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Author: Neil MacGregor
Publisher: Vintage
ISBN: 1101875674
Category : History
Languages : en
Pages : 636
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Book Description
For the past 140 years, Germany has been the central power in continental europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people understand themselves? Neil MacGregor argues that, uniquely for any European country, no coherent, overarching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly shifted. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Wolfgang von Geothe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses, and experiences; examining some of these is the purpose of this book. MacGregor chooses objects and ideas, people and places that still resonate in the new Germany—porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald—to show us something of its collective imagination. There has never been a book about Germany quite like it.
Author: Neil MacGregor
Publisher: Vintage
ISBN: 1101875674
Category : History
Languages : en
Pages : 636
Get Book Here
Book Description
For the past 140 years, Germany has been the central power in continental europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people understand themselves? Neil MacGregor argues that, uniquely for any European country, no coherent, overarching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly shifted. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Wolfgang von Geothe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses, and experiences; examining some of these is the purpose of this book. MacGregor chooses objects and ideas, people and places that still resonate in the new Germany—porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald—to show us something of its collective imagination. There has never been a book about Germany quite like it.
Author: Anna Brus
Publisher: transcript Verlag
ISBN: 3839453976
Category : Social Science
Languages : en
Pages : 265
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Book Description
The African museum landscape is changing. A new generation of scholars and curators is setting international standards for the reappraisal and revision of colonial collections, the conception of curatorial spaces, and the integration of new groups of actors. In the face of the ghostly survival of colonial epistemologies in archives, displays, and architectures, it is a matter of breaking up institutional encrustations and infrastructures, inventing new museum practices, and bringing archives to life. Scholars and museum experts predominantly working in Africa and South America discuss the post/colonial history of museums, their political-economic entanglements, the significance of diasporic objects, as well as the prospects for restitution and its consequences. The contributions to this issue of ZfK are all presented in English. Based on the works of Waverly Duck and Anne Rawls, the debate section is devoted to forms of everyday racism and the way interaction orders of race are institutionalized.
Author: Avinoam Shalem
Publisher: BRILL
ISBN: 9047405102
Category : Religion
Languages : en
Pages : 260
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Book Description
This book discusses a group of medieval carved ivory horns, namely oliphants. It draws upon medieval visual as well as literary sources both Arabic and Latin, with an eye to providing an original interpretation of these objects. In doing so, it breaks new ground in the understanding of both oliphants and the historical context of medieval artefacts in general.
Author: Pamela A. Patton
Publisher: Penn State Press
ISBN: 0271093005
Category : Art
Languages : en
Pages : 483
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Book Description
This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.
Author: Valentino Gasparini
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110557940
Category : Religion
Languages : en
Pages : 647
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Book Description
The Lived Ancient Religion project has radically changed perspectives on ancient religions and their supposedly personal or public character. This volume applies and further develops these methodological tools, new perspectives and new questions. The religious transformations of the Roman Imperial period appear in new light and more nuances by comparative confrontation and the integration of many disciplines. The contributions are written by specialists from a variety of disciplinary contexts (Jewish Studies, Theology, Classics, Early Christian Studies) dealing with the history of religion of the Mediterranean, West-Asian, and European area from the (late) Hellenistic period to the (early) Middle Ages and shaped by their intensive exchange. From the point of view of their respective fields of research, the contributors engage with discourses on agency, embodiment, appropriation and experience. They present innovative research in four fields also of theoretical debate, which are “Experiencing the Religious”, “Switching the Code”, „A Thing Called Body“ and “Commemorating the Moment”.
Author: Wolfgang Riehle
Publisher: Cornell University Press
ISBN: 0801470927
Category : History
Languages : en
Pages : 440
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Book Description
Spiritual seekers throughout history have sought illumination through solitary contemplation. In the Christian tradition, medieval England stands out for its remarkable array of hermits, recluses, and spiritual outsiders—from Cuthbert, Godric of Fichale, and Christina of Markyate to Richard Rolle, Julian of Norwich, and Margery Kempe. In The Secret Within, Wolfgang Riehle offers the first comprehensive history of English medieval mysticism in decades—one that will appeal to anyone fascinated by mysticism as a phenomenon of religious life. In considering the origins and evolution of the English mystical tradition, Riehle begins in the twelfth century with the revival of eremitical mysticism and the early growth of the Cistercian Order in the British Isles. He then focuses in depth on the great mystics of the fourteenth and fifteenth centuries—Richard Rolle (the first great English mystic), the author of The Cloud of Unknowing, Walter Hilton, Margery Kempe, and Julian of Norwich. Riehle carefully grounds his narrative in the broader spiritual landscape of the Middle Ages, pointing out both prior influences dating back to Late Antiquity and corresponding developments in mysticism and theology on the Continent. He discusses the problem of possible differences between male and female spirituality and the movement of popularizing mysticism in the late Middle Ages. Filled with fresh insights, The Secret Within will be welcomed especially by teachers and students of medieval literature as well as by those engaged in historical, theological, philosophical, cultural, even anthropological and comparative studies of mysticism.
Author:
Publisher: BRILL
ISBN: 9004537783
Category : History
Languages : en
Pages : 316
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Book Description
This book presents new approaches to the study of typology in Late Antique and Byzantine art and architecture and highlights the importance of type and archetype in constructing architecture and image theories.
Author: Gawdat Gabra
Publisher: American University in Cairo Press
ISBN: 1649030215
Category : Religion
Languages : en
Pages : 455
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Book Description
The legacies of the Coptic Christian presence in Alexandria and the Egyptian Deserts from the fourth century to the present day The great city of Alexandria is undoubtedly the cradle of Egyptian Christianity, where the Catechetical School was established in the second century and became a leading center in the study of biblical exegesis and theology. According to tradition St. Mark the Evangelist brought Christianity to Alexandria in the middle of the first century and was martyred in that city, which was to become the residence of Egypt’s Coptic patriarchs for nearly eleven centuries. By the fourth century Egyptian monasticism had begun to flourish in the Egyptian deserts and countryside. The contributors to this volume, international specialists in Coptology from around the world, examine the various aspects of Coptic civilization in Alexandria and its environs and in the Egyptian deserts over the past two millennia. The contributions explore Coptic art, archaeology, architecture, language, and literature. The impact of Alexandrian theology and its cultural heritage as well as the archaeology of its university are highlighted. Christian epigraphy in the Kharga Oasis, the art and architecture of the Bagawat cemetery, and the archaeological site of Kellis (Ismant al-Kharab) with its Manichaean texts are also discussed. Contributors Elizabeth Agaiby, Fr. Anthony, David Brakke, Jan Ciglenečki , Jean-Daniel Dubois, Bishop Epiphanius, Lois M. Farag, Frank Feder, Cäcilia Fluck, Sherin Sadek El Gendi, Mary Ghattas, Gisèle Hadji-Minaglou, Intisar Hazawi, Karel Innemée, Mary Kupelian, Grzegorz Majcherek, Bishop Martyros, Samuel Moawad, Ashraf Nageh, Adel F. Sadek, Ashraf Alexander Sadek, Ibrahim Saweros, Mark Sheridan, Fr. Bigoul al-Suriany, Hany Takla, Gertrud J.M. van Loon, Jacques van der Vliet, Youhanna Nessim Youssef, Ewa D. Zakrzewska, Nader Alfy Zekry
Author: Diliana Angelova
Publisher: Univ of California Press
ISBN: 0520284011
Category : History
Languages : en
Pages : 464
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Book Description
Diliana Angelova argues that from the time of Augustus through early Byzantium, a discourse of “sacred founders”—articulated in artwork, literature, imperial honors, and the built environment—helped legitimize the authority of the emperor and his family. The discourse coalesced around the central idea, bound to a myth of origins, that imperial men and women were sacred founders of the land, mirror images of the empire’s divine founders. When Constantine and his formidable mother Helena established a new capital for the Roman Empire, they initiated the Christian transformation of this discourse by brilliantly reformulating the founding myth. Over time, this transformation empowered imperial women, strengthened the cult of the Virgin Mary, fueled contests between church and state, and provoked an arresting synthesis of imperial and Christian art. Sacred Founders presents a bold interpretive framework that unearths deep continuities between the ancient and medieval worlds, recovers a forgotten transformation in female imperial power, and offers a striking reinterpretation of early Christian art.
Author: Inés Monteira
Publisher: Taylor & Francis
ISBN: 104022671X
Category : Art
Languages : en
Pages : 243
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Book Description
This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.
