Author: Maria Ward Brown
Publisher:
ISBN:
Category : Circus
Languages : en
Pages : 596
Book Description
The Life of Dan Rice
Author: Maria Ward Brown
Publisher:
ISBN:
Category : Circus
Languages : en
Pages : 596
Book Description
Publisher:
ISBN:
Category : Circus
Languages : en
Pages : 596
Book Description
Dan Rice The Most Famous Man You've Never Heard Of
Author: David Carlyon
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 536
Book Description
Now in paperback: Carlyon's "masterful work of cultural and theater criticism" "--Publishers Weekly," (starred review)
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 536
Book Description
Now in paperback: Carlyon's "masterful work of cultural and theater criticism" "--Publishers Weekly," (starred review)
Dan Rice's Aspirational Project
Author: David Carlyon
Publisher:
ISBN:
Category : Circus
Languages : en
Pages : 406
Book Description
Publisher:
ISBN:
Category : Circus
Languages : en
Pages : 406
Book Description
A Catalogue of the Allen A. Brown Collection of Books Relating to the Stage in the Public Library of the City of Boston
Author: Allen A. Brown Collection (Boston Public Library)
Publisher: Boston : The Trustees
ISBN:
Category : Drama
Languages : en
Pages : 976
Book Description
Publisher: Boston : The Trustees
ISBN:
Category : Drama
Languages : en
Pages : 976
Book Description
The Many Worlds of Circus
Author: Robert Sugarman
Publisher: Cambridge Scholars Publishing
ISBN: 1443811777
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Acrobats and manipulators of objects, trained animals, and clowns – have been performing throughout history. In the eighteenth century, the invention of the circus ring provided a focus for the activities, and the modern circus was born. Once the circus was the most spectacular entertainment many Americans saw. When the supply of cheap labor disappeared and other forms of entertainment became available, the giant circuses shrank, and in the last quarter of the twentieth century new one ring circuses returned. The Circus and Circus Culture area of the Popular Culture Association has been examining circus history, circus life, the relationship of circus to society, and the impact of circus on the visual and literary arts since 1997. This book is a collection of papers from its annual conferences. "This fascinating collection showcases the transnational richness and cultural depth of the circus in an array of historical and contemporary settings. Strongly recommended for circus enthusiasts and students of popular culture, history, and theater." —Janet M.Davis, Associate Professor, Chair of the Department of American Studies, College of Liberal Arts at UT Austin, author of The Circus Age: Culture and Society under the American Big Top
Publisher: Cambridge Scholars Publishing
ISBN: 1443811777
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Acrobats and manipulators of objects, trained animals, and clowns – have been performing throughout history. In the eighteenth century, the invention of the circus ring provided a focus for the activities, and the modern circus was born. Once the circus was the most spectacular entertainment many Americans saw. When the supply of cheap labor disappeared and other forms of entertainment became available, the giant circuses shrank, and in the last quarter of the twentieth century new one ring circuses returned. The Circus and Circus Culture area of the Popular Culture Association has been examining circus history, circus life, the relationship of circus to society, and the impact of circus on the visual and literary arts since 1997. This book is a collection of papers from its annual conferences. "This fascinating collection showcases the transnational richness and cultural depth of the circus in an array of historical and contemporary settings. Strongly recommended for circus enthusiasts and students of popular culture, history, and theater." —Janet M.Davis, Associate Professor, Chair of the Department of American Studies, College of Liberal Arts at UT Austin, author of The Circus Age: Culture and Society under the American Big Top
A Catalogue of the Entire Library of Andrew Wight, of Philadelphia
Author: Andrew Wight
Publisher:
ISBN:
Category : America
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 350
Book Description
Representative Clowns
Author: Ronald Scott Jenkins
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 224
Book Description
The Billboard
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 822
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 822
Book Description
Melodrama Unveiled
Author: David Grimsted
Publisher: Univ of California Press
ISBN: 9780520059962
Category : History
Languages : en
Pages : 312
Book Description
David Grimsted's Melodrama Unveiled explores early American drama to try to understand why such severely limited plays were so popular for so long. Concerned with both the plays and the dramatic settings that gave them life, Grimsted offers us rich descriptions of the interaction of performers, audiences, critics, managers, and stage mechanics. Because these plays had to appeal immediately and directly to diverse audiences, they provide dramatic clues to the least common denominator of social values and concerns. In considering both the context and content of popular culture, Grimsted's book suggests how theater reflected the rapidly changing society of antebellum America.
Publisher: Univ of California Press
ISBN: 9780520059962
Category : History
Languages : en
Pages : 312
Book Description
David Grimsted's Melodrama Unveiled explores early American drama to try to understand why such severely limited plays were so popular for so long. Concerned with both the plays and the dramatic settings that gave them life, Grimsted offers us rich descriptions of the interaction of performers, audiences, critics, managers, and stage mechanics. Because these plays had to appeal immediately and directly to diverse audiences, they provide dramatic clues to the least common denominator of social values and concerns. In considering both the context and content of popular culture, Grimsted's book suggests how theater reflected the rapidly changing society of antebellum America.
Showboats
Author: Philip Graham
Publisher: University of Texas Press
ISBN: 0292775555
Category : History
Languages : en
Pages : 265
Book Description
This book is a delightful and authoritative record of America's showboats from the first one, launched in 1831, to the last, ultimately tied up at a St. Louis dock. It is also a record of the men and women who built and loved these floating theaters, of those who performed on their stages, and of the thousands who sat in their auditoriums. And, lastly, it is a record of a genuine folk institution, as American as catfish, which for more than a century did much to relieve the social and cultural starvation of our vast river frontier. For these showboats brought their rich cargoes of entertainment—genuine laughter, a glimpse of other worlds, a respite from the grinding hardship of the present, emotional relaxation—to valley farmers, isolated factory workers and miners, and backwoodsmen who otherwise would have lacked all such opportunities. To the more privileged , the showboats brought pleasant reminder of a half-forgotten culture. They penetrated regions where churches and school had not gone, and where land theaters were for generations to be impossible. Like circuit preachers, they carried their message to the outer fringes of American civilization. In spite of many faults, it was a good message. The frontier had created this institution to fill a genuine need, and it lasted only until other and better means of civilizing these regions could reach them—good roads, automobiles, motion pictures, schools, churches, newspapers, and theaters. But although the showboats have passed into history, they have left a rich legacy. As long as the Mississippi flows into the Gulf, their story will fire the imagination of Americans. Showboating has become so legendary that few Americans know what this unique institution was really like. In Showboats, at long last, the true story emerges. It differs in many important respects from the motion picture and fictional versions to which Americans are accustomed, but it is not a whit the less glamorous. Philip Graham has told his story with imagination, genuine insight, and complete devotion to facts. No one who is interested in America's past should fail to read it.
Publisher: University of Texas Press
ISBN: 0292775555
Category : History
Languages : en
Pages : 265
Book Description
This book is a delightful and authoritative record of America's showboats from the first one, launched in 1831, to the last, ultimately tied up at a St. Louis dock. It is also a record of the men and women who built and loved these floating theaters, of those who performed on their stages, and of the thousands who sat in their auditoriums. And, lastly, it is a record of a genuine folk institution, as American as catfish, which for more than a century did much to relieve the social and cultural starvation of our vast river frontier. For these showboats brought their rich cargoes of entertainment—genuine laughter, a glimpse of other worlds, a respite from the grinding hardship of the present, emotional relaxation—to valley farmers, isolated factory workers and miners, and backwoodsmen who otherwise would have lacked all such opportunities. To the more privileged , the showboats brought pleasant reminder of a half-forgotten culture. They penetrated regions where churches and school had not gone, and where land theaters were for generations to be impossible. Like circuit preachers, they carried their message to the outer fringes of American civilization. In spite of many faults, it was a good message. The frontier had created this institution to fill a genuine need, and it lasted only until other and better means of civilizing these regions could reach them—good roads, automobiles, motion pictures, schools, churches, newspapers, and theaters. But although the showboats have passed into history, they have left a rich legacy. As long as the Mississippi flows into the Gulf, their story will fire the imagination of Americans. Showboating has become so legendary that few Americans know what this unique institution was really like. In Showboats, at long last, the true story emerges. It differs in many important respects from the motion picture and fictional versions to which Americans are accustomed, but it is not a whit the less glamorous. Philip Graham has told his story with imagination, genuine insight, and complete devotion to facts. No one who is interested in America's past should fail to read it.