Author: Virginia Pérez-Ratton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
In 2004 and 2005 TEOR/tica developed a month-by-month conference program that included the participation of renowned historians, intellectuals, scholars, curators and art critics from all over Latin America and the Caribbean. The book is a compilation of 9 lectures given in 2004 on diverse aspects of visual art in Latin America.
Situaciones artísticas latinoamericanas
Author: Virginia Pérez-Ratton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
In 2004 and 2005 TEOR/tica developed a month-by-month conference program that included the participation of renowned historians, intellectuals, scholars, curators and art critics from all over Latin America and the Caribbean. The book is a compilation of 9 lectures given in 2004 on diverse aspects of visual art in Latin America.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
In 2004 and 2005 TEOR/tica developed a month-by-month conference program that included the participation of renowned historians, intellectuals, scholars, curators and art critics from all over Latin America and the Caribbean. The book is a compilation of 9 lectures given in 2004 on diverse aspects of visual art in Latin America.
Encounters in Video Art in Latin America
Author: Elena Shtromberg
Publisher: Getty Publications
ISBN: 1606067923
Category : Art
Languages : en
Pages : 290
Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
Publisher: Getty Publications
ISBN: 1606067923
Category : Art
Languages : en
Pages : 290
Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
Artistas Latinoamericanas
Author: Geraldine P. Biller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
After Human Rights
Author: Fernando J. Rosenberg
Publisher: University of Pittsburgh Press
ISBN: 0822981432
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Fernando J. Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. Prior to this, key literary and artistic projects articulated Latin American modernity by attempting to address and supplement the state's inability to embody and enact justice. Rosenberg argues that since the topics of emancipation, identity, and revolution no longer define social concerns, Latin American artistic production is now situated at a point where the logic and conditions of marketization intersect with the notion of rights through which subjects define themselves politically. Rosenberg grounds his study in discussions of literature, film, and visual art (novels of political re-foundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries.) In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity.
Publisher: University of Pittsburgh Press
ISBN: 0822981432
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Fernando J. Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. Prior to this, key literary and artistic projects articulated Latin American modernity by attempting to address and supplement the state's inability to embody and enact justice. Rosenberg argues that since the topics of emancipation, identity, and revolution no longer define social concerns, Latin American artistic production is now situated at a point where the logic and conditions of marketization intersect with the notion of rights through which subjects define themselves politically. Rosenberg grounds his study in discussions of literature, film, and visual art (novels of political re-foundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries.) In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity.
Algunas cosas pasan más veces que todo el tiempo
Author: Rafael Lozano-Hemmer
Publisher: Turner (Spain)
ISBN:
Category : Art
Languages : en
Pages : 184
Book Description
This first major monograph on the electronic artist Rafael Lozano-Hemmer was produced on the occasion of the 2007 Venice Biennale, where Lozano-Hemmer presented six interactive installations--becoming the first artist to officially represent Mexico at the Biennale. Born in Mexico City in 1967, Lozano-Hemmer studied Physical Chemistry at Concordia University in Montreal, and now uses his background in the sciences to create the large-scale, public-space installations for which he is known. Working with the concept of "relational architecture," Lozano-Hemmer's installations employ everything from robotics to sensors to cell phones and video projections to create social situations that alter the ways people relate to urban space. Describing his piece, "Subtitled Public" in an interview in this very nicely designed book, Lozano-Hemmer says, "I look for the 'special defects' that allow me to activate the imperfections, the disruptions; 'to disrupt' seems to be the most precise term for describing what I want to do."
Publisher: Turner (Spain)
ISBN:
Category : Art
Languages : en
Pages : 184
Book Description
This first major monograph on the electronic artist Rafael Lozano-Hemmer was produced on the occasion of the 2007 Venice Biennale, where Lozano-Hemmer presented six interactive installations--becoming the first artist to officially represent Mexico at the Biennale. Born in Mexico City in 1967, Lozano-Hemmer studied Physical Chemistry at Concordia University in Montreal, and now uses his background in the sciences to create the large-scale, public-space installations for which he is known. Working with the concept of "relational architecture," Lozano-Hemmer's installations employ everything from robotics to sensors to cell phones and video projections to create social situations that alter the ways people relate to urban space. Describing his piece, "Subtitled Public" in an interview in this very nicely designed book, Lozano-Hemmer says, "I look for the 'special defects' that allow me to activate the imperfections, the disruptions; 'to disrupt' seems to be the most precise term for describing what I want to do."
Witness to Her Art
Author: Rhea Anastas
Publisher: Bard College
ISBN:
Category : Architecture
Languages : en
Pages : 344
Book Description
Foreword by Tom Eccles. Edited by Rhea Anastas, Michael Brenson. Text by Keith Piper, Kara Walker, Daniela Rossell, Mona Hatoum, Cady Noland, Jenny Holzer, Rhea Anastas, Michael Brenson, Norton Batkin, Joanna Burton, Aruna d'Souza, Pamela Franks, Janet Kraynak, David Levi Strauss, Cuauhtemoc Medina, Ann Reynolds, Hamza Walker.
Publisher: Bard College
ISBN:
Category : Architecture
Languages : en
Pages : 344
Book Description
Foreword by Tom Eccles. Edited by Rhea Anastas, Michael Brenson. Text by Keith Piper, Kara Walker, Daniela Rossell, Mona Hatoum, Cady Noland, Jenny Holzer, Rhea Anastas, Michael Brenson, Norton Batkin, Joanna Burton, Aruna d'Souza, Pamela Franks, Janet Kraynak, David Levi Strauss, Cuauhtemoc Medina, Ann Reynolds, Hamza Walker.
Art Nexus
Author:
Publisher:
ISBN:
Category : Art, Colombian
Languages : en
Pages : 598
Book Description
Publisher:
ISBN:
Category : Art, Colombian
Languages : en
Pages : 598
Book Description
XXXI Bienal de Pontevedra
Author: Santiago B. Olmo
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 240
Book Description
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 240
Book Description
New Traditions
Author: Robert J. Phelan
Publisher:
ISBN:
Category : Hispanic American art
Languages : en
Pages : 98
Book Description
Publisher:
ISBN:
Category : Hispanic American art
Languages : en
Pages : 98
Book Description
Artes
Author:
Publisher:
ISBN:
Category : Art, Caribbean
Languages : es
Pages : 302
Book Description
Publisher:
ISBN:
Category : Art, Caribbean
Languages : es
Pages : 302
Book Description