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Author: Enzo Traverso
Publisher: Columbia University Press
ISBN: 0231555318
Category : History
Languages : en
Pages : 93
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Book Description
Today, history is increasingly written in the first person. A growing number of historical works include an autobiographical dimension, as if writing about the past required exploring the inner life of the author. Neither traditional history nor autobiography, this hybrid genre calls the norms of the historical profession into question. In search of new and creative paths, it transgresses a cardinal rule of the discipline: third-person narration, long considered necessary to the objective analysis of the past. Singular Pasts offers a critical account of the emergence of authorial subjectivity in historical writing, scrutinizing both its achievements and its shortcomings. Enzo Traverso considers a group of contemporary historians, including Ivan Jablonka, Sergio Luzzatto, and Mark Mazower, who reveal their emotional ties to their subjects and give their writing a literary flavor. He identifies a parallel trend in literature, in which authors such as W. G. Sebald, Patrick Modiano, Javier Cercas, and Daniel Mendelsohn write their works as investigations based on archival sources. Traverso argues that first-person history mirrors contemporary ways of thinking: such writing is presentist and apolitical, perceiving and representing the past through an individual lens. Probing the limits of subjective historiography, he emphasizes that it is collective action that produces social change: “we” instead of “I.” In an epilogue, Traverso considers the first-person writing of Saidiya Hartman as a counterexample. A wide-ranging and illuminating critique of a key trend in humanistic inquiry, Singular Pasts reconsiders the notion of historical truth in a neoliberal age.
Author: Enzo Traverso
Publisher: Columbia University Press
ISBN: 0231555318
Category : History
Languages : en
Pages : 93
Get Book Here
Book Description
Today, history is increasingly written in the first person. A growing number of historical works include an autobiographical dimension, as if writing about the past required exploring the inner life of the author. Neither traditional history nor autobiography, this hybrid genre calls the norms of the historical profession into question. In search of new and creative paths, it transgresses a cardinal rule of the discipline: third-person narration, long considered necessary to the objective analysis of the past. Singular Pasts offers a critical account of the emergence of authorial subjectivity in historical writing, scrutinizing both its achievements and its shortcomings. Enzo Traverso considers a group of contemporary historians, including Ivan Jablonka, Sergio Luzzatto, and Mark Mazower, who reveal their emotional ties to their subjects and give their writing a literary flavor. He identifies a parallel trend in literature, in which authors such as W. G. Sebald, Patrick Modiano, Javier Cercas, and Daniel Mendelsohn write their works as investigations based on archival sources. Traverso argues that first-person history mirrors contemporary ways of thinking: such writing is presentist and apolitical, perceiving and representing the past through an individual lens. Probing the limits of subjective historiography, he emphasizes that it is collective action that produces social change: “we” instead of “I.” In an epilogue, Traverso considers the first-person writing of Saidiya Hartman as a counterexample. A wide-ranging and illuminating critique of a key trend in humanistic inquiry, Singular Pasts reconsiders the notion of historical truth in a neoliberal age.
Author: Michael Riedel
Publisher: Avid Reader Press / Simon & Schuster
ISBN: 1501166638
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
The extraordinary story of a transformative decade on Broadway, featuring gripping behind-the-scenes accounts of shows such as Rent, Angels in America, Chicago, The Lion King, and The Producers—shows that changed the history of the American theater. The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent. American musical comedy made its grand return, culminating in The Producers, while plays, always an endangered species on Broadway, staged a powerful comeback with Tony Kushner’s Angels in America. A different breed of producers rose up to challenge the grip theater owners had long held on Broadway, and corporations began to see how much money could be made from live theater. And just as Broadway had clawed its way back into the mainstream of American popular culture, the September 11 attacks struck fear into the heart of Americans who thought Times Square might be the next target. But Broadway was back in business just two days later, buoyed by talented theater people intent on bringing New Yorkers together and supporting the economics of an injured city. Michael Riedel presents the drama behind every mega-hit or shocking flop, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.
Author: George K. Behlmer
Publisher: Stanford University Press
ISBN: 9780804734899
Category : Social Science
Languages : en
Pages : 308
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Book Description
This volume explores the appropriation of the past in modern British culture. The twelve essays argue that to distinguish between "the new" and "the traditional" today often draws a false dichotomy. It argues that Britishness, in fact, has been the product of continuous creation throughout the 19th and 20th centuries.
Author: Richard A. Lee Jr.
Publisher: Springer
ISBN: 0312299125
Category : History
Languages : en
Pages : 187
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Book Description
Science, the Singular, and the Question of Theology explores the role that the singular plays in the theories of science of Robert Grosseteste, Thomas Aquinas, Duns Scotus, William of Ockham, Marsilius of Inghen, and Pierre d'Ailly. It pursues the question specifically in relation to the question of whether theology is a science. The work argues that the main issue in debates concerns whether theology is a science and how to provide a 'rational ground' for existing singulars. Science, the Singular, and the Question of Theology exposes how, on the eve of modernity, existing singulars were freed from the constraints of rational ground.
Author: Claudine Fabre-Vassas
Publisher: Columbia University Press
ISBN: 9780231103671
Category : Cooking
Languages : en
Pages : 440
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Book Description
This original account of the significance of the pig and its relationship to Jews in European Christian culture encompasses a vast array of folklore, history and ritual. Practices related to the breeding, slaughter and consumption of the pig have inspired both religious and secular taboos and rituals, laid out by the author in fascinating detail. She demonstrates clearly the power which a symbol may hold to mould an ethnic identity, and the book stands both as s study of the role of the pig, and as an analysis of the creation of anti-Semitic myths.
Author: John Collinson Nesfield
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 514
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Book Description
The plan that has been followed in preparing this book is to carry the student's mind gradually forward from the more easy to the less easy, from the better known to the unknown. The present book is an adaptation of a manual prepared by the same author in India, where English is studied with extraordinary keenness, in an attempt to find the best means of teaching it. It is best to assume that the average student does not know very much to start with, and that every student must be well versed in the principles of modern English, before he can be qualified to begin the much more difficult task of tracing these to their sources. -- from the preface.
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 900
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Book Description
Author: Judith Noble
Publisher: Dog Ear Publishing
ISBN: 1457559471
Category : Foreign Language Study
Languages : en
Pages : 368
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Book Description
Complete Handbook of Spanish Verbs: A Classic Reference is an invaluable reference for students, libraries, and anyone who communicates in Spanish. It provides • a quick and easy way to find the correct conjugation in all forms and tenses of the more than 4,500 Spanish verbs listed, verbs chosen as illustration of verbal changes and/or irregularities and for their frequency of usage, • the more than 5,500 irregular forms of those verbs identifying their infinitive, • a model for the full conjugation in all forms and tenses of every Spanish verb, including those not listed here, according to its category, • special charts to aid in understanding and mastering the Spanish verbal system. The book is organized in three parts. Section I: a list of more than 4,500 Spanish infinitives with one or more English equivalents and their more than 5,500 irregular forms to facilitate finding their infinitives. Each infinitive is followed by a reference number that indicates the chart giving its conjugation or that of the model verb whose pattern the infinitive follows. Sections II through X: a series of charts with • sample English translation possibilities for the various tenses and forms of Spanish verbs, • the formation, by stem and ending, of all regular verbal forms, • model verbs, each showing the full conjugation of the model verb and accompanied by a list, “Verbs of this Category,” with all the verbs in this book that follow that model. These include regular verbs, orthographic/spelling changing verbs, radical/stem changing verbs, verbs with accent shift, irregular verbs, and defective verbs. The table of contents provides, at a glance, a detailed outline of the various categories and subdivisions in these sections. Section XI: an alphabetical listing of the English translations given in the book for the Spanish infinitives found in the list at the beginning, in Section I. It must be noted that this is not intended to be a dictionary of English verbs. English verbs were not sought and then defined, rather the English equivalents given for the Spanish verbs were merely duplicated here, in alphabetical order in English.
Author: John Muir
Publisher:
ISBN:
Category : Brahmanism
Languages : en
Pages : 552
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Book Description
Author: Geoffrey Chaucer
Publisher: American Chemical Society
ISBN: 0199552096
Category : Christian pilgrims and pilgrimages
Languages : en
Pages : 1386
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Book Description
A re-editing of F.N. Robinson's second edition of The works of Geoffrey Chaucer published in 1957 by the team of experts at the Riverside Institute who have greatly expanded the introductory material, explanatory notes, textual notes, bibliography and glossary. The result of many years' study. The Riverside Chaucer is the most authentic and exciting edition available of Chaucer's complete works.
