only way to break in was through access to a powerful mentor to show you the way, but today creative people with a drive to direct are finding their own ways into the industry. In this book of interviews, working TV directors show you exactly how they did it. No two stories are exactly alike. These deeply personal interviews with a racially and culturally diverse range of eight women and eight men are candid and full of practical insights. For the first time in the 100-plus year history of the entertainment industry there are increasing opportunities to rise into the director's chair. This book reflects the hope and promise of a new era. Open the cover and discover the mentor you deserve.
Author: Sidney Pink
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
Author: Stephanie Palmer
Publisher: Crown Currency
ISBN: 0385525281
Category : Business & Economics
Languages : en
Pages : 290
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Book Description
Whether you work in Hollywood or not, the fact is that selling ideas is really difficult to do. The reason the pitching secrets of the most successful writers and directors are relevant is because these people have evolved an advanced method for selling ideas. Whether you’re a screenwriter, a journalist with an idea for a story, an entrepreneur with a business plan, an inventor with a blueprint, or a manager with an innovative solution, if you want other people to invest their time, energy, and money in your idea, you face an uphill battle…. When I was at MGM, the hardest part of my job was not cutthroat studio politics or grueling production schedules. The toughest part of my job was whenever I had to say “No” to an idea that was almost there. I had to say no a lot. Every buyer does. The buyer’s work is to say yes to projects that are ready, not almost ready. And no matter how good the script is, if the seller can’t pitch it in a compelling way, how can the buyer see the potential? How can he get his colleagues on board? How can he recommend the seller to his superiors? The fact is that poor pitches doom good projects. It happens all the time. The ideas, products and services that are pitched more effectively… win. That’s just how the game is played. No sense getting upset over it. Instead, let’s accept the challenge and learn the strategies and tactics that will allow us (and our ideas) to succeed. -From GOOD IN A ROOM Business consultant and former MGM Director of Creative Affairs Stephanie Palmer reveals the techniques used by Hollywood’s top writers, producers, and directors to get financing for their projects - and explains how you can apply these techniques to be more successful in your own high-stakes meetings. Because, as Palmer has found, the strategies used to sell yourself and your ideas in Hollywood not only work in other businesses, they often work better. Whether you are a manager or executive with an innovative proposal, a professional with a hot concept, a salesperson selling to a potential client or investor, or an entrepreneur with a business plan, GOOD IN A ROOM shows you how to: Master the five stages of the face-to-face meeting Avoid the secret dealbreakers of the first ninety seconds Be confident in high-pressure situations Present yourself better and more effectively than you ever have before Whether you want to ask for a raise, grow your client list, launch a new business or find financing for a creative project, you must not only present your ideas in a compelling way - you must also sell yourself, as well. GOOD IN A ROOM shows you how to construct a winning presentation and deliver the kind of performance that will get your project greenlighted, whatever industry you are in.
Author: David Bordwell
Publisher:
ISBN: 9780077108328
Category : Motion pictures
Languages : en
Pages : 532
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Book Description
Film is an art form with a language and an aesthetic all its own, and since 1979 David Bordwell and Kristin Thompson's Film Art has been the most repected introduction to the art and analysis of cinema. In the new seventh edition, Film Art continues its commitment to providing the best introduction to the fundamentals of serious film study - images throughout the book are collected from actual film frames, not from production stills or advertising photos - but the book has been extensively re-designed to improve readability and teachability. Additionally, the text can be packaged with the award-winning Film, Form, and Culture CD-ROM, and is supported by an extensive Instructor's Manual and text-specific website.
Author: Lloyd Kaufman
Publisher: St. Martin's Press
ISBN: 1429976136
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
Lloyd Kaufman, the writer/producer/director of such cult-classic films as The Toxic Avenger, Class of Nuke 'Em High, and Tromeo and Juliet, offers a guide to movie-making unlike any other available anywhere. In 25 years, Kaufman, along with partner Michael Herz, has built Troma Studios up from a company struggling to find its voice in a field crowded with competitors to its current--and legendary--status as a lone survivor, a bastion of true cinematic independence, and the world's greatest collection of camp on film. As entertaining and funny as it is informative and insightful, Make Your Own Damn Movie! places Kaufman's radically low-budget, independent-studio style of filmaking directly in the reader's hands. Thus we learn how to: develop and write a knock-out screenplay; raise funding; find locations and cast actors; hire a crew; obtain equipment, permits, and music rights (all for little or no money); make incredible special effects for $0.79 each; charm, schmooze, and network while on the film-festival circuit; and, finally, make a bad actor act so bad it's actually good. From scriptwriting and directing to financing and marketing, this book is brimming with utterly off-the-wall, decidedly maverick, yet consistently proven advice on how to fully develop one's idea for an independent film.
Author: Camille Landau
Publisher: Hyperion
ISBN: 9780786884773
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Two filmmakers who've beaten the system give the real dope on what it takes to get your movie made Do you have to go to film school to get your movies made No, say two young entrepreneurs who survived the grind. Here they offer 140 strategies for making movies no matter what. Amateurs as well as seasoned veterans can pick up this entertaining and incredibly useful guide in any place--at any point of crisis--and find tactics that work. Whether it's raising money or cutting your budget; dealing with angry landlords or angry cops; or jump-starting the production or stalling it while you finish the script, these strategies are delivered with funny, illustrative anecdotes from the authors' experiences and from veteran filmmakers eager to share their stories. Irreverent, invaluable, and a lot cheaper than a year's tuition, this friendly guide is the smartest investment any future filmmaker could make. Strategies from the book include: Love your friends for criticizing your work--especially at the script stage Shyness won't get you the donuts Duct tape miracles Don't fall in love with cast or crew (but if you do...)
Author: Jacob Pinger
Publisher: McFarland
ISBN: 1476640238
Category : Performing Arts
Languages : en
Pages : 205
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Book Description
Becoming a TV director is nothing like other professions. There is no road map. Traditionally, the only way to break in was through access to a powerful mentor to show you the way, but today creative people with a drive to direct are finding their own ways into the industry. In this book of interviews, working TV directors show you exactly how they did it. No two stories are exactly alike. These deeply personal interviews with a racially and culturally diverse range of eight women and eight men are candid and full of practical insights. For the first time in the 100-plus year history of the entertainment industry there are increasing opportunities to rise into the director's chair. This book reflects the hope and promise of a new era. Open the cover and discover the mentor you deserve.
Author: Lawrence Turman
Publisher: Crown Archetype
ISBN: 030754690X
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
Few jobs in Hollywood are as shrouded in mystery as the role of the producer. What does it take to be a producer, how does one get started, and what on earth does one actually do? In So You Want to Be a Producer Lawrence Turman, the producer of more than forty films, including The Graduate, The River Wild, Short Circuit, and American History X, and Endowed Chair of the famed Peter Stark Producing Program at the University of Southern California, answers these questions and many more. Examining all the nuts and bolts of production, such as raising money and securing permissions, finding a story and developing a script, choosing a director, hiring actors, and marketing your project, So You Want to Be a Producer is a must-have resource packed with insider information and first-hand advice from top Hollywood producers, writers, and directors, offering invaluable help for beginners and professionals alike. Including a comprehensive case study of Turman’s film The Graduate, this complete guide to the movie industry’s most influential movers and shakers brims with useful tips and contains all the information you need to take your project from idea to the big screen.
Author: Kevin J. Lindenmuth
Publisher: McFarland
ISBN: 0786493011
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
The success of low-budget independent films like The Blair Witch Project and Paranormal Activity have clearly demonstrated that successful movies can be made with very small budgets. Still, working on a tight budget requires both skill and ingenuity, and is an inevitable and continuous learning experience for the filmmaker. Join two dozen truly independent filmmakers--those used to working, and delivering, within extreme limitations--as they bluntly chronicle their experiences creating features "from the trenches." They cover the major stages of the filmmaking process, from financing, technical decisions, and handling actors and crew to music, production, and distribution. With loads of practical advice, actual case studies, and many behind-the-scenes photographs, this collection of war stories from the micro-budget front lines will benefit aspiring and experienced independent filmmakers alike.
Author: George Alexander
Publisher: Crown
ISBN: 0307419592
Category : Performing Arts
Languages : en
Pages : 546
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Book Description
A sparkling collection of interviews with African American directors and producers. Bringing together more than thirty candid conversations with filmmakers and producers such as Spike Lee, Gordon Parks, Julie Dash, Charles Burnett, and Robert Townsend, Why We Make Movies delivers a cultural celebration with the tips of a film-school master class. With journalist George Alexander, these revolutionary men and women discuss not only how they got their big breaks, but more importantly, they explore the creative process and what making movies means to them. Why We Make Movies also addresses the business of Hollywood and its turning tide, in a nation where African Americans comprise a sizable portion of the film-going public and go to the movies more frequently than whites. In addition, Alexander’s cast of directors and producers considers the lead roles they now play in everything from documentaries and films for television to broad-based blockbusters (in fact, the highest-grossing film in Miramax history was Scary Movie, directed by Keenen Ivory Wayans). For film buffs and aspiring filmmakers alike, Why We Make Movies puts a long-overdue spotlight on one of the most exciting and cutting-edge segments of today’s silver screen. INTERVIEWS INCLUDE: MELVIN VAN PEEBLES • MICHAEL SCHULTZ • CHARLES BURNETT • SPIKE LEE • ROBERT TOWNSEND • FRED WILLIAMSON • ERNEST DICKERSON • KEENEN IVORY WAYANS • ANTOINE FUQUA • BILL DUKE • FORREST WHITAKER • JULIE DASH • KASI LEMMONS • GINA PRINC-BLYTHEWOOD • JOHN SINGLETON • GEORGE TILLMAN Jr. • REGINALD HUDLIN • WARRINGTON HUDLIN • MALCOLM LEE • EUZHAN PALCY • DOUG McHENRY • DEBRA MARTIN CHASE • St. CLAIR BOURNE • STANLEY NELSON • WILLIAM GREAVES • KATHE SANDLER • CAMILLE BILLOPS • HAILE GERIMA • GORDON PARKS
Author: Rose Eichenbaum
Publisher: Wesleyan University Press
ISBN: 0819574945
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
In Rose Eichenbaum's latest book on the confluence of art making and human expression, she sits down with thirty-five modern day storytellers—the directors of theater, film, and television. Eichenbaum's subjects speak with revealing clarity about the entertainment industry, the role and life of the director, and how theatrical and cinematic storytelling impacts our culture and our lives. The Director Within includes interviews with Peter Bogdanovich (The Last Picture Show), Julie Taymor (The Lion King), Mel Brooks (Blazing Saddles), Tim Van Patten (The Sopranos, Boardwalk Empire), Hal Prince (The Phantom of the Opera), Barry Levinson (Rain Man), and many others. The interviews are skillfully crafted, sensitively executed, and brimming with honesty and insight. The accompanying portraits demonstrate Eichenbaum's mastery of photography and convey the truth, depth, and intimacy of their subjects. The Director Within is an inspirational, informative, and entertaining resource for anyone interested in creativity, art making, and artistic collaboration. The book includes a listing of works from each of the directors. Publication of this book is funded by the Beatrice Fox Auerbach Foundation Fund at the Hartford Foundation for Public Giving.
