Author: Slim Dusty
Publisher: Hachette Australia
ISBN: 0733633439
Category : Biography & Autobiography
Languages : en
Pages : 391
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Book Description
Australia's greatest country singer-songwriter Slim Dusty's own story, written with Joy McKean, his wife for 50 years - now updated. 'It seems I've done most things I wanted to do, but of all things, I think I most enjoy finding good songs and recording them. There are so many songs I want to record that I will be kept busy for as long as I can keep it up ... It is the people you meet along the road of life who make the travelling easier. No wonder I loved it all.' - Slim Dusty Slim Dusty was Australia's most well-loved and best known country music performer. A legend in the bush, his famous hit 'A Pub With No Beer' made him a household name in the towns and cities too. This is the story of the life that Slim Dusty and Joy McKean shared for their fifty years of marriage and touring together - their love for each other, their family and their music - and their determination to bring country music to the whole of Australia. Slim died in 2003, but throughout Australia, and around the world, people are still playing his songs and passing them on to new generations of fans. In this updated edition of the classic autobiography, Joy McKean writes about her family's commitment to honouring his memory and their work to keep his name alive. If you love today's Australian country music, this is the story of where it all started. '... just like his lyrics, the prose is perfect. Here he is talking about the early Dusty days. It's just like listening to a bright spark in the bush.' - The Age 'Slim blazed the red-dirt trail for Australian singer/songwriters, allowing us to remain unashamedly ourselves.' - Missy Higgins
Author: John O'Donnell
Publisher: Hardie Grant Publishing
ISBN: 174273555X
Category : Music
Languages : en
Pages : 258
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Book Description
Australian music has a proud, colourful and successful history. In 2008, Australian rock and roll turned 50. This book names the best Australian albums of the last 50 years. It places each album in order (from 1 u 100) and discusses why each album deserves its place. It tells the story behind the making of the album, where the album fits in the artist's career and the album's impact on the local and world stage etc. The entries will feature new interviews with the artists and the producers/managers involved in the recording and the release of the album. It wouldn't be a good list if it didn't polarise people and we hope that this list will. We also hope that it will get people sitting around comparing their favourites and discovering or re-discovering these great albums and others. With 70 years of loving and writing about Australian music between us, we shamelessly believe we've earned the right to write this book. And we think we've got it right. Let the debate begin.o u John O'Donnell, April 2010 Finally, here is a much-needed list of argument-starting top 100 seminal/ influential/essential Australian albums of all time. Let the fight begin!
Author: Joy McKean
Publisher: Hachette UK
ISBN: 0733632882
Category : Biography & Autobiography
Languages : en
Pages : 303
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Book Description
Australia's Queen of country music, Joy McKean, takes us on the road of her life. This is the story of Joy's career as a performer and song writer, her decades of touring around Australia and her marriage of more than fifty years to Slim Dusty. Award-winning songwriter and musician Joy McKean wrote many of her husband Slim Dusty's most famous songs and won the first Golden Guitar awarded at the Tamworth Country Music Festival. Now, for the first time, Joy explores her own life from childhood to the present, fifty years of marriage to Slim, songwriting, recording and touring, while raising their children Anne and David. Joy reveals an Australia that has long gone, when she and Slim and their band would load up trucks and caravans and drive across the country, putting on a show in every town, then moving on to do it all again the next night, and winning legions of fans along the way. Inspiring and entertaining, Joy takes us into the heart and soul of her life of music and memories. The companion CD, Riding This Road (the Record Collection) from EMI Music, a collection of Joy's songs from over the decades, is available now. Joy McKean is also the author for bestselling Slim Dusty biography, I'VE BEEN THERE AND BACK AGAIN.
Author: Slim Dusty
Publisher:
ISBN: 9780908476138
Category : Country music
Languages : en
Pages : 132
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Book Description
Author: Peter Pinne
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 444
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Book Description
Author: Toby Martin
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 0734037791
Category : Music
Languages : en
Pages : 192
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Book Description
This landmark book tells the story of one of the most enduring forms of popular culture in Australia. Prior to the 1950s, country music was called hillbilly music. Hillbilly was the rock ‘n’ roll of its day. The latest craze, straight from America, it was young, exciting and glamorous. This book traces the journey hillbilly took to become country: the rural nationalistic form it is known as today. Yodelling Boundary Riders is the first book to contextualise country music into a broader story about Australian history. Not just concerned with the development of music itself, it is also a history of the ways in which Australians have responded to the rapid rate of change in the twentieth century and the global fascination with “authenticity”. True to its subject matter, the writing is colourful and entertaining. Along the way Martin introduces some wonderful characters and events: yodelling stockmen, singing cowgirls, sentimental cowboys, coo-ees in Nashville, hobos on the mail train, the Sheik of Scrubby Creek and Australia’s craziest hillbillies.
Author: Julie Danneberg
Publisher: Charlesbridge Publishing
ISBN: 1580890458
Category : Children's stories
Languages : en
Pages : 35
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Book Description
Untalented at riding, roping, and cracking a whip, Slim the cowboy calms a stampeding herd of cattle with his poetry.
Author: Bart Plantenga
Publisher: Routledge
ISBN: 1136716726
Category : Music
Languages : en
Pages : 360
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Book Description
Yodel-Ay-Ee-Oooo is the first book to address the question: How did a centuries-old, Swiss mountain tradition make its way into American country music? Along the way, the reader discovers that yodeling is not just a Swiss thing--everyone from Central African pygmies, Nashville hunks-in-hats, avant-garde tonsil-twisters like Meredith Monk, hiphop stars De La Soul, and pop stars like Jewel have been known to kick back and release a yodeling refrain. Along the way, we encounter a gallery of unique characters, ranging from the legendary, such as country singer Jimmie Rodgers, to the definitely different, including Mary Schneider (the Australian Queen of Yodeling) who specializes in yodeling Mozart, Beethoven, and Brahms, and the Topp Twins, a yodeling lesbian duo who employ the sound in their songs aimed at battling homophobia. The book is both a serious study of the history of yodeling around the world and a fun look at how this unique sound has worked its way into popular culture. Yodel-Ay-Ee-Oooo promises to be a classic for fans of music and popular culture.
Author: Charles K. Wolfe
Publisher: University Press of Kentucky
ISBN: 081315717X
Category : Music
Languages : en
Pages : 184
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Book Description
The swelling interest in popular music studies has far outpaced the outlets for publication. Country music, with its all-too-familiar stereotypes, has been particularly slow to gain scholarly acceptance. With the Country Music Annual, scholars, students, and even fans now have a outlet for the dissemination of research and ideas. Each volume of this new yearbook is devoted to all aspects of country music and is the only forum for series studies of the subject. Specific topics include old-time music, western swing, bluegrass, honky-tonk music, Cajun, instrumental music, Nashville sound era, new traditionalism, country rock, alternative country, Americana, modern folk, and contemporary Nashville, as well as biographical studies and interdisciplinary approaches to music, geography, gender, class, race, media, and culture. This inaugural edition defines country music in a broad sense and reflects the marvelous complexities of what has often been called a simple cultural form. The articles look at old-time music, Western swing, honky-tonk, Bluegrass, Cajun, country rock, and the many other incarnations country music has taken. Contributors explore country music in Hollywood and Nashville, humor, country's complex relationship with religion, music careers, sound mixing, and teaching country music in the classroom. Analysis of music, lyrics, and aesthetics stand alongside discussions of Minnie Pearl, Tennessee Ernie Ford, Dolly Parton, Loretta Lynn, Emmylou Harris, Shania Twain, and many more artists. Advisory Board: Bill C. Malone, Nolan Porterfield, Jimmie Rogers, Curtis Ellison, William K. McNeil, Wayne W. Daniel, Joli Jensen.
Author: Daniel Fisher
Publisher: Duke University Press
ISBN: 0822374420
Category : Social Science
Languages : en
Pages : 322
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Book Description
Beginning in the early 1980s Aboriginal Australians found in music, radio, and filmic media a means to make themselves heard across the country and to insert themselves into the center of Australian political life. In The Voice and Its Doubles Daniel Fisher analyzes the great success of this endeavor, asking what is at stake in the sounds of such media for Aboriginal Australians. Drawing on long-term ethnographic research in northern Australia, Fisher describes the close proximity of musical media, shifting forms of governmental intervention, and those public expressions of intimacy and kinship that suffuse Aboriginal Australian social life. Today’s Aboriginal media include genres of country music and hip-hop; radio requests and broadcast speech; visual graphs of a digital audio timeline; as well as the statistical media of audience research and the discursive and numerical figures of state audits and cultural policy formation. In each of these diverse instances the mediatized voice has become a site for overlapping and at times discordant forms of political, expressive, and institutional creativity.
