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Author: Thomas J. Garza
Publisher:
ISBN: 9781631891168
Category : Literary Criticism
Languages : en
Pages : 436
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Book Description
Eight hundred years before Bram Stoker gave us the West's most memorable vampire in Dracula (1897) and long before the exploits of Vlad "the Impaler" Tepes horrified Europe (1431-46), the Russian Primary Chronicles write of a Novgorodian priest as Upyr' Likhij, or Wicked Vampire (1047). The Slavic and Balkan worlds abound in histories, legends, myths and literary portraits of the so-called undead, creatures which draw life out of the living in order to sustain their own. These stories of the vampire simultaneously fascinate and horrify, as they draw the reader closer to an understanding of death and the undead. This unique volume brings together a wide variety of historical, critical, and literary texts that reveal and explore the origins, growth, and development of the vampire myth from its beginnings to the 21st century. These texts explore the vampire within the region of its origin in Western cultures: the lands of the Balkans, Eastern Europe and Russia. From the earliest recorded tales to the recent offerings of Russian vampires on film, this volume gives the reader a dynamic perspective on one the world's most enduring cultural phenomena, the vampire. Thomas Garza, Ed.D., is University Distinguished Teaching Associate Professor of Slavic and Eurasian Studies at the University of Texas at Austin. He teaches courses on Russian language and literature, foreign language pedagogy, and contemporary Russian culture. His popular course, The Vampire in Slavic Cultures, has been taught since 1997. He has been traveling to and researching in Russia since 1979 and has lived in Moscow for over six years. A native Texan, Dr. Garza received his doctorate in education from Harvard University in 1987. During his eighteen-year tenure at the University, he has received several prizes for undergraduate teaching, including the Texas Excellence Award, the President's Associates Award, the Harry Ransom Award, and in 2003 was inducted into the university-wide Academy of Distinguished Teachers. His current research projects examine the attitudes of Russian youth toward the Chechen war and conscription, and notions of masculinity and machismo in Mexican and Russian film of the late 90s and 2000s.
Author: Thomas J. Garza
Publisher:
ISBN: 9781631891168
Category : Literary Criticism
Languages : en
Pages : 436
Get Book Here
Book Description
Eight hundred years before Bram Stoker gave us the West's most memorable vampire in Dracula (1897) and long before the exploits of Vlad "the Impaler" Tepes horrified Europe (1431-46), the Russian Primary Chronicles write of a Novgorodian priest as Upyr' Likhij, or Wicked Vampire (1047). The Slavic and Balkan worlds abound in histories, legends, myths and literary portraits of the so-called undead, creatures which draw life out of the living in order to sustain their own. These stories of the vampire simultaneously fascinate and horrify, as they draw the reader closer to an understanding of death and the undead. This unique volume brings together a wide variety of historical, critical, and literary texts that reveal and explore the origins, growth, and development of the vampire myth from its beginnings to the 21st century. These texts explore the vampire within the region of its origin in Western cultures: the lands of the Balkans, Eastern Europe and Russia. From the earliest recorded tales to the recent offerings of Russian vampires on film, this volume gives the reader a dynamic perspective on one the world's most enduring cultural phenomena, the vampire. Thomas Garza, Ed.D., is University Distinguished Teaching Associate Professor of Slavic and Eurasian Studies at the University of Texas at Austin. He teaches courses on Russian language and literature, foreign language pedagogy, and contemporary Russian culture. His popular course, The Vampire in Slavic Cultures, has been taught since 1997. He has been traveling to and researching in Russia since 1979 and has lived in Moscow for over six years. A native Texan, Dr. Garza received his doctorate in education from Harvard University in 1987. During his eighteen-year tenure at the University, he has received several prizes for undergraduate teaching, including the Texas Excellence Award, the President's Associates Award, the Harry Ransom Award, and in 2003 was inducted into the university-wide Academy of Distinguished Teachers. His current research projects examine the attitudes of Russian youth toward the Chechen war and conscription, and notions of masculinity and machismo in Mexican and Russian film of the late 90s and 2000s.
Author: Thomas J. Garza
Publisher: Cognella Academic Publishing
ISBN: 9781631891175
Category :
Languages : en
Pages :
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Book Description
Eight hundred years before Bram Stoker gave us the West's most memorable literary vampire in Dracula and long before the historical exploits of Vlad Tepes "The Impaler" horrified Europe, the Russian Primary Chronicles wrote of a Novgorodian priest as upyr' likhij, or "wicked vampire." The Slavic and Balkan worlds abound in histories, legends, myths, and literary portraits of the so-called undead, creatures which draw life out of the living in order to sustain themselves. These stories of the vampire simultaneously fascinate and horrify, as they draw the reader closer to an understanding of death and the undead. Slavic Blood: The Vampire in Russian and East European Cultures is a unique volume that brings together a wide variety of historical, critical, and literary texts that reveal and explore the origins, growth, and development of the vampire myth from its beginnings to the 21st century. It examines the vampire myth within the region of its origin in Western cultures - the lands of the Balkans, Eastern Europe, and Russia - and reviews the earliest recorded tales, as well as recent portrayals of Russian vampires on film, to give the reader a dynamic perspective on one the world's most enduring cultural phenomena. This edition features additional fiction and nonfiction material on sociopolitical interpretations of the vampire, as well as new song lyrics on vampire and werewolf themes. Slavic Blood is ideal for courses ranging from folklore to gothic studies, and Slavic to religious studies.
Author: Thomas J. Garza
Publisher: Cognella Academic Publishing
ISBN: 9781609274115
Category : Vampire films
Languages : en
Pages : 572
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Book Description
Author: Thomas J. Garza
Publisher: Cognella Academic Publishing
ISBN: 9781934269671
Category : Vampire films
Languages : en
Pages : 0
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Book Description
This book brings together a wide variety of historical, critical, and literary texts that reveal and discover the origins, growth, and development of the vampire myth from its beginnings to the 21st century.
Author: Wayne Dowler
Publisher: Cornell University Press
ISBN: 160909008X
Category : History
Languages : en
Pages : 341
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Book Description
A pivotal year in the history of the Russian Empire, 1913 marks the tercentennial celebration of the Romanov Dynasty, the infamous anti-Semitic Beilis Trial, Russia's first celebration of International Women's Day, the ministerial boycott of the Duma, and the amnestying of numerous prisoners and political exiles, along with many other important events. A vibrant public sphere existed in Russia's last full year of peace prior to war and revolution. During this time a host of voluntary associations, a lively and relatively free press, the rise of progressive municipal governments, the growth of legal consciousness, the advance of market relations and new concepts of property tenure in the countryside, and the spread of literacy were tranforming Russian society. Russia in 1913 captures the complexity of the economy and society in the brief period between the revolution of 1905 and the outbreak of war in 1914 and shows how the widely accepted narrative about pre-war late Imperial Russia has failed in significant ways. While providing a unique synthesis of the historiography, Dowler also uses reportage from two newspapers to create a fuller impression of the times. This engaging and important study will appeal both to Russian studies scholars and serious readers of history.
Author: Thomas M. Bohn
Publisher: Berghahn Books
ISBN: 1789202930
Category : Social Science
Languages : en
Pages : 304
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Book Description
“An illuminating contribution to scholarship on the vampire figure.”—Slavic Review Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires—whose various incarnations originally emerged from folk traditions from all over the world—became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad contemporary public, the vampire has become a star, a media sensation from Hollywood. Bestselling authors such as Bram Stoker, Anne Rice and Stephenie Meyer continue to fire the imaginations of young and old alike, and bloodsuckers have achieved immortality through films like Dracula, Interview with a Vampireand Twilight. It is no wonder that, in the teenage bedrooms of our globalized world, vampires even steal the show from Harry Potter. They have long since been assigned individual personalities and treated with sympathy. They may possess superhuman powers, but they are also burdened by their immortality and have to learn to come to terms with their craving for blood. Whereas the Southeast European vampire, discovered in the 1730s, underwent an Americanization and domestication in the media landscape of the twentieth century, the creole zombies that first became known through the cheap novels and horror films of the 1920s still continue to serve as brainless horror figures. Do bloodsuckers really exist and should we really be afraid of the dead? These are the questions that I seek to tackle, following the wishes of my daughter, who was ten when I started this project.
Author: J. Gordon Melton
Publisher: Visible Ink Press
ISBN: 1578597544
Category : Social Science
Languages : en
Pages : 1324
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Book Description
Grab a stake, a fistful of garlic, a crucifix and holy water as you enter the dark, blood-curdling world of the original pain in the neck in this ultimate collection of vampire facts, fangs, and fiction! What accounts for the undying fascination people have for vampires? How did encounters with death create centuries-old myths and folklore in virtually every culture in the world? When did the early literary vampires—as pictured by Goethe, Coleridge, Shelly, Polidori, Byron, and Nodier as the personifications of man’s darker side—transform from villains into today’s cultural rebels? Showing how vampire-like creatures organically formed in virtually every part of the world, The Vampire Almanac: The Complete History by renowned religion expert and fearless vampire authority J. Gordon Melton, Ph.D., examines the historic, societal, and psychological role the vampire has played—and continues to play—in understanding death, man’s deepest desires, and human pathologies. It analyzes humanity’s lusts, fears, and longing for power and the forbidden! Today, the vampire serves as a powerful symbol for the darker parts of the human condition, touching on death, immortality, forbidden sexuality, sexual power and surrender, intimacy, alienation, rebellion, violence, and a fascination with the mysterious. The vampire is often portrayed as a symbolic leader advocating an outrageous alternative to the demands of conformity. Vampires can also be tools for scapegoating such as when women are called “vamps” and bosses are described as “bloodsuckers.” Meet all of the villains, anti-heroes, and heroes of myths, legends, books, films, and television series across cultures and today’s pop culture in The Vampire Almanac. It assembles and analyzes hundreds of vampiric characters, people, and creatures, including Buffy the Vampire Slayer, Vlad the Impaler, Edward Cullen and The Twilight Saga, Bram Stoker, Lestat De Lioncourt and The Vampire Chronicles, Lon Chaney, True Blood, Bela Lugosi, Dracula, Dark Shadows, Lilith, Vampire Weekend, Batman, Nosferatu, and so many more. There is a lot to sink your teeth into with this deep exhumation of the undead. Quench your thirst for facts, histories, biographies, definitions, analysis, immortality, and more! This gruesomely thorough book of vampire facts also has a helpful bibliography, an extensive index, and numerous photos, adding to its usefulness.
Author: Thomas M. Bohn
Publisher: Berghahn Books
ISBN: 1789202930
Category : Social Science
Languages : en
Pages : 304
Get Book Here
Book Description
“An illuminating contribution to scholarship on the vampire figure.”—Slavic Review Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires—whose various incarnations originally emerged from folk traditions from all over the world—became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad contemporary public, the vampire has become a star, a media sensation from Hollywood. Bestselling authors such as Bram Stoker, Anne Rice and Stephenie Meyer continue to fire the imaginations of young and old alike, and bloodsuckers have achieved immortality through films like Dracula, Interview with a Vampireand Twilight. It is no wonder that, in the teenage bedrooms of our globalized world, vampires even steal the show from Harry Potter. They have long since been assigned individual personalities and treated with sympathy. They may possess superhuman powers, but they are also burdened by their immortality and have to learn to come to terms with their craving for blood. Whereas the Southeast European vampire, discovered in the 1730s, underwent an Americanization and domestication in the media landscape of the twentieth century, the creole zombies that first became known through the cheap novels and horror films of the 1920s still continue to serve as brainless horror figures. Do bloodsuckers really exist and should we really be afraid of the dead? These are the questions that I seek to tackle, following the wishes of my daughter, who was ten when I started this project.
Author: Oliver Smith (Ph. D.)
Publisher: Studies in Russian and Slavic
ISBN: 9781936235179
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
While he is widely acknowledged as the most important Russian thinker of the nineteenth century, Vladimir Soloviev's place in the landscape of world philosophy nevertheless remains uncertain. Approaching him through a single synoptic lens, this book foregrounds his unique envisioning of the interaction between humanity and the material world. By investigating the development of a single theme in his work--his idea of the "spiritualization of matter", the "task" of humanity--Smith constructs a rounded picture of Soloviev's overall importance to an understanding. If nineteenth-century thought, as well as to modern theology and philosophy. The picture that emerges is of a writer whose contribution to a Christian philosophy of matter resonates with many of the religious debates of modernity.
Author: Samuel H. Baron
Publisher:
ISBN: 9780875802183
Category : History
Languages : en
Pages : 213
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Book Description
A time of innovation, creativity, and social upheaval, the seventeenth century in Russia and Ukraine saw broad religious and cultural changes. Focusing on the lived experience of individuals in Russia and Ukraine, these essays explore continuity and change comparatively and in the context of larger interpretative issues, such as popular culture, mentality, and religiosity. Providing a fresh look at religion and culture during a pivotal era, this collection lays a foundation for comparing the cultural concerns of Moscovy and Ukraine with those of Western Europe after the Reformation. It will be an important resource for readers interested in the history of early modern Europe, Russia, and comparative religions.
