Sketches in and Around Shanghai Etc PDF Download
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Author: J. D. Clark
Publisher:
ISBN:
Category : China
Languages : en
Pages : 230
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Book Description
"These 'Sketches' ... have for the most part appeared at irregular intervals in the Shanghai mercury."--Introduction (signed J.D. Clark)
Author: J. D. Clark
Publisher:
ISBN:
Category : China
Languages : en
Pages : 230
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Book Description
"These 'Sketches' ... have for the most part appeared at irregular intervals in the Shanghai mercury."--Introduction (signed J.D. Clark)
Author: Evgeny Bondarenko
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
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Book Description
The Hong Kong Urban Sketching Artbook is a collection of artworks of travel artist Evgeny Bondarenko. It contains 72 black-and-white illustrations, and also 18 colorful, showing scenes of Hong Kong. This collection of artwork is intended to encourage travel, discovery, and artistic expression. It offers a way to enjoy a beautiful scene without the distraction of the background noise, while also inspiring the viewer to pay attention to smaller details when exploring a new city. The illustrations were drawn on location by pencil or ink and then colored with watercolor or gouache paint. Enter a unique landscape for each painting: the heart and soul of traditional Chinese culture and modern urban life. Evgeny was inspired by the architecture, cultural icons, and community scenes that make Hong Kong such a dynamic city. Evgeny Bondarenko is a Russian travel artist who has been sketching life experiences in cities around the world since 2010. When he first started these trips, traveling to six countries and over thirty cities, including Beijing, Shanghai, Hong Kong, Macao, Moscow, St Petersburg, Paris, and Taipei. His drawings are more than just travel notes; rather, they are a research of people's lifestyles and perceptions. He found himself capturing the essence of a life on paper. A wave of something strange came over him. The unknown bright colors and the secret of the lines woven together before his eyes came to life. This process of art creation is a never-ending journey of exploration, personal experience, and learning.
Author: Paul Gladston
Publisher:
ISBN: 9789881506375
Category : Art, Chinese
Languages : en
Pages : 0
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Book Description
"Contemporary Art in Shanghai offers a series of in-depth and illustrated conversations with seven contemporary Chinese artists, all of whom live and work in and around the city of Shanghai: Yu Youhan, Liang Shaoji, Ding Yi, Yang Fudong, Song Tao, Ji Weiyu and Zhang Ding." --Publisher description.
Author: Christopher Knowles
Publisher: Random House Digital, Inc.
ISBN: 1400003962
Category : Travel
Languages : en
Pages : 131
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Book Description
"What to see, where to go, what to do"--Cover.
Author: Roberta Wue
Publisher: Hong Kong University Press
ISBN: 9888208462
Category : Art
Languages : en
Pages : 306
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Book Description
The growth of Shanghai in the late nineteenth century gave rise to an exciting new art world in which a flourishing market in popular art became a highly visible part of the treaty port’s commercialized culture. Art Worlds examines the relationship between the city’s visual artists and their urban audiences. Through a discussion of images ranging from fashionable painted fans to lithograph-illustrated magazines, the book explores how popular art intersected with broader cultural trends. It also investigates the multiple roles played by the modern Chinese artist as image-maker, entrepreneur, celebrity, and urban sojourner. Focusing on industrially produced images, mass advertisements, and other hitherto neglected sources, the book offers a new interpretation of late Qing visual culture at a watershed moment in the history of modern Chinese art. Art Worlds will be of interest to scholars of art history and to anyone with an interest in the cultural history of modern China. “By focusing on objects, sites, social networks, and technologies, this elegantly conceived book enriches our understanding of art production and consumption in nineteenth-century Shanghai. The author makes masterful use of newspapers, guidebooks, diaries, and advertisements—as well as paintings—to present readers with the compelling story of a city and its artists.” —Tobie Meyer-Fong, author of What Remains: Coming to Terms with Civil War in 19th Century China and Building Culture in Early Qing Yangzhou “Rich in findings, forensic in visual analysis and—not least—elegantly crafted, Wue’s book on painting, printing and the social worlds of art in late-Qing Shanghai is an exemplary contribution. A must-read volume.” —Shane McCausland, author of Zhao Mengfu: Calligraphy and Painting for Khubilai’s China
Author: John A. Crespi
Publisher: University of California Press
ISBN: 0520309103
Category : Performing Arts
Languages : en
Pages : 218
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Book Description
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.
Author: Carolyn FitzGerald
Publisher: BRILL
ISBN: 9004250999
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
In Fragmenting Modernisms, Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of works of fiction, poetry, film, and visual art, produced in various locations throughout wartime China. Showing that the culture of this period was characterized by a high degree of formal looseness, she argues that such aesthetic fluidity was created in response to historical conditions of violence and widespread displacement. Moreover, she illustrates how the innovative formal experiments of uprooted writers and artists expanded the geographic and aesthetic boundaries of Chinese modernism far beyond the coastal cities of Shanghai and Beijing.
Author: Edward Denison
Publisher: Taylor & Francis
ISBN: 1317179293
Category : Architecture
Languages : en
Pages : 391
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Book Description
This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional. These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo. The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.
Author: John A. Lent
Publisher: Univ. Press of Mississippi
ISBN: 1496811755
Category : Literary Criticism
Languages : en
Pages : 493
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Book Description
International Convention of Asia Scholars 2019 Book Prize – Best Art Publication In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists’ actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews senior scholar John A. Lent and Xu Ying conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Meticulously, Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Indeed, the authors explore Chinese comics art as it continues to grow and adapt in the twenty-first century. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.
Author: Yiyan Wang
Publisher: Routledge
ISBN: 1000207846
Category : Social Science
Languages : en
Pages : 190
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Book Description
How did art reform fit into the many initiatives for social and cultural change that contributed to the New Cultural Movement that transformed the Chinese cultural landscape during the Republican period? "Modern art for a modern China" was the rallying cry of Chinese intellectuals, many of whom were artists, critics, writers, poets and educators. Wang describes how these groups discussed and implanted changes in China’s conception and practice of art. She demonstrates how art reforms fit into the many initiatives for social and cultural change that contributed to the New Cultural Movement that transformed the Chinese cultural landscape during the Republican period. In doing so, she analyses two key areas in the intellectual history of Republican China: China’s art reform in the early decades of the twentieth century; and the connection and intersection between colonialism, nationalism and cosmopolitanism, including their direct impact on the development of art and art practice in China. Modern Art for a Modern China is an invaluable resource for scholars and students of China’s twentieth-century intellectual history and art history.
