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Author: C.M. Jackson-Houlston
Publisher: Routledge
ISBN: 1351956051
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions. It focuses on allusion to folksong, and, more tangentially, to popular culture, areas which have so far been slighted by literary critics. In the nineteenth century many authors attempted to mediate the culture(s) of the working classes for the enjoyment of their predominantly middle-class audiences. In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent. In addition, some writers who were well-informed about the cultures they described used allusion to song as a covert system of reference to topics such as sexuality and the criticism of class and gender relations which it was difficult to discuss directly.
Author: C.M. Jackson-Houlston
Publisher: Routledge
ISBN: 1351956051
Category : Literary Criticism
Languages : en
Pages : 337
Get Book Here
Book Description
As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions. It focuses on allusion to folksong, and, more tangentially, to popular culture, areas which have so far been slighted by literary critics. In the nineteenth century many authors attempted to mediate the culture(s) of the working classes for the enjoyment of their predominantly middle-class audiences. In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent. In addition, some writers who were well-informed about the cultures they described used allusion to song as a covert system of reference to topics such as sexuality and the criticism of class and gender relations which it was difficult to discuss directly.
Author: Alfred Roffe
Publisher:
ISBN:
Category : Music in literature
Languages : en
Pages : 144
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Book Description
Author: Constance Sutcliffe Marriott
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
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Book Description
Author:
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 314
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Book Description
Author:
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 1112
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Book Description
Author: Erin Minear
Publisher: Routledge
ISBN: 1317063724
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.
Author: Agnes Kate Foxwell
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
Author: Henry Fleetwood Sheppard
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 310
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Book Description
Author: Andrew C. Rouse
Publisher: SPECHEL
ISBN: 9630894572
Category : Language Arts & Disciplines
Languages : en
Pages : 149
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Book Description
Charles Dickens 200: Text and Beyond: a commemorative volume is the second volume in the new SPECHEL e-ditions series. It commemorates the two-hundredth anniversary of Dickens’s birth, and for the purpose brings together, in addition to ‘dyed-in-the-wool’ Dickensians, a curious variety of experts from a miscellany of areas of expertise ranging from folksinger to linguist and even magician. The chapters approach Charles Dickens from musical aspects ranging from opera to music-hall song and street ballad, from his role as a family conjuror, to psychological analyses of various of his characters and linguistic analysis of his style. He is regarded through the prism of the Irish literary scene but also through the eye of the Hungarian translator of his work, through operatic and photographic adaptations of his subject-matter. Every new chapter produces an exciting and unexpected new facet of the author, whose birth the volume celebrates.
Author: Dan Gutstein
Publisher: Univ. Press of Mississippi
ISBN: 1496849361
Category : Music
Languages : en
Pages : 223
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Book Description
Poor Gal: The Cultural History of Little Liza Jane chronicles the origins and evolution of a folk tune beloved by millions worldwide. Dan Gutstein delves into the trajectory of the “Liza Jane” family of songs, including the most popular variant “Li’l Liza Jane.” Likely originating among enslaved people on southern plantations, the songs are still performed and recorded centuries later. Evidence for these tunes as part of the repertoire of enslaved people comes from the Works Progress Administration ex-slave narratives that detail a range of lyrics and performance rituals related to “Liza Jane.” Civil War soldiers and minstrel troupes eventually adopted certain variants, including “Goodbye Liza Jane.” This version of the song prospered in the racist environment of burnt cork minstrelsy. Other familiar variants, such as “Little Liza Jane,” likely remained fixed in folk tradition until early twentieth-century sheet music popularized the melody. New genres and a slate of stellar performers broadly adopted these folk songs, bringing the tunes to far-reaching listeners. In 1960, to an audience of more than thirty million viewers, Harry Belafonte performed “Little Liza Jane” on CBS. The song was featured on such popular radio shows as Fibber McGee & Molly; films such as Coquette; and a Mickey Mouse animation. Hundreds of recognizable performers—including Fats Domino, Bing Crosby, Nina Simone, Mississippi John Hurt, and Pete Seeger—embraced the “Liza Jane” family. David Bowie even released “Liza Jane” as his first single. Gutstein documents these famous renditions, as well as lesser-known characters integral to the song’s history. Drawing upon a host of cultural insights from experts—including Eileen Southern, Carl Sandburg, Thomas Talley, LeRoi Jones/Amiri Baraka, Charles Wolfe, Langston Hughes, and Alan Lomax—Gutstein charts the cross-cultural implications of a voyage unlike any other in the history of American folk music.
