Singing Poetry in Renaissance Florence PDF Download
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Author: Blake McDowell Wilson
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
"The cantasi come database runs in File Maker Pro (Mac or PC), and each of the 1836 records bears nine searchable fields: cantasi come incipit (and poetic form), poet, language, composer, music sources, lauda incipit (and poetic form), lauda poet, cantasi come sources, and notes."--Page 11.
Author: Blake McDowell Wilson
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 300
Get Book Here
Book Description
"The cantasi come database runs in File Maker Pro (Mac or PC), and each of the 1836 records bears nine searchable fields: cantasi come incipit (and poetic form), poet, language, composer, music sources, lauda incipit (and poetic form), lauda poet, cantasi come sources, and notes."--Page 11.
Author: Blake Wilson
Publisher: Cambridge University Press
ISBN: 1108488072
Category : History
Languages : en
Pages : 487
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Book Description
The first comprehensive study of the dominant form of solo singing in Renaissance Italy prior to the mid-sixteenth century.
Author: Anthony M. Cummings
Publisher: University of Chicago Press
ISBN: 0226822788
Category : History
Languages : en
Pages : 512
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Book Description
"Florence is justly celebrated as one of the world's most important cities. It enjoys mythic status and occupies an enviable place in the historical imagination. But its music-historical importance is less well understood than it should be. If Florence was the city of Dante, Michelangelo, and Galileo, it was also the birthplace of the madrigal, opera, and the piano. This is the only book of its kind, a comprehensive account of music in Florence from the late Middle Ages until the end of the Medici dynasty in the mid-eighteenth century. It recounts the principal developments in the history of Florence's contributions to music and how music was heard and cultivated in the city, from civic and religious institutions to private patronage and the academies. Scholars from sister disciplines and a general readership interested in the history and culture of Florence will find this book an invaluable complement to studies of the art, literature, and political thought of the late-medieval and early-modern eras and the quasi-legendary figures in the Florentine cultural pantheon"--
Author: Derek Attridge
Publisher: Oxford University Press
ISBN: 0192569589
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Was the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.
Author: Susan Forscher Weiss
Publisher: Indiana University Press
ISBN: 0253004551
Category : Music
Languages : en
Pages : 424
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Book Description
What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church -- to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how the act of learning was embedded in the broader context of the early Western art music tradition.
Author: Lauren Jennings
Publisher: Routledge
ISBN: 1317057104
Category : Music
Languages : en
Pages : 313
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Book Description
The metaphor of marriage often describes the relationship between poetry and music in both medieval and modern writing. While the troubadours stand out for their tendency to blur the distinction between speaking and singing, between poetry and song, a certain degree of semantic slippage extends into the realm of Italian literature through the use of genre names like canzone, sonetto, and ballata. Yet, paradoxically, scholars have traditionally identified a 'divorce' between music and poetry as the defining feature of early Italian lyric. Senza Vestimenta reintegrates poetic and musical traditions in late medieval Italy through a fresh evaluation of more than fifty literary sources transmitting Trecento song texts. These manuscripts have been long noted by musicologists, but until now they have been used to bolster rather than to debunk the notion that so-called 'poesia per musica' was relegated to the margins of poetic production. Jennings revises this view by exploring how scribes and readers interacted with song as a fundamentally interdisciplinary art form within a broad range of literary settings. Her study sheds light on the broader cultural world surrounding the reception of the Italian ars nova repertoire by uncovering new, diverse readers ranging from wealthy merchants to modest artisans.
Author: John Alexander Stinson
Publisher: Georg Olms Verlag
ISBN: 3487424703
Category : Art
Languages : en
Pages : 342
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Book Description
Die Bedeutung von musizierenden Engeln in florentinischen Trecento-Gemälden ist umstritten: Einige meinen, sie seien einfach Symbole himmlischer Musik; andere argumentieren, dass es sich um echte Menschen handele, die echte Musik machen. Eine Argumentationslinie besagt sogar, dass die textlosen Stimmen in Manuskripten weltlicher Musik für die Instrumentalaufführung gedacht waren. Diese Studie löst den Streit, indem sie den Entstehungsprozess von Kunstwerken analysiert und Bilder mit zeitgenössischen Dokumenten in Beziehung setzt. Chroniken und Zahlungsaufzeichnungen dokumentieren die Praxis von Bruderschaften, Laudesi vor einem Bild der Jungfrau Maria zu singen, wobei sie wie Engel gekleidet sind, manchmal mit Instrumentalbegleitung.
Author: Stefano Dall'Aglio
Publisher: Routledge
ISBN: 1317000994
Category : Music
Languages : en
Pages : 293
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Book Description
This book studies the uses of orality in Italian society, across all classes, from the fifteenth to the seventeenth century, with an emphasis on the interrelationships between oral communication and the written word. The Introduction provides an overview of the topic as a whole and links the chapters together. Part 1 concerns public life in the states of northern, central, and southern Italy. The chapters examine a range of performances that used the spoken word or song: concerted shouts that expressed the feelings of the lower classes and were then recorded in writing; the proclamation of state policy by town criers; songs that gave news of executions; the exercise of power relations in society as recorded in trial records; and diplomatic orations and interactions. Part 2 centres on private entertainments. It considers the practices of the performance of poetry sung in social gatherings and on stage with and without improvisation; the extent to which lyric poets anticipated the singing of their verse and collaborated with composers; performances of comedies given as dinner entertainments for the governing body of republican Florence; and a reading of a prose work in a house in Venice, subsequently made famous through a printed account. Part 3 concerns collective religious practices. Its chapters study sermons in their own right and in relation to written texts, the battle to control spaces for public performance by civic and religious authorities, and singing texts in sacred spaces.
Author: Kelley Harness
Publisher: Oxford University Press
ISBN: 0197761615
Category : Music
Languages : en
Pages : 345
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Book Description
Equestrian ballets (balletti a cavallo), although little known today, emerged as valued dramatic entertainments in early modern Europe, capable of demonstrating the wealth and magnificence of the patrons who commissioned them as well as the horsemanship and military skills of the noblemen who rode in them. Although the horse ballet did not originate in Florence, that city--and its ruling grand dukes, the Medici--acquired a reputation for excellence in the genre. Between 1608 and 1686, the court commissioned horse ballets to commemorate important state events such as Medici weddings or visits by foreign visitors. In Singing of Arms and Men, author Kelley Harness undertakes the first comprehensive study of the seventeenth-century Florentine horse ballets. She demonstrates how these works communicated messages relevant to the occasions for which they were performed, delivered by means of texts sung in styles similar to contemporary opera and punctuated by choreography and dramatic structure. Mock battles fought with swords and pistols animated audiences but also provided visible instances of conflict, which were then interrupted by the sudden arrival of a deus ex machina, who commanded the combatants to instead join forces to defeat a common enemy. The knights then demonstrated newfound cooperation through their creation of choreographed figures danced on horseback in time to music. Documentary evidence confirms that the Medici family expended significant financial and human resources on these one-time events, revealing just how much work it took to appear effortless. Ultimately, Harness shows how the balletto a cavallo played a crucial role in Medici self-fashioning during the period, and that the 250 noblemen invited to lend their equestrian skills both confirmed their family's relationship to the Medici and were provided a venue for demonstrating critical markers of masculine nobility.
Author: Sean Gallagher
Publisher: Routledge
ISBN: 1351549367
Category : Music
Languages : en
Pages : 802
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Book Description
Secular music of the fifteenth and sixteenth centuries encompasses an extraordinarily wide range of works and practices: courtly love songs, music for civic festivities, instrumental music, entertainments provided by minstrels, the unwritten traditions of solo singing, and much else. This collection of essays addresses many of these practices, with a focus on polyphonic settings of vernacular texts, examining their historical and stylistic contexts, their transmission in written and printed sources, questions of performance, and composers? approaches to text setting. Essays have been selected to reflect the wide range of topics that have occupied scholars in recent decades, and taken together, they point to the more general significance of secular music within a broad complex of cultural practices and institutions.
