Author: Michael Adams
Publisher: Oxford University Press
ISBN: 0198042949
Category : Language Arts & Disciplines
Languages : en
Pages : 257
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Book Description
Slang, writes Michael Adams, is poetry on the down low, and sometimes lowdown poetry on the down low, but rarely, if ever, merely lowdown. It is the poetry of everyday speech, the people's poetry, and it deserves attention as language playing on the cusp of art. In Slang: The People's Poetry, Adams covers this perennially interesting subject in a serious but highly engaging way, illuminating the fundamental question "What is Slang" and defending slang--and all forms of nonstandard English--as integral parts of the American language. Why is an expression like "bed head" lost in a lexical limbo, found neither in slang nor standard dictionaries? Why are snow-boarding terms such as "fakie," "goofy foot," "ollie" and "nollie" not considered slang? As he addresses these and other lexical curiosities, Adams reveals that slang is used in part to define groups, distinguishing those who are "down with it" from those who are "out of it." Slang is also a rebellion against the mainstream. It often irritates those who color within the lines--indeed, slang is meant to irritate, sometimes even to shock. But slang is also inventive language, both fun to make and fun to use. Rather than complain about slang as "bad" language, Adams urges us to celebrate slang's playful resistance to the commonplace and to see it as the expression of an innate human capacity, not only for language, but for poetry.
Author: Robert Williams
Publisher:
ISBN: 9781614040125
Category : Art
Languages : en
Pages : 0
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Book Description
An all-new collection of paintings and sculpture by art legend Robert Williams. First exhibited at the Los Angeles Municipal Art Gallery in early 2015, the work in this oversized, hardcover exhibition catalog is accompanied by insightful essays by the artist. --- "The current international capitol of artistic sophistication is New York City. Ever since the end of the Second World War, every small city in the United States that has an art community has looked to New York for cultural parenting. However, an interesting anomaly has developed over the years. "Sophistication," like any other folkway, travels slowly with misinterpretations happening along the way. By the time high culture reached the West Coast it had traded its Brooks Brothers suit for cut-offs, a Hawaiian shirt, and flip-flops. Art on the West Coast, as much as it tries to maintain blue blood affectations shows mutations. It just doesn't have the aloof adroit coldness the Eastern Seaboard art society seems to portray." - Robert Williams, from his introduction to Slang Aesthetics
Author: David Carrier
Publisher: Penn State Press
ISBN: 0271082615
Category : Art
Languages : en
Pages : 346
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Book Description
“Wild Art” refers to work that exists outside the established, rarified world of art galleries and cultural channels. It encompasses uncatalogued, uncommodified art not often recognized as such, from graffiti to performance, self-adornment, and beyond. Picking up from their breakthrough book on the subject, Wild Art, David Carrier and Joachim Pissarro here delve into the ideas driving these forms of art, inquire how it came to be marginalized, and advocate for a definition of “taste,” one in which each expression is acknowledged as being different while deserving equal merit. Arguing that both the “art world” and “wild art” have the same capacity to produce aesthetic joy, Carrier and Pissarro contend that watching skateboarders perform Christ Air, for example, produces the same sublime experience in one audience that another enjoys while taking in a ballet; therefore, both mediums deserve careful reconsideration. In making their case, the two provide a history of the institutionalization of “taste” in Western thought, point to missed opportunities for its democratization in the past, and demonstrate how the recognition and acceptance of “wild art” in the present will radically transform our understanding of contemporary visual art in the future. Provocative and optimistic, Aesthetics of the Margins / The Margins of Aesthetics rejects the concept of “kitsch” and the high/low art binary, ultimately challenging the art world to become a larger and more inclusive place.
Author: Jonathon Green
Publisher: Oxford University Press
ISBN: 0198729537
Category : Language Arts & Disciplines
Languages : en
Pages : 145
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Book Description
"In this Very Short Introduction Jonathon Green asks what words qualify as slang, and whether slang should be acknowledged as a language in its own right. Looking forward, he considers what the digital revolution means for the future of slang."--Cover flap.
Author: Heidi Grönstrand
Publisher: Routledge
ISBN: 0429536429
Category : Language Arts & Disciplines
Languages : en
Pages : 341
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Book Description
This collection showcases a multivalent approach to the study of literary multilingualism, embodied in contemporary Nordic literature. While previous approaches to literary multilingualism have tended to take a textual or authorship focus, this book advocates for a theoretical perspective which reflects the multiplicity of languages in use in contemporary literature emerging from increased globalization and transnational interaction. Drawing on a multimodal range of examples from contemporary Nordic literature, these eighteen chapters illustrate the ways in which multilingualism is dynamic rather than fixed, resulting from the interactions between authors, texts, and readers as well as between literary and socio-political institutions. The book highlights the processes by which borders are formed within the production, circulation, and reception of literature and in turn, the impact of these borders on issues around cultural, linguistic, and national belonging. Introducing an innovative approach to the study of multilingualism in literature, this collection will be of particular interest to students and researchers in literary studies, cultural studies, and multilingualism.
Author: Jeffrey P. Williams
Publisher: Cambridge University Press
ISBN: 1107007127
Category : Foreign Language Study
Languages : en
Pages : 307
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Book Description
This book provides a detailed comparative overview of an array of elaborate grammatical resources used in Southeast Asian languages.
Author: Michael Adams
Publisher: Oxford University Press
ISBN: 0199986533
Category : Language Arts & Disciplines
Languages : en
Pages : 257
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Book Description
Slang, writes Michael Adams, is poetry on the down low, and sometimes lowdown poetry on the down low, but rarely, if ever, merely lowdown. It is the poetry of everyday speech, the people's poetry, and it deserves attention as language playing on the cusp of art. In Slang: The People's Poetry, Adams covers this perennially interesting subject in a serious but highly engaging way, illuminating the fundamental question "What is Slang" and defending slang--and all forms of nonstandard English--as integral parts of the American language. Why is an expression like "bed head" lost in a lexical limbo, found neither in slang nor standard dictionaries? Why are snow-boarding terms such as "fakie," "goofy foot," "ollie" and "nollie" not considered slang? As he addresses these and other lexical curiosities, Adams reveals that slang is used in part to define groups, distinguishing those who are "down with it" from those who are "out of it." Slang is also a rebellion against the mainstream. It often irritates those who color within the lines--indeed, slang is meant to irritate, sometimes even to shock. But slang is also inventive language, both fun to make and fun to use. Rather than complain about slang as "bad" language, Adams urges us to celebrate slang's playful resistance to the commonplace and to see it as the expression of an innate human capacity, not only for language, but for poetry.
Author: Aidan McGarry
Publisher: Protest and Social Movements
ISBN: 9789463724913
Category : Aesthetics
Languages : en
Pages : 0
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Book Description
Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.
Author: Zoë Strachan
Publisher: Hayward Gallery Publishing
ISBN: 9781853323560
Category : Aesthetics
Languages : en
Pages : 0
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Book Description
In this compact but highly original publication, artist John Walter identifies a 'shonky' tendency in art that has previously gone under the radar, bringing into focus artworks that are hand-made but not well crafted, that push the boundaries of good taste and orderliness. Walter illustrates his theory with examples of awkward, funny, exuberant art from across the past forty years, ranging from sculpture and performance to painting and architecture. Novelists Zoë Strachan and Louise Welsh broaden this exploration of the shonky into the world of literature in their 'Letter from Monkswood', while in 'The Shonky Factor' Walter assesses a list of artists for their shonkiness levels.
Author: Brooks E. Hefner
Publisher: University of Virginia Press
ISBN: 0813940427
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism—one that cuts across traditional boundaries of class, race, and ethnicity. The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongside more recognized strands of literary modernism, the vernacular modernism these writers exhibited lays bare the aesthetic experiments inherent in American working-class and ethnic language, forging an alternative pathway for American modernist practice. Brooks Hefner shows how writers across a variety of popular genres—from Gertrude Stein and William Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska—employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.
