Author: Matthew C. Hunter
Publisher: University of Chicago Press
ISBN: 022639039X
Category : Photography
Languages : en
Pages : 298
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Book Description
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
Author: Richard Wendorf
Publisher: Harvard University Press
ISBN: 067480967X
Category : Art
Languages : en
Pages : 321
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Book Description
Sir Joshua Reynolds explores the ways in which portrait-painting is embedded in the social fabric of a given culture as well as in the social and professional transaction between the artist and his or her subject. In addition to providing a new view of Reynolds, Wendorf's book develops a thoroughly new way of interpreting portraiture.
Author: Sir Joshua Reynolds
Publisher: IndyPublish.com
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
When the artist is once enabled to express himself with some degree of correctness, he must then endeavour to collect subjects for expression; to amass a stock of ideas, to be combined and varied as occasion may require. He is now in the second period of study, in which his business is to learn all that has hitherto been known and done. Having hitherto received instructions from a particular master, he is now to consider the art itself as his master. He must extend his capacity to more sublime and general instructions.
Author: Joseph Farington
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 194
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Book Description
Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326
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Book Description
Author: Martin Postle
Publisher: Cambridge University Press
ISBN: 9780521420662
Category : Art
Languages : en
Pages : 396
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Book Description
Sir Joshua Reynolds' reputation today rests principally on his portraits, his theoretical writings on art and his role as President of the Royal Academy. Yet in his own day Reynolds' subject pictures were among the most widely discussed British paintings of the century. This is the first book to concentrate on this important aspect of Reynolds' work. Covering the period from 1760 to 1830, it shows the way in which these pictures were inextricably linked to Reynolds' aims and practices as a painter, and to the way in which he was perceived by his peers.
Author: Algernon Graves
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 483
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Book Description
Author: Richard Wendorf
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300107340
Category : Art
Languages : en
Pages : 157
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Book Description
"Published for The Paul Mellon Centre for Studies in British Art, The Yale Center for British Art."
Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category :
Languages : en
Pages : 386
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Book Description
Author: John Barrell
Publisher: Yale University Press
ISBN: 9780300063554
Category : Art
Languages : en
Pages : 384
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Book Description
What is the function of painting in a commercial society? This text describes how British artists of the late-18th and early-19th centuries attempted to answer this question.
