Author: Heinrich Mann
Publisher: New York, Creative age Press, Incorporated [1944]
ISBN:
Category : German literature
Languages : en
Pages : 264
Book Description
Small Town Tyrant
Author: Heinrich Mann
Publisher: New York, Creative age Press, Incorporated [1944]
ISBN:
Category : German literature
Languages : en
Pages : 264
Book Description
Publisher: New York, Creative age Press, Incorporated [1944]
ISBN:
Category : German literature
Languages : en
Pages : 264
Book Description
German Literature of the Twentieth Century
Author: Ingo Roland Stoehr
Publisher: Boydell & Brewer
ISBN: 9781571131577
Category : Literary Criticism
Languages : en
Pages : 554
Book Description
Traces literary developments in the German-speaking countries from 1900 to the present. This study of German literature in the past hundred years sets its subject clearly in the artistic and political context of developments in Western Europe during the century. It begins with the turn-of-the-century aestheticism andvisions of decay led by Schnitzler, Hofmannsthal and other Austrian writers, and the quite different explosion of new artistic energy in the Expressionist and Dada movements. These movements are succeeded by the rise of Modernism, culminating in the inter-war years: the poetry of Rilke, Brecht's epic theatre, and novels by Thomas Mann, Kafka, Hesse, Musil, Doblin and Broch; the influence of Nazism on literary production is considered. The study of developments after 1945 reflects the struggle to establish a post-Holocaust literature and to deal with the questions posed by the political division of Germany. Finally, the convergence of East and West German literature after unification is addressed. Ingo R. Stoehr teaches literature at Kilgore College, Texas, and is editor of the bilingual journal of German literature in English translation, Dimension2.
Publisher: Boydell & Brewer
ISBN: 9781571131577
Category : Literary Criticism
Languages : en
Pages : 554
Book Description
Traces literary developments in the German-speaking countries from 1900 to the present. This study of German literature in the past hundred years sets its subject clearly in the artistic and political context of developments in Western Europe during the century. It begins with the turn-of-the-century aestheticism andvisions of decay led by Schnitzler, Hofmannsthal and other Austrian writers, and the quite different explosion of new artistic energy in the Expressionist and Dada movements. These movements are succeeded by the rise of Modernism, culminating in the inter-war years: the poetry of Rilke, Brecht's epic theatre, and novels by Thomas Mann, Kafka, Hesse, Musil, Doblin and Broch; the influence of Nazism on literary production is considered. The study of developments after 1945 reflects the struggle to establish a post-Holocaust literature and to deal with the questions posed by the political division of Germany. Finally, the convergence of East and West German literature after unification is addressed. Ingo R. Stoehr teaches literature at Kilgore College, Texas, and is editor of the bilingual journal of German literature in English translation, Dimension2.
The Violence of Reading
Author: Dominik Zechner
Publisher: Springer Nature
ISBN: 3031531922
Category :
Languages : en
Pages : 212
Book Description
Publisher: Springer Nature
ISBN: 3031531922
Category :
Languages : en
Pages : 212
Book Description
English After the Fall
Author: Robert Scholes
Publisher: University of Iowa Press
ISBN: 160938055X
Category : Education
Languages : en
Pages : 187
Book Description
"Scholes moves from identifying where the discipline has failed to providing concrete solutions that will help restore vitality and relevance to the discipline." -- back cover
Publisher: University of Iowa Press
ISBN: 160938055X
Category : Education
Languages : en
Pages : 187
Book Description
"Scholes moves from identifying where the discipline has failed to providing concrete solutions that will help restore vitality and relevance to the discipline." -- back cover
A Companion to the Works of Hermann Broch
Author: Graham Bartram
Publisher: Studies in German Literature L
ISBN: 1571135413
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Hermann Broch (1886-1951) is best known for his two major modernist works, The Sleepwalkers (3 vols., 1930-1932) and The Death of Virgil (1945), which frame a lifetime of ethical, cultural, political, and social thought. A textile manufacturer by trade, Broch entered the literary scene late in life with an experimental view of the novel that strove towards totality and vividly depicted Europe's cultural disintegration. As fascism took over and Broch, a Viennese Jew, was forced into exile, his view of literature as transformative was challenged, but his commitment to presenting an ethical view of the crises of his time was unwavering. An important mentor and interlocutor for contemporaries such as Arendt and Canetti as well as a continued inspiration for contemporary authors, Broch wrote to better understand and shape the political and cultural conditions for a postfascist world. This volume covers the major literary works and constitutes the first comprehensive introduction in English to Broch's political, cultural, aesthetic, and philosophical writings. Contributors: Graham Bartram, Brechtje Beuker, Gisela Brude-Firnau, Gwyneth Cliver, Jennifer Jenkins, Kathleen L. Komar, Paul Michael Lützeler, Gunther Martens, Sarah McGaughey, Judith Ryan, Judith Sidler, Galin Tihanov, Sebastian Wogenstein. Graham Bartram retired as Senior Lecturer in German Studies at the University of Lancaster, UK. Sarah McGaughey is Associate Professor of German at Dickinson College, USA. Galin Tihanov is the George Steiner Professor of Comparative Literature at Queen Mary University of London, UK.
Publisher: Studies in German Literature L
ISBN: 1571135413
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Hermann Broch (1886-1951) is best known for his two major modernist works, The Sleepwalkers (3 vols., 1930-1932) and The Death of Virgil (1945), which frame a lifetime of ethical, cultural, political, and social thought. A textile manufacturer by trade, Broch entered the literary scene late in life with an experimental view of the novel that strove towards totality and vividly depicted Europe's cultural disintegration. As fascism took over and Broch, a Viennese Jew, was forced into exile, his view of literature as transformative was challenged, but his commitment to presenting an ethical view of the crises of his time was unwavering. An important mentor and interlocutor for contemporaries such as Arendt and Canetti as well as a continued inspiration for contemporary authors, Broch wrote to better understand and shape the political and cultural conditions for a postfascist world. This volume covers the major literary works and constitutes the first comprehensive introduction in English to Broch's political, cultural, aesthetic, and philosophical writings. Contributors: Graham Bartram, Brechtje Beuker, Gisela Brude-Firnau, Gwyneth Cliver, Jennifer Jenkins, Kathleen L. Komar, Paul Michael Lützeler, Gunther Martens, Sarah McGaughey, Judith Ryan, Judith Sidler, Galin Tihanov, Sebastian Wogenstein. Graham Bartram retired as Senior Lecturer in German Studies at the University of Lancaster, UK. Sarah McGaughey is Associate Professor of German at Dickinson College, USA. Galin Tihanov is the George Steiner Professor of Comparative Literature at Queen Mary University of London, UK.
The A to Z of German Cinema
Author: Robert C. Reimer
Publisher: Rowman & Littlefield
ISBN: 0810876116
Category : Motion pictures
Languages : en
Pages : 524
Book Description
German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.
Publisher: Rowman & Littlefield
ISBN: 0810876116
Category : Motion pictures
Languages : en
Pages : 524
Book Description
German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.
Torments of the Soul
Author: Antonino Ferro
Publisher: Routledge
ISBN: 1317539583
Category : Psychology
Languages : en
Pages : 225
Book Description
In Torments of the Soul, Antonino Ferro revisits and expands on a theme that has long been at the heart of his work: the study of dreams during sleep and in the waking state, and the psychoanalytic narrative. Following Bion, he focuses on the importance of what he sees as the task of contemporary psychoanalysis for generating, containing and transforming previously unmanageable emotions with a clinical psychoanalytic context. Antonino Ferro explores the concepts of 'transformations in dreaming', the session as a dream, individuals transformed into characters, the interpretation of these characters, and readings of them as the functioning of a single mind or as an analytic field created by the meeting of two minds: the client's and the analyst's. Here, a new identity, the analytic field, is formed from the reverie of both participants, which makes it possible to work on complex, nonlinear phenomena in a radical way, creating a 'royal road' to the unconscious communication of the patient. Torments of the Soul contains a plethora of clinical vignettes from the author's extensive psychoanalytic work with adults and children to illustrate the substantial theoretical progression he advocates here. Offering significant and important new interpretations of theories and ways of working with patients, this book will be essential reading for psychoanalysts, psychotherapists, psychologists, students of these fields and those interested in the human sciences.
Publisher: Routledge
ISBN: 1317539583
Category : Psychology
Languages : en
Pages : 225
Book Description
In Torments of the Soul, Antonino Ferro revisits and expands on a theme that has long been at the heart of his work: the study of dreams during sleep and in the waking state, and the psychoanalytic narrative. Following Bion, he focuses on the importance of what he sees as the task of contemporary psychoanalysis for generating, containing and transforming previously unmanageable emotions with a clinical psychoanalytic context. Antonino Ferro explores the concepts of 'transformations in dreaming', the session as a dream, individuals transformed into characters, the interpretation of these characters, and readings of them as the functioning of a single mind or as an analytic field created by the meeting of two minds: the client's and the analyst's. Here, a new identity, the analytic field, is formed from the reverie of both participants, which makes it possible to work on complex, nonlinear phenomena in a radical way, creating a 'royal road' to the unconscious communication of the patient. Torments of the Soul contains a plethora of clinical vignettes from the author's extensive psychoanalytic work with adults and children to illustrate the substantial theoretical progression he advocates here. Offering significant and important new interpretations of theories and ways of working with patients, this book will be essential reading for psychoanalysts, psychotherapists, psychologists, students of these fields and those interested in the human sciences.
A Critical History of German Film
Author: Stephen Brockmann
Publisher: Camden House
ISBN: 1571134689
Category : Music
Languages : en
Pages : 534
Book Description
A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenomenon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Providing historical context through an introduction and interchapters preceding the treatments of each era's films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague - The Cabinet of Dr. Caligari - The Last Laugh - Metropolis - The Blue Angel - M - Triumph of the Will - The Great Love - The Murderers Are among Us - Sun Seekers - Trace of Stones - The Legend of Paul and Paula - Solo Sunny - The Bridge - Young T rless - Aguirre, The Wrath of God - Germany in Autumn - The Marriage of Maria Braun - The Tin Drum - Marianne and Juliane - Wings of Desire - Maybe, Maybe Not - Rossini - Run Lola Run - Good Bye Lenin - Head On - The Lives of Others Stephen Brockmann is Professor of German at Carnegie Mellon University and past President of the German Studies Assocation.
Publisher: Camden House
ISBN: 1571134689
Category : Music
Languages : en
Pages : 534
Book Description
A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenomenon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Providing historical context through an introduction and interchapters preceding the treatments of each era's films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague - The Cabinet of Dr. Caligari - The Last Laugh - Metropolis - The Blue Angel - M - Triumph of the Will - The Great Love - The Murderers Are among Us - Sun Seekers - Trace of Stones - The Legend of Paul and Paula - Solo Sunny - The Bridge - Young T rless - Aguirre, The Wrath of God - Germany in Autumn - The Marriage of Maria Braun - The Tin Drum - Marianne and Juliane - Wings of Desire - Maybe, Maybe Not - Rossini - Run Lola Run - Good Bye Lenin - Head On - The Lives of Others Stephen Brockmann is Professor of German at Carnegie Mellon University and past President of the German Studies Assocation.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1620
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1620
Book Description
Yiddish Writers in Weimar Berlin
Author: Marc Caplan
Publisher: Indiana University Press
ISBN: 0253051991
Category : Literary Criticism
Languages : en
Pages : 394
Book Description
In Yiddish Writers in Weimar Berlin, Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers—Dovid Bergelson, Der Nister, and Moyshe Kulbak—working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it. Yiddish Writers in Weimar Berlin reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism.
Publisher: Indiana University Press
ISBN: 0253051991
Category : Literary Criticism
Languages : en
Pages : 394
Book Description
In Yiddish Writers in Weimar Berlin, Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers—Dovid Bergelson, Der Nister, and Moyshe Kulbak—working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it. Yiddish Writers in Weimar Berlin reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism.