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Author: Andrew K. Kennedy
Publisher: Cambridge University Press
ISBN: 9780521204927
Category : Drama
Languages : en
Pages : 294
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Book Description
In this penetrating study Andrew Kennedy sets out to analyse the modern movement in drama through the theatrical language of six key figures writing in English - Shaw, Eliot, Beckett, Pinter, Osborne and Arden. Dr Kennedy argues that a study of theatrical language should be an exercise in 'practical criticism' and not merely narrowly linguistic. The whole range of theatrical expressiveness must be examined in detail from play text and performance alike and the conclusions correlated with the author's known intentions if a full evaluative judgement is to be attempted. Dr Kennedy shows how the modern movement in drama reveals a growing difficulty in creating any type of fully expressive dramatic language. He has written a work with an unusual breadth of reference, which should prove of value to all students of modern drama, modern English and European literature and to the theatre-going public.
Author: Andrew K. Kennedy
Publisher: Cambridge University Press
ISBN: 9780521204927
Category : Drama
Languages : en
Pages : 294
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Book Description
In this penetrating study Andrew Kennedy sets out to analyse the modern movement in drama through the theatrical language of six key figures writing in English - Shaw, Eliot, Beckett, Pinter, Osborne and Arden. Dr Kennedy argues that a study of theatrical language should be an exercise in 'practical criticism' and not merely narrowly linguistic. The whole range of theatrical expressiveness must be examined in detail from play text and performance alike and the conclusions correlated with the author's known intentions if a full evaluative judgement is to be attempted. Dr Kennedy shows how the modern movement in drama reveals a growing difficulty in creating any type of fully expressive dramatic language. He has written a work with an unusual breadth of reference, which should prove of value to all students of modern drama, modern English and European literature and to the theatre-going public.
Author: Leslie Kane
Publisher: Routledge
ISBN: 1136791701
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
The 12 original and two classic essays offer a dialectic on performance and structure, and substantially advance our knowledge of this seminal playwright. The commentaries examine feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights on the theatricality, originality, and universality of the work. Although the dominant focus is on Glengarry Glen Ross, several essays look at the play against the background of Mamet's Edmund, Reunion, and American Buffalo, whereas others find fascinating parallels in Emerson, Baudrillard, Conrad, Miller, and Churchill. The book also includes an interview with Sam Mendes, the director of the highly acclaimed 1994 revival of Glengarry Glen Ross in London, conducted specifically for this collectio. A chronology of major productions and the most current and comprehensive bibliography of secondary references from 1983-1995 complete the volume.
Author: Robin J. Davis
Publisher: Rowman & Littlefield
ISBN: 9780389207917
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Contents: The Difficult BirthóAn Image of Utterance in Beckett, Paul Lawley; Less equals MoreóDeveloping Ambiguity in the Drafts of "Come and Go," Rosemary Pountney; Seeing is PerceivingóBeckett's Later Plays and the Theory of Audience Response, Karen L. Laughlin; Mutations of the Soliloquy, "Not I" to "Rockaby," Andrew Kennedy; Anonymity and IndividuationóThe Interrelation of Two Linguistic Functions in "Not I" and "Rockaby," Lois Oppenheim; Walking and Rocking, Ritual Acts in "Footfalls" and "Rockaby," Mary A. Doll; Beckett's Other Trilogyó"Not I," "Footfalls" and "Rockaby," R. Thomas Stone; Perspective in "Rockaby," Jane Alison Hale; Know HappinessóIrony in "Ill Seen Ill Said," Monique Nagem; Reading "That Time," Antoni Libera; The Speech Act in Beckett's "Ohio Impromptu," Kathleen O'Gorman; "Make Sense Who May," A Study of "Catastrophe" and "What Where," Annamaria Sportelli; "Catastrophe" and Dramatic Setting, Hersh Zeifman; A Political Perspective on "Catastrophe," Robert Sandarg; The Quad PiecesóA Screen for the Unseeable, Phyllis Carey. Irish Literary Studies Series No. 30.
Author: Meena Sodhi
Publisher: Atlantic Publishers & Dist
ISBN: 9788171565535
Category :
Languages : en
Pages : 126
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Book Description
This Book Presents A Detailed Study As Well As A Critical Analysis On Candida And Its Different Aspects. Brief Discussions Are Also Included On Shaw As A Dramatist. The Book Is Addressed To The Students, Researchers And Scholars Of Shaw In General And Candida In Particular.
Author: Virginia Cooke
Publisher: Routledge
ISBN: 100037839X
Category : Literary Criticism
Languages : en
Pages : 82
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Book Description
This book, first published in 1985, assembles essential facts on Samuel Beckett and makes vital but elusive information available. It contains a comprehensive checklist of all the writer’s plays, with a detailed performance history, excerpted reviews, and most importantly, a selection of Beckett’s own comments on their work drawn from essays, interviews, letters and diaries. Other features include a chronology of life and work, a checklist of non-dramatic writings and an annotated bibliography.
Author: J. L. Styan
Publisher: Peter Lang
ISBN: 9780820444895
Category : Drama
Languages : en
Pages : 156
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Book Description
This book introduces the elements of drama and the principles behind the reading and study of plays--classical and modern. It makes a special point of seeing drama as intended for acting and performance, and it therefore emphasizes the role of the spectator at a play and the sort of theatre for which drama was written. The performance approach to the study of plays finally clarifies the different kinds of drama (comedy, tragedy, melodrama, and farce) and identifies its forms (realism, stylization, and symbolism). The book draws on specific examples of drama, is rich in helpful charts and diagrams, and contains a comprehensive glossary. Drama will be a useful guide for students and general playgoers alike.
Author: Paul Newell Campbell
Publisher: Popular Press
ISBN: 9780879722807
Category : Performing Arts
Languages : en
Pages : 148
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Book Description
This book is an argument for a particular point of view toward theatre, not a summary or survey of dramatic theory and criticism. The argument centers on the concept of form, a concept that is the rock on which all theoretical and critical works are built, or against which they shatter.
Author: Austin E. Quigley
Publisher: Routledge
ISBN: 1317619641
Category : Performing Arts
Languages : en
Pages : 358
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Book Description
Modern plays are strikingly diverse and, as a result, any attempt to locate an underlying unity between them encounters difficulties: to focus on what they have in common is often to overlook what is of primary importance in particular plays; to focus on their differences is to note the novelty of the plays without increasing their accessibility. In this study, first published in 1985, Austin E. Quigley takes as his paradigm case the relationship between the world of the stage and the world of the audience, and explores various modes of communication between domains. He asks how changes in the structure of the drama relate to changes in the structure of the theatre, and changes in the role of the audience. Detailed interpretations of plays by Pinero, Ibsen, Strindberg, Brecht, Ionesco, Beckett and Pinter question principles about the modern theatre and establish links between drama structure and theatre structure, theme, and performance space.
Author: Charles A. Carpenter
Publisher: A&C Black
ISBN: 144117852X
Category : Reference
Languages : en
Pages : 525
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Book Description
A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.
Author: Pradip Lahiri
Publisher: Cambridge Scholars Publishing
ISBN: 1036406091
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
The present study contributes to the corpus of later 20th-century drama and theatre, examining how absurdist theatre works to show the playwrights’ deep insights into humanity’s angst through a confrontation of the deeply subconscious self and the manifest socio-moral façade around us. The book, as a consolidated study, will allow students to form a comprehensive understanding of 20th-century experimental theatre, replete with theories and discernible techniques from as early as the 1950s. It highlights the decisive turn taken by Western playwrights and the dramatic revolution that took place around the mid-20th century through the plays of Beckett, Pinter, Ionesco, Genet, Adamov, Albee, and others. The book strives to familiarize the learners systematically through scaling, surveying and scanning the multifarious literary movements and metamorphoses that created this theatrical scenario.
