Author: Adonis Aletras
Publisher: Createspace Independent Publishing Platform
ISBN: 9781985705159
Category :
Languages : en
Pages : 380
Book Description
In 'So You Want To Become a Media Composer?', Adonis Aletras provides all the necessary insight for beginners and professionals alike in a very unique way: by interviewing 65 of the BEST composers, performers and industry executives who are currently successful in their respective fields (more than 300 questions and answers). Offering their 'in the trenches' perspective through 5 custom questions, the interviewees (including John Debney, Jeff Beal, Bruce Broughton, Deborah Lurie, Steve Vai, Richard Kraft, Dawn Soler and dozens of esteemed others) provide answers that shed light into: film-TV scoring, composing for media, getting jobs, the business, academia, career, success/pitfalls, the industry, etc. No stone is left unturned in this one of a kind publication making it a must for anyone interested in pursuing a career in media composition.Presented in a clear and easy to navigate format, this book will be useful to aspiring composers, students and professionals who want to get an insider's view of how the best of the best handle their careers towards a path of success.
So, You Want to Become a Media Composer?
Author: Adonis Aletras
Publisher: Createspace Independent Publishing Platform
ISBN: 9781985705159
Category :
Languages : en
Pages : 380
Book Description
In 'So You Want To Become a Media Composer?', Adonis Aletras provides all the necessary insight for beginners and professionals alike in a very unique way: by interviewing 65 of the BEST composers, performers and industry executives who are currently successful in their respective fields (more than 300 questions and answers). Offering their 'in the trenches' perspective through 5 custom questions, the interviewees (including John Debney, Jeff Beal, Bruce Broughton, Deborah Lurie, Steve Vai, Richard Kraft, Dawn Soler and dozens of esteemed others) provide answers that shed light into: film-TV scoring, composing for media, getting jobs, the business, academia, career, success/pitfalls, the industry, etc. No stone is left unturned in this one of a kind publication making it a must for anyone interested in pursuing a career in media composition.Presented in a clear and easy to navigate format, this book will be useful to aspiring composers, students and professionals who want to get an insider's view of how the best of the best handle their careers towards a path of success.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781985705159
Category :
Languages : en
Pages : 380
Book Description
In 'So You Want To Become a Media Composer?', Adonis Aletras provides all the necessary insight for beginners and professionals alike in a very unique way: by interviewing 65 of the BEST composers, performers and industry executives who are currently successful in their respective fields (more than 300 questions and answers). Offering their 'in the trenches' perspective through 5 custom questions, the interviewees (including John Debney, Jeff Beal, Bruce Broughton, Deborah Lurie, Steve Vai, Richard Kraft, Dawn Soler and dozens of esteemed others) provide answers that shed light into: film-TV scoring, composing for media, getting jobs, the business, academia, career, success/pitfalls, the industry, etc. No stone is left unturned in this one of a kind publication making it a must for anyone interested in pursuing a career in media composition.Presented in a clear and easy to navigate format, this book will be useful to aspiring composers, students and professionals who want to get an insider's view of how the best of the best handle their careers towards a path of success.
Composing Audiovisually
Author: Louise Harris
Publisher: CRC Press
ISBN: 1000407365
Category : Computers
Languages : en
Pages : 228
Book Description
What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.
Publisher: CRC Press
ISBN: 1000407365
Category : Computers
Languages : en
Pages : 228
Book Description
What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.
Music on Demand
Author: Robert R. Faulkner
Publisher: Transaction Publishers
ISBN: 1412829232
Category :
Languages : en
Pages : 294
Book Description
Publisher: Transaction Publishers
ISBN: 1412829232
Category :
Languages : en
Pages : 294
Book Description
Avid Media Composer | First
Author: Avid Technology
Publisher: Rowman & Littlefield
ISBN: 1538143836
Category : Music
Languages : en
Pages : 263
Book Description
Avid Media Composer | First: Fundamentals of Video Editing introduces users to the power of Media Composer software and marks the first steps toward developing core skills in video editing. The book covers the basic principles you’ll need to complete a Media Composer | First project, from initial setup to final output, and it is designed for those who are new to professional video editing and also for experienced editors who are unfamiliar with Media Composer software. Each lesson and exercise will focus on a phase of the editing process, starting with organizing media, assembling a sequence, refining a sequence, creating titles and effects, and outputting your program so that others can view it. Although this book is not aimed at teaching the theory behind film and television production, the content provides some background on the craft of editing, making it appropriate for students and others new to the art. For those interested in gaining official Avid certification, this book is also a valuable introduction for further learning and through the Avid Learning Series curriculum.
Publisher: Rowman & Littlefield
ISBN: 1538143836
Category : Music
Languages : en
Pages : 263
Book Description
Avid Media Composer | First: Fundamentals of Video Editing introduces users to the power of Media Composer software and marks the first steps toward developing core skills in video editing. The book covers the basic principles you’ll need to complete a Media Composer | First project, from initial setup to final output, and it is designed for those who are new to professional video editing and also for experienced editors who are unfamiliar with Media Composer software. Each lesson and exercise will focus on a phase of the editing process, starting with organizing media, assembling a sequence, refining a sequence, creating titles and effects, and outputting your program so that others can view it. Although this book is not aimed at teaching the theory behind film and television production, the content provides some background on the craft of editing, making it appropriate for students and others new to the art. For those interested in gaining official Avid certification, this book is also a valuable introduction for further learning and through the Avid Learning Series curriculum.
A Composer's Guide to Game Music
Author: Winifred Phillips
Publisher: MIT Press
ISBN: 0262534495
Category : Music
Languages : en
Pages : 285
Book Description
A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field. Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips—herself an award-winning composer of video game music—provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field. Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business. A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.
Publisher: MIT Press
ISBN: 0262534495
Category : Music
Languages : en
Pages : 285
Book Description
A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field. Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips—herself an award-winning composer of video game music—provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field. Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business. A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.
Guerrilla Film Scoring
Author: Jeremy Borum
Publisher: Rowman & Littlefield
ISBN: 1442237309
Category : Performing Arts
Languages : en
Pages : 271
Book Description
As the movie and music industries have changed, film scoring has become an overwhelmingly independent process. Film composers have more responsibilities than ever before, and they must fulfill them with smaller budgets and shorter schedules. As a result, composers are increasingly becoming armies of one. In Guerrilla Film Scoring: Practical Advice from Hollywood Composers,Jeremy Borum provides valuable guidance on how to make a good film score both quickly and inexpensively. This handbook encompasses the entire film scoring process including education, preparation, writing and recording a score, editing, mixing and mastering, finding work, career development, and sample contracts. Offering strategic tools and techniques, this insider’s guide draws on the expertise from a number of prominent composers in movies, television, and video gaming, including Stewart Copeland, Bruce Broughton, and Jack Wall. A straightforward do-it-yourself manual, this book will help composers at all levels create the best-sounding scores quickly and cost effectively—without jeopardizing their art. With access to rare and extremely useful input from the best in the business, Guerrilla Film Scoring will benefit not only students but also professionals looking to update their game.
Publisher: Rowman & Littlefield
ISBN: 1442237309
Category : Performing Arts
Languages : en
Pages : 271
Book Description
As the movie and music industries have changed, film scoring has become an overwhelmingly independent process. Film composers have more responsibilities than ever before, and they must fulfill them with smaller budgets and shorter schedules. As a result, composers are increasingly becoming armies of one. In Guerrilla Film Scoring: Practical Advice from Hollywood Composers,Jeremy Borum provides valuable guidance on how to make a good film score both quickly and inexpensively. This handbook encompasses the entire film scoring process including education, preparation, writing and recording a score, editing, mixing and mastering, finding work, career development, and sample contracts. Offering strategic tools and techniques, this insider’s guide draws on the expertise from a number of prominent composers in movies, television, and video gaming, including Stewart Copeland, Bruce Broughton, and Jack Wall. A straightforward do-it-yourself manual, this book will help composers at all levels create the best-sounding scores quickly and cost effectively—without jeopardizing their art. With access to rare and extremely useful input from the best in the business, Guerrilla Film Scoring will benefit not only students but also professionals looking to update their game.
Scoring the Screen
Author: Andy Hill
Publisher: Hal Leonard Corporation
ISBN: 1540004813
Category : Music
Languages : en
Pages : 425
Book Description
(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."
Publisher: Hal Leonard Corporation
ISBN: 1540004813
Category : Music
Languages : en
Pages : 425
Book Description
(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."
Media Composer Fundamentals I
Author: Avid Technology
Publisher:
ISBN: 9781943446711
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781943446711
Category :
Languages : en
Pages :
Book Description
Crowdsourcing for Filmmakers
Author: Richard Botto
Publisher: Taylor & Francis
ISBN: 1317533038
Category : Art
Languages : en
Pages : 253
Book Description
Whether you’re a producer, screenwriter, filmmaker, or other creative, you probably have a project that needs constant exposure, or a product to promote. But how do you rise above the noise? In Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd, Richard Botto explains how to put crowdsourcing to use for your creative project, using social media, networking, branding, crowdfunding, and an understanding of your audience to build effective crowdsourcing campaigns, sourcing everything from film equipment to shooting locations. Botto covers all aspects of crowdsourcing: how to create the message of your brand, project, or initiative; how to mold, shape, and adjust it based on mass response; how to broadcast a message to a targeted group and engage those with similar likes, beliefs, or interests; and finally, how to cultivate those relationships to the point where the message is no longer put forth solely by you, but carried and broadcasted by those who have responded to it. Using a wealth of case studies and practical know-how based on his years of experience in the industry and as founder of Stage 32—the largest crowdsourced platform for film creatives—Richard Botto presents a comprehensive and hands-on guide to crowdsourcing creatively and expertly putting your audience to work on your behalf.
Publisher: Taylor & Francis
ISBN: 1317533038
Category : Art
Languages : en
Pages : 253
Book Description
Whether you’re a producer, screenwriter, filmmaker, or other creative, you probably have a project that needs constant exposure, or a product to promote. But how do you rise above the noise? In Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd, Richard Botto explains how to put crowdsourcing to use for your creative project, using social media, networking, branding, crowdfunding, and an understanding of your audience to build effective crowdsourcing campaigns, sourcing everything from film equipment to shooting locations. Botto covers all aspects of crowdsourcing: how to create the message of your brand, project, or initiative; how to mold, shape, and adjust it based on mass response; how to broadcast a message to a targeted group and engage those with similar likes, beliefs, or interests; and finally, how to cultivate those relationships to the point where the message is no longer put forth solely by you, but carried and broadcasted by those who have responded to it. Using a wealth of case studies and practical know-how based on his years of experience in the industry and as founder of Stage 32—the largest crowdsourced platform for film creatives—Richard Botto presents a comprehensive and hands-on guide to crowdsourcing creatively and expertly putting your audience to work on your behalf.
The Avid Assistant Editor's Handbook
Author: Kyra Coffie
Publisher:
ISBN: 9780615487755
Category : Avid Xpress
Languages : en
Pages : 420
Book Description
The Avid Assistant Editor's Handbook presents new users with what should be their first experience with this powerful software. Drawing from common Avid assistant editor tasks, the book starts with digitizing and ends with onlining and the final delivery of a show. There is also a comprehensive chapter on multigrouping that details this often-used process and often-encountered job requirement. The Avid Assistant Editor's Handbook provides new users a solid foundation for working in Avid, and it can accelerate an Avid assistant editor's transition to a coveted editor role.
Publisher:
ISBN: 9780615487755
Category : Avid Xpress
Languages : en
Pages : 420
Book Description
The Avid Assistant Editor's Handbook presents new users with what should be their first experience with this powerful software. Drawing from common Avid assistant editor tasks, the book starts with digitizing and ends with onlining and the final delivery of a show. There is also a comprehensive chapter on multigrouping that details this often-used process and often-encountered job requirement. The Avid Assistant Editor's Handbook provides new users a solid foundation for working in Avid, and it can accelerate an Avid assistant editor's transition to a coveted editor role.