Author: Goran Petrović
Publisher: Deep Vellum Publishing
ISBN: 1646050150
Category : Fiction
Languages : en
Pages : 220
Book Description
At The Lucky Hand is an account of the different love stories that revolve around a very peculiar book: My Legacy, by Anastas Branica. At first glance, this is a book where there is no plot or characters, only descriptions. However, that is what makes it a self-sufficient space, a world that can only be inhabited by its readers, which Anastas has written in order to live, within the book, with his beloved. Through what Petrovic called “simultaneous reading”, it is possible to coincide with other people in the same book, and not only that, but also to live beyond what is simply written. Within this experience of reading-while-reading, participants are able to access a meeting place that is outside of reality. How else can we describe what happens to us when we read with true conviction, when books become life, palpable, manifested, when books become part of our physiology, when love is incarnated in the reading that two strangers perform at the same time, hoping that time will be abolished by the mere fact of fixing their gaze on a page? In short, what the reader of this book will surely experience, along with all the other readers who coincide in the experience, will be a state of joyous stupefaction. Above all else, the book is a love letter to the power of literature.
At the Lucky Hand
Author: Goran Petrović
Publisher: Deep Vellum Publishing
ISBN: 1646050150
Category : Fiction
Languages : en
Pages : 220
Book Description
At The Lucky Hand is an account of the different love stories that revolve around a very peculiar book: My Legacy, by Anastas Branica. At first glance, this is a book where there is no plot or characters, only descriptions. However, that is what makes it a self-sufficient space, a world that can only be inhabited by its readers, which Anastas has written in order to live, within the book, with his beloved. Through what Petrovic called “simultaneous reading”, it is possible to coincide with other people in the same book, and not only that, but also to live beyond what is simply written. Within this experience of reading-while-reading, participants are able to access a meeting place that is outside of reality. How else can we describe what happens to us when we read with true conviction, when books become life, palpable, manifested, when books become part of our physiology, when love is incarnated in the reading that two strangers perform at the same time, hoping that time will be abolished by the mere fact of fixing their gaze on a page? In short, what the reader of this book will surely experience, along with all the other readers who coincide in the experience, will be a state of joyous stupefaction. Above all else, the book is a love letter to the power of literature.
Publisher: Deep Vellum Publishing
ISBN: 1646050150
Category : Fiction
Languages : en
Pages : 220
Book Description
At The Lucky Hand is an account of the different love stories that revolve around a very peculiar book: My Legacy, by Anastas Branica. At first glance, this is a book where there is no plot or characters, only descriptions. However, that is what makes it a self-sufficient space, a world that can only be inhabited by its readers, which Anastas has written in order to live, within the book, with his beloved. Through what Petrovic called “simultaneous reading”, it is possible to coincide with other people in the same book, and not only that, but also to live beyond what is simply written. Within this experience of reading-while-reading, participants are able to access a meeting place that is outside of reality. How else can we describe what happens to us when we read with true conviction, when books become life, palpable, manifested, when books become part of our physiology, when love is incarnated in the reading that two strangers perform at the same time, hoping that time will be abolished by the mere fact of fixing their gaze on a page? In short, what the reader of this book will surely experience, along with all the other readers who coincide in the experience, will be a state of joyous stupefaction. Above all else, the book is a love letter to the power of literature.
Sixty Nine
Author: Jake Jaxson
Publisher: Bruno Gmuender
ISBN: 9783867878814
Category : Gay erotic photography
Languages : en
Pages : 0
Book Description
Want to know how to have all the fun of sensual love-making without shame? Let the CockyBoys show you. Anything but a conventional photo book, "Sixty Nine" shows how joyful gay physical fun can be, in every situation and location. The sweet boys showcase their favorite positions, accompanied with a passionate essay by CockyBoys masterminds Jake Jaxson & RJ Sebastian. "Sixty Nine" represents the feeling of a new generation.
Publisher: Bruno Gmuender
ISBN: 9783867878814
Category : Gay erotic photography
Languages : en
Pages : 0
Book Description
Want to know how to have all the fun of sensual love-making without shame? Let the CockyBoys show you. Anything but a conventional photo book, "Sixty Nine" shows how joyful gay physical fun can be, in every situation and location. The sweet boys showcase their favorite positions, accompanied with a passionate essay by CockyBoys masterminds Jake Jaxson & RJ Sebastian. "Sixty Nine" represents the feeling of a new generation.
Hiroshige & Eisen
Author: Andreas Marks
Publisher:
ISBN:
Category : Color prints, Japanese
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Color prints, Japanese
Languages : en
Pages : 0
Book Description
Utagawa Kuniyoshi
Author: Sarah Elizabeth Thompson
Publisher: Pomegranate Communications
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Originally published in 1852 and 1853, The Sixty-nine Stations of the Kisokaid? is a richly entertaining series of woodblock prints created by master artist Utagawa Kuniyoshi (Japanese, 1797-1861). The seventy-two finely executed prints include one for each resting point along the well-traveled Kisokaid? (Kiso Road)-a historic route stretching from Edo (modern Tokyo) to Kyoto-plus views of the two endpoint cities and an additional series title page. Kuniyoshi never traveled the mountainous Kisokaid?, but he drew from historic events, kabuki plays, popular legends, and classical literature to illustrate his vision of the towns and stations along the road. This stunning collection of colorful ukiyo-e prints exhibits Kuniyoshi's artistic mastery and clever sense of humor. Each work incorporates three elements: the main picture, an inset landscape depicting the particular station, and a title block. Using parody and pun (both for humor and to avoid government censorship), Kuniyoshi associated each point on the route with one of the most beloved stories of his day-from a reimagined Odyssey to the Japanese fairy tale of Urashima to popular kabuki scenes with courtesans and other "floating world" characters. He made that story the subject of the main picture and put clues to its identity in the title block. Kuniyoshi delighted in these hidden messages and used every inch of the paper to tell his story. Utagawa Kuniyoshi: The Sixty-nine Stations of the Kisokaid? celebrates the beauty, charm, and ingenuity of Kuniyoshi's work with more than seventy-five full-color illustrations, including reproductions of all the prints in the treasured series. Sarah E. Thompson provides an introductory essay on the history of ukiyo-e and a description of each print. Sarah E. Thompson, Assistant Curator for Japanese Prints at the Museum of Fine Arts, Boston, received her PhD from Columbia University. She taught Japanese and Asian art history at Vassar College, Oberlin College, and the University of Oregon and curated several exhibitions of Japanese prints before coming to the MFA in 2004. She is now supervising the Japanese Print Access and Documentation Project, whose ultimate goal is to photograph and catalogue all fifty thousand Japanese prints in the MFA collection.
Publisher: Pomegranate Communications
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Originally published in 1852 and 1853, The Sixty-nine Stations of the Kisokaid? is a richly entertaining series of woodblock prints created by master artist Utagawa Kuniyoshi (Japanese, 1797-1861). The seventy-two finely executed prints include one for each resting point along the well-traveled Kisokaid? (Kiso Road)-a historic route stretching from Edo (modern Tokyo) to Kyoto-plus views of the two endpoint cities and an additional series title page. Kuniyoshi never traveled the mountainous Kisokaid?, but he drew from historic events, kabuki plays, popular legends, and classical literature to illustrate his vision of the towns and stations along the road. This stunning collection of colorful ukiyo-e prints exhibits Kuniyoshi's artistic mastery and clever sense of humor. Each work incorporates three elements: the main picture, an inset landscape depicting the particular station, and a title block. Using parody and pun (both for humor and to avoid government censorship), Kuniyoshi associated each point on the route with one of the most beloved stories of his day-from a reimagined Odyssey to the Japanese fairy tale of Urashima to popular kabuki scenes with courtesans and other "floating world" characters. He made that story the subject of the main picture and put clues to its identity in the title block. Kuniyoshi delighted in these hidden messages and used every inch of the paper to tell his story. Utagawa Kuniyoshi: The Sixty-nine Stations of the Kisokaid? celebrates the beauty, charm, and ingenuity of Kuniyoshi's work with more than seventy-five full-color illustrations, including reproductions of all the prints in the treasured series. Sarah E. Thompson provides an introductory essay on the history of ukiyo-e and a description of each print. Sarah E. Thompson, Assistant Curator for Japanese Prints at the Museum of Fine Arts, Boston, received her PhD from Columbia University. She taught Japanese and Asian art history at Vassar College, Oberlin College, and the University of Oregon and curated several exhibitions of Japanese prints before coming to the MFA in 2004. She is now supervising the Japanese Print Access and Documentation Project, whose ultimate goal is to photograph and catalogue all fifty thousand Japanese prints in the MFA collection.
Colburn's First Lessons
Author: Warren Colburn
Publisher:
ISBN:
Category : Arithmetic
Languages : en
Pages : 190
Book Description
Publisher:
ISBN:
Category : Arithmetic
Languages : en
Pages : 190
Book Description
Library of Congress Subject Headings
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1596
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1596
Book Description
Acts and Resolves as Passed by the ... Legislature
Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 374
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 374
Book Description
Acts and Resolves as Passed by the Legislature
Author: Maine
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 328
Book Description
The Congressional Globe
Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 638
Book Description
Library of Congress Subject Headings
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1608
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1608
Book Description