Slavonic Dances, Opus 46, Volume II PDF Download
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Author: Antonín Dvořák
Publisher: Alfred Music
ISBN: 9781457487088
Category : Music
Languages : en
Pages : 44
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Book Description
Expertly arranged Piano Duet for 1 Piano, 4 Hands.
Author: Antonín Dvořák
Publisher: Alfred Music
ISBN: 9781457487088
Category : Music
Languages : en
Pages : 44
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Book Description
Expertly arranged Piano Duet for 1 Piano, 4 Hands.
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769240978
Category : Music
Languages : en
Pages : 0
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Book Description
5-8. From the Czech composer Antonín Dvorák.
Author: Antonín Dvořák
Publisher: Alfred Music
ISBN: 9781457487071
Category : Music
Languages : en
Pages : 44
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Book Description
Expertly arranged Piano Duet for 1 Piano, 4 Hands.
Author: Antonín Dvorák
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Antonin Dvorak
Publisher: Warner Bros Publications
ISBN: 9780769277592
Category : Music
Languages : en
Pages : 98
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Book Description
For eleven players. In this exciting performance piece, the minimum instrumentation is for eleven performers. One player can possibly combine the bass drum and triangle parts. Marimba I and III can play together on a 4-octave instrument; marimbas II and IV on a 4 1/3 octave instrument. Performance notes are included. Instrumentation: xylophone, vibraphone 1 and 2, marimba 1 and 2, crash cymbals, triangle, bass drum, and timpani.
Author: Custol Puscoiu
Publisher: Mel Bay Publications
ISBN: 1619112310
Category : Music
Languages : en
Pages : 49
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Book Description
Great performers have proven that the trumpet can be successfully used for playing not only classic music, but also symphonic or chamber music from the classical, romantic or modern period just as well as any other musical instrument. No longer is contemporary repertoire considered unfit for the trumpet. Every sincere instrumentalist needs a regular study program.A daily practice of technical exercises and etudes is necessary for improving and maintaining the desired results. Regularly playing works of music should be the aim of every musician, amateur as well as professional. the best keys have been carefully chosen for trumpet and therefore many songs are not in the keys in which they were originally written. Also a number of other adaptations have been introduced to make the music more suitable for performance on the trumpet in B-flat.Composers include: Bach, Brahms, Chopin, Chedeville, Von Weber, Vivaldi, Geminiani, Mozart, Corelli, Bigaglia, Purcell, Clarke, Schubert, Händel, Lavigne, Grieg, Haydn, Dvorák, Saint-Saëns, and Fauré. the piano accompaniment is available as a free download.
Author: Antonin Dvorak
Publisher: Courier Corporation
ISBN: 0486490297
Category : Music
Languages : en
Pages : 306
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Book Description
The Slavonic Dances embody many characteristics of Dvorák's genius. Reprinted from an authoritative Czech edition, this inexpensive miniature score presents some of the most popular melodies in the orchestral repertoire.
Author: George E. Lowe
Publisher: Xlibris Corporation
ISBN: 1462820751
Category : Religion
Languages : en
Pages : 627
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Book Description
In volume 2 of Birding and Mysticism: Enlightenment Through Bird Watching, there is no traditional table of contents; rather, there are the five main parts and their sections and subsections, which contain the substantive ideas and memes of volume 2, followed by six appendices. The main thrust of volume 2 concerns the many aspects, faces, and forms of mysticism: religious, spiritual, rational, scientific, personal, and practical.
Author: Antonín Dvo?ák
Publisher: Courier Corporation
ISBN: 048627019X
Category : Music
Languages : en
Pages : 145
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Book Description
Two series of piano duets that are among Dvorák's most famous compositions, and among the most performed works in the piano four hands repertoire. The composer intended them as artistic stylizations of typical Slavonic dances such as the furiant, the dumka, the polka, the skocna, the odzemek and the kolo. Reprinted from authoritative Czech editions.
Author: A. Peter Brown
Publisher: Indiana University Press
ISBN: 0253072115
Category : Music
Languages : en
Pages : 1026
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Book Description
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.
