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Author: Walter Kerr
Publisher: Baker's Plays
ISBN:
Category : Drama
Languages : en
Pages : 132
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Book Description
"The story begins in Puritan New England, with its many repressions. Through its scenes wanders a fellow out of legend, one Barnaby Goodchild, who is imprisoned in the stocks in the first scene, and condemned by Parson Killjoy to go singing and dancing through the ages. Barnaby moves blithely with American music through history, bringing his singing ways to a Civil War campfire, to Texas of railroading days, to the Gay Nineties and the Roaring Twenties, and into the world of today. Only three performers appear throughout the show; the rest of the parts may be cast as desired" -- Publisher's description.
Author: Walter Kerr
Publisher: Baker's Plays
ISBN:
Category : Drama
Languages : en
Pages : 132
Get Book Here
Book Description
"The story begins in Puritan New England, with its many repressions. Through its scenes wanders a fellow out of legend, one Barnaby Goodchild, who is imprisoned in the stocks in the first scene, and condemned by Parson Killjoy to go singing and dancing through the ages. Barnaby moves blithely with American music through history, bringing his singing ways to a Civil War campfire, to Texas of railroading days, to the Gay Nineties and the Roaring Twenties, and into the world of today. Only three performers appear throughout the show; the rest of the parts may be cast as desired" -- Publisher's description.
Author:
Publisher: Baker's Plays
ISBN:
Category : Musicals
Languages : en
Pages : 132
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Book Description
Author: Annegret Fauser
Publisher: OUP USA
ISBN: 0199948038
Category : Music
Languages : en
Pages : 385
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Book Description
Classical music in 1940s America had a cultural relevance and ubiquitousness that is hard to imagine today. No other war mobilized and instrumentalized culture in general and music in particular so totally, so consciously, and so unequivocally as World War II. Through author Annegret Fauser's in-depth, engaging, and encompassing discussion in context of this unique period in American history, Sounds of War brings to life the people and institutions that created, performed, and listened to this music.
Author: Barry Mazor
Publisher: Oxford University Press
ISBN: 0199716668
Category : Biography & Autobiography
Languages : en
Pages : 385
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Book Description
In Meeting Jimmie Rodgers, the first book to explore the deep legacy of "The Singing Brakeman" from a twenty-first century perspective, Barry Mazor offers a lively look at Rodgers' career, tracing his rise from working-class obscurity to the pinnacle of renown that came with such hits as "Blue Yodel" and "In the Jailhouse Now." As Mazor shows, Rodgers brought emotional clarity and a unique sense of narrative drama to every song he performed, whether tough or sentimental, comic or sad. His wistful singing, falsetto yodels, bold flat-picking guitar style, and sometimes censorable themes--sex, crime, and other edgy topics--set him apart from most of his contemporaries. But more than anything else, Mazor suggests, it was Rodgers' shape-shifting ability to assume many public personas--working stiff, decked-out cowboy, suave ladies' man--that connected him to such a broad public and set the stage for the stars who followed him. In reconstructing this far-flung legacy, Mazor enables readers to meet Rodgers and his music anew-not as an historical figure, but as a vibrant, immediate force.
Author: Robert Cantwell
Publisher: Harvard University Press
ISBN: 9780674951334
Category : History
Languages : en
Pages : 436
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Book Description
When We Were Good traces the many and varied cultural influences on the folk revival of the late fifties and sixties. In his capacious analysis of the ideologies, traditions, and personalities that created an extraordinary moment in American popular culture, Cantwell explores the idea of folk at the deepest level.
Author: Ethan Mordden
Publisher: Oxford University Press
ISBN: 0195351762
Category : Music
Languages : en
Pages : 289
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Book Description
"Music and girls are the soul of musical comedy," one critic wrote, early in the 1940s. But this was the age that wanted more than melody and kickline form its musical shows. The form had been running on empty for too long, as a formula for the assembly of spare parts--star comics, generic love songs, rumba dancers, Ethel Merman. If Rodgers and Hammerstein hadn't existed, Broadway would have had to invent them; and Oklahoma! and Carousel came along just in time to announce the New Formula for Writing Musicals: Don't have a formula. Instead, start with strong characters and atmosphere: Oklahoma!'s murderous romantic triangle set against a frontier society that has to learn what democracy is in order to deserve it; or Carousel's dysfunctional family seen in the context of class and gender war. With the vitality and occasionally outrageous humor that Ethan Mordden's readers take for granted, the author ranges through the decade's classics--Pal Joey, Lady in the Dark, On the Town, Annie Get Your Gun, Phinian's Rainbow, Brigadoon, Kiss Me, Kate, South Pacific. He also covers illuminating trivia--the spy thriller The Lady Comes Across, whose star got so into her role that she suffered paranoid hallucinations and had to be hospitalized; the smutty Follow the Girls, damned as "burlesque with a playbill" yet closing as the longest-run musical in Broadway history; Lute Song, in which Mary Martin and Nancy Reagan were Chinese; and the first "concept" musicals, Allegro and Love Life. Amid the fun, something revolutionary occurs. The 1920s created the musical and the 1930s gave it politics. In the 1940s, it found its soul.
Author: Dan Dietz
Publisher: Rowman & Littlefield
ISBN: 144224528X
Category : Performing Arts
Languages : en
Pages : 611
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Book Description
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Author: United States. Congress. Senate. Committee on the Judiciary
Publisher:
ISBN:
Category : Internal security
Languages : en
Pages : 858
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Book Description
Author: United States. Congress Senate
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
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Book Description
Author: Naomi Graber
Publisher: Oxford University Press
ISBN: 019090660X
Category : Music
Languages : en
Pages : 384
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Book Description
Throughout his life, German-Jewish composer Kurt Weill was fascinated by the idea of America. His European works depict America as a Capitalist dystopia. But in 1935, it became clear that Europe was no longer safe for Weill, and he set sail for New World, and his engagement with American culture shifted. From that point forward, most of his works concerned the idea of "America," whether celebrating her successes, or critiquing her shortcomings. As an outsider-turned-insider, Weill's insights into American culture were unique. He was keenly attuned to the difficult relationship America had with her immigrants, but was slower to grasp the subtleties of others, particularly those surrounding race relations, even though his works reveal that he was devoted to the idea of racial equality. The book treats Weill as a node in a transnational network of musicians, writers, artists, and other stage professionals, all of whom influenced each other. Weill sought out partners from a range of different sectors, including the Popular Front, spoken drama, and the commercial Broadway stage. His personal papers reveal his attempts to navigate not only the shifting tides of American culture, but the specific demands of his institutional and individual collaborators. In reframing Weill's relationship with immigration and nationality, the book also puts nuance contemporary ideas about the relationships of immigrants to their new homes, moving beyond ideas that such figures must either assimilate and abandon their previous identities, or resist the pull of their new home and stay true to their original culture.
