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Author: Alfred Harbage
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Alfred Harbage
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Alfred Harbage
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Howard S. Collins
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111400360
Category : Language Arts & Disciplines
Languages : en
Pages : 180
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Author: Wendell W. Broom
Publisher: Routledge
ISBN: 0429682557
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
First published in 1987, this 23rd volume in the Renaissance Imagination series had the objective of establishing the text of William Davenant’s The Platonick Lovers that most closely represents the author’s final vision for his work. Wendell W. Broom Jr documents the history of the publication of The Platonick Lovers and the manner in which the present text was produced. Copies of all relevant editions have been collated and curated to bring together the definitive authorial version of the text.
Author: Timothy Raylor
Publisher: University of Delaware Press
ISBN: 9780874135237
Category : Biography & Autobiography
Languages : en
Pages : 348
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Book Description
During the Interregnum Mennes and Smith were actively involved in royalist subversion, and their verse was first published at this time as part of a royalist propaganda effort.
Author: Edward H. O'Neill
Publisher: University of Pennsylvania Press
ISBN: 1512804940
Category : Reference
Languages : en
Pages : 478
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Book Description
This volume is the most comprehensive bibliography of purely biographical material written by Americans. It covers every possible field of life but, by design, excludes autobiographies, diaries, and journals.
Author: James J. Marino
Publisher: University of Pennsylvania Press
ISBN: 0812205774
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Yet this dialogue was but one part of a still more complicated conversation in early modern England, James J. Marino argues; other customs and other sets of professional demands were at least as important, most strikingly in the exercise of the performance rights of plays. In Owning William Shakespeare James Marino explores the actors' system of intellectual property as something fundamentally different from the property regimes exercised by the London printers or the royal monopolists. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other works, he demonstrates how Shakespeare's acting company asserted ownership of its plays through intense rewriting combined with progressively insistent attribution to Shakespeare. The familiar versions of these plays were created through ongoing revision in the theater, a process that did not necessarily begin with Shakespeare's original manuscript or end when he died. An ascription by the company of any play to "Shakespeare" did not imply that it was following a fixed, authorial text; rather, Marino writes, it indicates an attempt to maintain exclusive control over a set of open-ended, theatrically revised scripts. Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his. It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage.
Author: Andrew R. Walkling
Publisher: Routledge
ISBN: 1315524198
Category : Music
Languages : en
Pages : 415
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Book Description
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
Author: Susan Castillo
Publisher: Routledge
ISBN: 1134374895
Category : History
Languages : en
Pages : 289
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Book Description
Exploring the proliferation of polyphonic texts following the first contact between Europeans and the indigenous peoples of the Americas, this book is an important advance in the study of early American literature and writings of colonial encounter.
Author: Jeffrey Knapp
Publisher: Univ of California Press
ISBN: 0520310977
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
What caused England's literary renaissance? One answer has been such unprecedented developments as the European discovery of America. Yet England in the sixteenth century was far from an expanding nation. Not only did the Tudors lose England's sole remaining possessions on the Continent and, thanks to the Reformation, grow spiritually divided from the Continent as well, but every one of their attempts to colonize the New World actually failed. Jeffrey Knapp accounts for this strange combination of literary expansion and national isolation by showing how the English made a virtue of their increasing insularity. Ranging across a wide array of literary and extraliterary sources, Knapp argues that English poets rejected the worldly acquisitiveness of an empire like Spain's and took pride in England's material limitations as a sign of its spiritual strength. In the imaginary worlds of such fictions as Utopia, The Faerie Queene, and The Tempest, they sought a grander empire, founded on the "otherworldly" virtues of both England and poetry itself. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.
