Sixteenth-century Drawings of Roman Buildings Attributed to Andreas Coner PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Sixteenth-century Drawings of Roman Buildings Attributed to Andreas Coner PDF full book. Access full book title Sixteenth-century Drawings of Roman Buildings Attributed to Andreas Coner by Andreas Coner. Download full books in PDF and EPUB format.
Author: Andreas Coner
Publisher:
ISBN:
Category : Drawing, Italian
Languages : en
Pages : 506
Get Book Here
Book Description
Author: Andreas Coner
Publisher:
ISBN:
Category : Drawing, Italian
Languages : en
Pages : 506
Get Book Here
Book Description
Author: John W. Stamper
Publisher: Cambridge University Press
ISBN: 9780521810685
Category : Architecture
Languages : en
Pages : 450
Get Book Here
Book Description
This book examines the development of Roman temple architecture from its earliest history in the sixth century BC to the reigns of Hadrian and the Antonines in the second century AD. John Stamper analyzes the temples' formal qualities, the public spaces in which they were located and, most importantly, the authority of precedent in their designs. He also traces Rome's temple architecture as it evolved over time and how it accommodated changing political and religious contexts, as well as the affects of new stylistic influences.
Author: Anna Bortolozzi
Publisher: Hatje Cantz Verlag
ISBN: 3775748024
Category : Art
Languages : en
Pages : 161
Get Book Here
Book Description
Dieser Band stellt die erste umfassende Untersuchung italienischer Architekturzeichnungen aus der Sammlung Cronstedt im Nationalmuseum Stockholm vor. Besprochen werden rund 180 Zeichnungen aus der Zeit zwischen 1570 und 1620. Darunter befinden sich Werke von Francesco da Capriani daVolterra, Carlo Maderno und anderen in Rom ansässigen Architekten, die für Kirchen, Kapellen, Paläste, Gärten und Brunnen angefertigt wurden – viele von ihnen stellen die wichtigsten und doch kaum bekannten Quellen für die Architektur des Spätmanierismus und Frühbarock dar. Ebenfalls enthalten sind Pläne und Detailzeichnungen französischer Künstler, die viele antike Monumente ebenso akribisch dokumentierten wie die Bauten der Renaissancebaumeister Bramante, Antonio da Sangallo, Michelangelo und Vignola. Italian Architectural Drawings kommt aufgrund aktueller Forschungsergebnisse zu ganz neuen Zuschreibungen, die auf einer genauen Analyse der Zeichnungen (Papier, Medium, Technik, Montage) beruhen. Ergänzende Vergleichsabbildungen und eine fotografische Bestandsaufnahme der Wasserzeichen runden diesen Band ab.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1128
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 466
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 586
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 936
Get Book Here
Book Description
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 946
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 910
Get Book Here
Book Description
Author: Cammy Brothers
Publisher: Princeton University Press
ISBN: 0691226520
Category : Art
Languages : en
Pages : 320
Get Book Here
Book Description
An illuminating reassessment of the architect whose innovative drawings of ruins shaped the enduring image of ancient Rome Giuliano da Sangallo (1443–1516) was one of the first architects to draw the ruins and artifacts of ancient Rome in a systematic way. Cammy Brothers shows how Giuliano played a crucial role in the Renaissance recovery of antiquity, and how his work transformed the broken fragments of Rome's past into the image of a city made whole. Drawing new insights from the Codex Barberini and the Taccuino Senese—two exquisite collections of Giuliano's drawings on parchment—Brothers reveals how the Florentine architect devoted enormous energy to the representation of ruins, and how his studies of Rome formed an integral part of his work as a designer. She argues that Giuliano's inventive approach, which has often been mischaracterized as fantastical or naive, infused the architect's craft with the sensibilities of a poet and painter. Brothers demonstrates how his drawings form the basis for a reevaluation of the meaning and method of the Renaissance study of ancient artifacts, and brings to life the transformative moment when artists and architects began to view the fragments of ancient Rome not as broken artifacts of little interest but as objects of aesthetic contemplation. Featuring a wealth of Giuliano's magnificent drawings, this compelling book provides an incomparable lens through which to explore essential questions about the aesthetic value, significance, and the uses of the past for today's architects.
