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Author: Susanna W. Gold
Publisher: Routledge
ISBN: 1315453118
Category : Art
Languages : en
Pages : 422
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Book Description
The Centennial decade was an era of ambivalence, the United States still unresolved about the incomprehensible damage it had wrought over four years of Civil War, and why. Philadelphia’s 1876 Centennial Exhibition -- a spectacular international event celebrating one hundred years of American strength, unity, and freedom -- took place in the immediate wake of this trauma of war and the failures of Reconstruction as a means to restore power and patriotism in the nation’s struggle to rebuild itself. The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era. This careful consideration of the visual record exposes the complexities of the war’s impact on Americans and clarifies how the Centennial art exhibition affected a nation still finding its direction at a critical moment in its history.
Author:
Publisher:
ISBN:
Category : Numismatics
Languages : en
Pages : 1906
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Book Description
Author: Susanna W. Gold
Publisher: Routledge
ISBN: 1315453118
Category : Art
Languages : en
Pages : 422
Get Book Here
Book Description
The Centennial decade was an era of ambivalence, the United States still unresolved about the incomprehensible damage it had wrought over four years of Civil War, and why. Philadelphia’s 1876 Centennial Exhibition -- a spectacular international event celebrating one hundred years of American strength, unity, and freedom -- took place in the immediate wake of this trauma of war and the failures of Reconstruction as a means to restore power and patriotism in the nation’s struggle to rebuild itself. The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era. This careful consideration of the visual record exposes the complexities of the war’s impact on Americans and clarifies how the Centennial art exhibition affected a nation still finding its direction at a critical moment in its history.
Author:
Publisher:
ISBN:
Category : Numismatics
Languages : en
Pages : 1054
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Book Description
Author: Anne Rivers Siddons
Publisher: Simon and Schuster
ISBN: 1416553509
Category : Fiction
Languages : en
Pages : 387
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Book Description
Presents the coming-of-age story of a young woman in Southern society.
Author: John Henry Hepp
Publisher: Brookline Books
ISBN: 1955041032
Category : History
Languages : en
Pages : 161
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Book Description
First book on the Centennial in nearly four decades, offering a new insight into this seminal event. The Centennial was America’s first world’s fair, taking place only twenty-five years after the first international exposition in London. The exhibition was a paean to progress by people fascinated by science and technology. The organizers—largely leading Pennsylvania industrialists and merchants—wanted to show the world that the United States was as advanced as any nation in Europe and for the most part their plan succeeded. Everyday Americans attended the fair to be reassured of their nation’s economic and technological past, present, and future. Mystery and Marvel looks at the 1876 Centennial Exposition through the eyes of the ten million visitors to the fair to help us understand the technological enthusiasm of middle-class Victorians. Although this enthusiasm was not unbounded and was occasionally tinged with a combination of nostalgia and uncertainty, overall the women and men of the late nineteenth century were usually happy to be part of a world they thought was as modern and as cutting edge as the one we live in today. In and around the buildings that appeared in the city’s Fairmount Park that spring and summer were the physical embodiments of this culture. The sights, the sounds, and even the smells of the exhibition presaged the coming of a modern America. In 1876 Philadelphia was the nation’s largest manufacturing city and Pennsylvania one of the most important industrial states. The exposition can serve as a wonderful lens to examine America’s shift from the young agricultural republic of 1800 to the industrial empire of 1900.
Author: Marta Gutman
Publisher: University of Chicago Press
ISBN: 022615615X
Category : History
Languages : en
Pages : 479
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Book Description
American cities are constantly being built and rebuilt, resulting in ever-changing skylines and neighborhoods. While the dynamic urban landscapes of New York, Boston, and Chicago have been widely studied, there is much to be gleaned from west coast cities, especially in California, where the migration boom at the end of the nineteenth century permanently changed the urban fabric of these newly diverse, plural metropolises. In A City for Children, Marta Gutman focuses on the use and adaptive reuse of everyday buildings in Oakland, California, to make the city a better place for children. She introduces us to the women who were determined to mitigate the burdens placed on working-class families by an indifferent industrial capitalist economy. Often without the financial means to build from scratch, women did not tend to conceive of urban land as a blank slate to be wiped clean for development. Instead, Gutman shows how, over and over, women turned private houses in Oakland into orphanages, kindergartens, settlement houses, and day care centers, and in the process built the charitable landscape—a network of places that was critical for the betterment of children, families, and public life. The industrial landscape of Oakland, riddled with the effects of social inequalities and racial prejudices, is not a neutral backdrop in Gutman’s story but an active player. Spanning one hundred years of history, A City for Children provides a compelling model for building urban institutions and demonstrates that children, women, charity, and incremental construction, renovations, alterations, additions, and repurposed structures are central to the understanding of modern cities.
Author: Gayle Graham Yates
Publisher: LSU Press
ISBN: 9780807129371
Category : History
Languages : en
Pages : 232
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Book Description
Gayle Graham Yates's hometown sits on the banks of the Chickasawhay River, boasting the live oak, dogwood, and magnolia trees found throughout southern Mississippi. Like any place, Shubuta (population 650) is inhabited by good people and bad, by virtue and vice. Both a literary memoir and a cultural history, this book chronicles Yates's return to the town in which she first knew goodness and came to recognize immorality. Blending folklore and personal impressions with the words of Shubuta people telling their own stories, Yates offers a rich narrative of the town from its Choctaw prehistory through the tremendous economic, political, racial, and social changes that led to its present. The author's pilgrimage leads us to the Hanging Bridge, where some black Shubutans were lynched; to a bank that did not fail during the Great Depression; and to the office of the doctor who tends broken hearts as well as broken arms. Yates takes us to Shubuta's most beautiful gardens and ugliest vacant lots, to all the stores in town, to the new post office, and to the town hall. In the process, we learn how Shubuta evolved from a racially stratified town to one in which the descendants of slaves are now political leaders, librarians, business owners, and police officials. Yates also tells of her own moral journey from judgmental young activist to middle-aged scholar mellowed by experience, travel, and reading who sees her home with newfound compassion. Ultimately, she shows us Small Town southern America: a strong, frail, fascinating, and complex human community.
Author: American Revolution Bicentennial Administration
Publisher:
ISBN:
Category : American Revolution Bicentennial, 1776-1976
Languages : en
Pages : 538
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Book Description
Author:
Publisher:
ISBN:
Category : Numismatics
Languages : en
Pages : 644
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Book Description
Author: Richard W. Etulain
Publisher: University of Oklahoma Press
ISBN: 080615263X
Category : Biography & Autobiography
Languages : en
Pages : 277
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Book Description
This exhaustive bibliographical reference will be the first stop for anyone looking for Calamity Jane in print, film, or photograph—and wanting to know how reliable those sources may be. Richard W. Etulain, renowned western-U.S. historian and the author of a recent biography of this charismatic figure, enumerates and assesses the most valuable sources on Calamity Jane’s life and legend in newspapers, magazines, journals, books, and movies, as well as historical and government archives. Etulain begins with a brief biography of Martha Canary, aka Calamity Jane (1856–1903), then analyzes the origins and growth of her legends. The sources, Etulain shows, reveal three versions of Calamity Jane. In the most popular one, she was a Wild Woman of the Old West who helped push a roaring frontier through its final stages. This is the Calamity Jane who fought Indians, marched with the military, and took on the bad guys. Early in her life she also hoped to embody the pioneer woman, seeking marriage and a stable family and home. A third, later version made of Calamity an angel of mercy who reached out to the poor and nursed smallpox victims no one else would help. The hyperbolic journalism of the Old West, as well as dime novels and the stretchers Calamity herself told in her interviews and autobiography, shaped her legends through much of the twentieth century. Many of the sensational early accounts of Calamity’s life, Etulain notes, were based on rumor and hearsay. In illuminating the role of the Deadwood Dick dime novel series and other pulp fiction in shaping what we know—or think we know—of the American West, Etulain underscores one of his fascinating themes: the power of popular culture. The product of twenty years’ labor sifting fact from falsehood or distortion, this bibliography and reader’s guide includes brief discussions of nearly every item’s contents, along with a terse, entertaining evaluation of its reliability.
