Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 24
Book Description
Sixteenth and Seventeenth Century Manuscripts from the Rawlinson Collection in the Bodleian Library, Oxford
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 24
Book Description
The Bodleian Library
Author: Bodleian Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 298
Book Description
It has taken over 400 years for the Bodleian Library to accrue the largest collection of academic books in Britain. To commemorate the foundation of the library by Sir Thomas Bodley in 1602 this volume gathers together contributions by the staff of the library who each discuss a particular section of the collection.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 298
Book Description
It has taken over 400 years for the Bodleian Library to accrue the largest collection of academic books in Britain. To commemorate the foundation of the library by Sir Thomas Bodley in 1602 this volume gathers together contributions by the staff of the library who each discuss a particular section of the collection.
Literary Research and the British Renaissance and Early Modern Period
Author: Jennifer Bowers
Publisher: Scarecrow Press
ISBN: 0810874288
Category : Language Arts & Disciplines
Languages : en
Pages : 400
Book Description
This guide provides the best practices and reference resources, both print and electronic, that can be used in conducting research on literature of the British Renaissance and Early Modern Period. This volume seeks to address specific research characteristics integral to studying the period, including a more inclusive canon and the predominance of Shakespeare.
Publisher: Scarecrow Press
ISBN: 0810874288
Category : Language Arts & Disciplines
Languages : en
Pages : 400
Book Description
This guide provides the best practices and reference resources, both print and electronic, that can be used in conducting research on literature of the British Renaissance and Early Modern Period. This volume seeks to address specific research characteristics integral to studying the period, including a more inclusive canon and the predominance of Shakespeare.
Codex Ashmole 61
Author: George Shuffelton
Publisher: Medieval Institute Publications
ISBN: 1580444423
Category : Literary Collections
Languages : en
Pages : 669
Book Description
Since its rediscovery by nineteenth-century scholarship, Oxford, Bodleian Library MS Ashmole 61 has never been ignored, though it has also not gained a great deal of notoriety beyond the scholars of Middle English romance. It is hoped that the present volume will encourage study of the entire manuscript as a valuable witness to the devotional habits, cultural values, and popular tastes of late medieval England.
Publisher: Medieval Institute Publications
ISBN: 1580444423
Category : Literary Collections
Languages : en
Pages : 669
Book Description
Since its rediscovery by nineteenth-century scholarship, Oxford, Bodleian Library MS Ashmole 61 has never been ignored, though it has also not gained a great deal of notoriety beyond the scholars of Middle English romance. It is hoped that the present volume will encourage study of the entire manuscript as a valuable witness to the devotional habits, cultural values, and popular tastes of late medieval England.
Incunabula in Transit
Author: Lotte Hellinga
Publisher: BRILL
ISBN: 900434036X
Category : Language Arts & Disciplines
Languages : en
Pages : 544
Book Description
Almost half a million books printed in the fifteenth century survive in collections worldwide. In Incunabula in Transit Lotte Hellinga explores how and where they were first disseminated. Propelled by the novel need to market hundreds of books, early printers formed networks with colleagues, engaged agents and traded Latin books over long distances. They adapted presentation to suit the taste of distinct readerships, local and remote. Publishing in vernacular languages required typographical innovations, as the chapter on William Caxton’s Flanders enterprise demonstrates. Eighteenth-century collectors dislodged books from institutions where they had rested since the sales drives of early printers. Erudite and entertaining, Hellinga’s evidence-based approach, linked to historical context, deepens understanding of the trade in early printed books.
Publisher: BRILL
ISBN: 900434036X
Category : Language Arts & Disciplines
Languages : en
Pages : 544
Book Description
Almost half a million books printed in the fifteenth century survive in collections worldwide. In Incunabula in Transit Lotte Hellinga explores how and where they were first disseminated. Propelled by the novel need to market hundreds of books, early printers formed networks with colleagues, engaged agents and traded Latin books over long distances. They adapted presentation to suit the taste of distinct readerships, local and remote. Publishing in vernacular languages required typographical innovations, as the chapter on William Caxton’s Flanders enterprise demonstrates. Eighteenth-century collectors dislodged books from institutions where they had rested since the sales drives of early printers. Erudite and entertaining, Hellinga’s evidence-based approach, linked to historical context, deepens understanding of the trade in early printed books.
Ten Bourdes
Author: Melissa M Furrow
Publisher: Medieval Institute Publications
ISBN: 158044458X
Category : Literary Collections
Languages : en
Pages : 290
Book Description
A bourde is an English comedic poem similar to a French fabliau but with a moralizing element and less of an emphasis on violence. In this fresh edition of ten Middle English bourdes, Melissa M. Furrow "aims to put funny (or would-be funny) Middle English poems under the eyes of a much broader readership" than the scholarly researchers she appealed to in her earlier edition of many of the same poems. This collection is specifically designed for students, and has contextualizing introductions, copious notes, glosses, and a glossary.
Publisher: Medieval Institute Publications
ISBN: 158044458X
Category : Literary Collections
Languages : en
Pages : 290
Book Description
A bourde is an English comedic poem similar to a French fabliau but with a moralizing element and less of an emphasis on violence. In this fresh edition of ten Middle English bourdes, Melissa M. Furrow "aims to put funny (or would-be funny) Middle English poems under the eyes of a much broader readership" than the scholarly researchers she appealed to in her earlier edition of many of the same poems. This collection is specifically designed for students, and has contextualizing introductions, copious notes, glosses, and a glossary.
Zong!
Author: M. NourbeSe Philip
Publisher: Wesleyan University Press
ISBN: 0819568767
Category : History
Languages : en
Pages : 226
Book Description
A haunting lifeline between archive and memory, law and poetry
Publisher: Wesleyan University Press
ISBN: 0819568767
Category : History
Languages : en
Pages : 226
Book Description
A haunting lifeline between archive and memory, law and poetry
Index of English Literary Manuscripts
Author: Peter John Croft
Publisher: London : Mansell ; New York : Bowker
ISBN: 9780835212168
Category : Reference
Languages : en
Pages : 408
Book Description
Publisher: London : Mansell ; New York : Bowker
ISBN: 9780835212168
Category : Reference
Languages : en
Pages : 408
Book Description
Piety in Pieces
Author: Kathryn M. Rudy
Publisher: Open Book Publishers
ISBN: 1783742364
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
Publisher: Open Book Publishers
ISBN: 1783742364
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
The Wisdom of Exeter
Author: E.J. Christie
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513060
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
This interdisciplinary volume collects original essays in literary criticism and literary theory, philology, codicology, metrics, and art history. Composed by prominent scholars in Anglo-Saxon studies, these essays honor the depth and breadth of Patrick W. Conner’s influence in our discipline. As a scholar, teacher, editor, administrator and innovator, Pat has contributed to Anglo-Saxon studies for four decades. It is hard to say which of his legacies is most profound.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513060
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
This interdisciplinary volume collects original essays in literary criticism and literary theory, philology, codicology, metrics, and art history. Composed by prominent scholars in Anglo-Saxon studies, these essays honor the depth and breadth of Patrick W. Conner’s influence in our discipline. As a scholar, teacher, editor, administrator and innovator, Pat has contributed to Anglo-Saxon studies for four decades. It is hard to say which of his legacies is most profound.