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Author: Elisabeth Kraus
Publisher: Camden House
ISBN: 9781571131874
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
A collection of articles that analyses the role of the media in America from a deconstructionist viewpoint. This collection of original essays is a response to the paradigm shift that has taken place in cultural studies in the wake of postmodernism and poststructuralism. Such concepts as 'truth' or 'reality' have been increasingly called into question, since the realization that our experience of 'the real' is always mediated through an "empire of signs," as Roland Barthes put it. After a predominantly optimistic evaluation of the effects of the media in the 1960s (by Marshall McLuhan, Hans Magnus Enzensberger, and others), a growing awareness of the total manipulation of society by mass-media imagery has emerged. The very concept of 'representation' has become problematic, witness the influential essay "The Precession of Simulacra" by the French sociologist Jean Baudrillard, in which he defines simulation as "the generation by models of a real without origin or reality: a hyperreal"- the current boom in 'realityTV' comes to mind. In the seventeen years since the publication of Baudrillard's Simulacra and Simulation, ever more sophisticated technologies based on the computer as the simulacrum machine par excellence have offered us powerful new means of manipulating data - and consequently, means of manipulating, editing, and inventing 'reality.' The aim of this study is to unmask false 'representations', showing history, personal and cultural identity (especially gender and racial identities), the simulacrum of speed -- and American 'reality' itself -- to be constructs.
Author: Elisabeth Kraus
Publisher: Camden House
ISBN: 9781571131874
Category : Literary Criticism
Languages : en
Pages : 282
Get Book Here
Book Description
A collection of articles that analyses the role of the media in America from a deconstructionist viewpoint. This collection of original essays is a response to the paradigm shift that has taken place in cultural studies in the wake of postmodernism and poststructuralism. Such concepts as 'truth' or 'reality' have been increasingly called into question, since the realization that our experience of 'the real' is always mediated through an "empire of signs," as Roland Barthes put it. After a predominantly optimistic evaluation of the effects of the media in the 1960s (by Marshall McLuhan, Hans Magnus Enzensberger, and others), a growing awareness of the total manipulation of society by mass-media imagery has emerged. The very concept of 'representation' has become problematic, witness the influential essay "The Precession of Simulacra" by the French sociologist Jean Baudrillard, in which he defines simulation as "the generation by models of a real without origin or reality: a hyperreal"- the current boom in 'realityTV' comes to mind. In the seventeen years since the publication of Baudrillard's Simulacra and Simulation, ever more sophisticated technologies based on the computer as the simulacrum machine par excellence have offered us powerful new means of manipulating data - and consequently, means of manipulating, editing, and inventing 'reality.' The aim of this study is to unmask false 'representations', showing history, personal and cultural identity (especially gender and racial identities), the simulacrum of speed -- and American 'reality' itself -- to be constructs.
Author: Jean Baudrillard
Publisher: University of Michigan Press
ISBN: 9780472065219
Category : Art
Languages : en
Pages : 174
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Book Description
Develops a theory of contemporary culture that relies on displacing economic notions of cultural production with notions of cultural expenditure. This book represents an effort to rethink cultural theory from the perspective of a concept of cultural materialism, one that radically redefines postmodern formulations of the body.
Author: Luc Herman
Publisher: Camden House
ISBN: 9781571130532
Category : Literary Collections
Languages : en
Pages : 262
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Book Description
Examination of the critical discourse on the literary movement of 'realism.' Concepts of Realismsurveys the central episodes in the development of the discourse surrounding 'realism' from its inception, with substantial reference to developments in the United States. It concentrates on modernismand the avant-garde as hostile to the realist movement, but more positive critics of the concept, such as Erich Auerbach and Joseph Stern, also receive ample treatment.
Author: Jean Baudrillard
Publisher: Verso
ISBN: 9780860919780
Category : History
Languages : en
Pages : 148
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Book Description
In this, his most accessible and evocative book, France’s leading philosopher of postmodernism takes to the freeways in a collection of traveler’s tales from the land of hyperreality.
Author: Philip K. Dick
Publisher: Houghton Mifflin Harcourt
ISBN: 0547572506
Category : Fiction
Languages : en
Pages : 243
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Book Description
A disparate group of characters are brought together on a ravaged Earth and must contend with an underclass that's starting to ask too many questions.
Author: M. W. Smith
Publisher: SUNY Press
ISBN: 9780791450642
Category : Social Science
Languages : en
Pages : 156
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Book Description
Traces the ways in which our culture has increasingly become a culture of simulations, and offers strategies for discerning meaning in a world where the difference between what is real and what is simulated has collapsed.
Author: M. W. Smith
Publisher: SUNY Press
ISBN: 9780791450635
Category : Social Science
Languages : en
Pages : 156
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Book Description
Traces the ways in which our culture has increasingly become a culture of simulations, and offers strategies for discerning meaning in a world where the difference between what is real and what is simulated has collapsed.
Author: Jean Baudrillard
Publisher: Createspace Independent Publishing Platform
ISBN: 9781537503912
Category :
Languages : en
Pages : 160
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Book Description
Simulations never existed as a book before it was "translated" into English. Actually it came from two different bookCovers written at different times by Jean Baudrillard. The first part of Simulations, and most provocative because it made a fiction of theory, was "The Procession of Simulacra." It had first been published in Simulacre et Simulations (1981). The second part, written much earlier and in a more academic mode, came from L'Echange Symbolique et la Mort (1977). It was a half-earnest, half-parodical attempt to "historicize" his own conceit by providing it with some kind of genealogy of the three orders of appearance: the Counterfeit attached to the classical period; Production for the industrial era; and Simulation, controlled by the code. It was Baudrillard's version of Foucault's Order of Things and his ironical commentary of the history of truth. The book opens on a quote from Ecclesiastes asserting flatly that "the simulacrum is true." It was certainly true in Baudrillard's book, but otherwise apocryphal.One of the most influential essays of the 20th century, Simulations was put together in 1983 in order to be published as the first little black book of Semiotext(e)'s new Foreign Agents Series. Baudrillard's bewildering thesis, a bold extrapolation on Ferdinand de Saussure's general theory of general linguistics, was in fact a clinical vision of contemporary consumer societies where signs don't refer anymore to anything except themselves. They all are generated by the matrix.In effect Baudrillard's essay (it quickly became a must to read both in the art world and in academe) was upholding the only reality there was in a world that keeps hiding the fact that it has none. Simulacrum is its own pure simulacrum and the simulacrum is true. In his celebrated analysis of Disneyland, Baudrillard demonstrates that its childish imaginary is neither true nor false, it is there to make us believe that the rest of America is real, when in fact America is a Disneyland. It is of the order of the hyper-real and of simulation. Few people at the time realized that Baudrillard's simulacrum itself wasn't a thing, but a "deterrence machine," just like Disneyland, meant to reveal the fact that the real is no longer real and illusion no longer possible. But the more impossible the illusion of reality becomes, the more impossible it is to separate true from false and the real from its artificial resurrection, the more panic-stricken the production of the real is.
Author: Scott Durham
Publisher: Stanford University Press
ISBN: 9780804733366
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Phantom Communities reconsiders the status of the simulacrum--sometimes defined as a copy of a copy, but more rigorously defined as a copy that subverts the legitimacy and authority of its model--in light of recent debates in literature, art, philosophy, and cultural studies. The author pursues two interwoven levels of analysis. On one level, he explores the poetics of the simulacrum, considered as a form that internalizes repetition, through close readings of a number of exemplary literary texts, paintings, and films from both the Anglo-American and French traditions, including works by Jean Genet, Pierre Klossowski, René Magritte, Andy Warhol, J. G. Ballard, Balthus, and Raúl Ruiz. Through his readings of these works, the author follows the transformations of the simulacrum, showing how its vicissitudes provide an optic for remapping the postmodern canon. On another level, the author offers an account of the role played by the simulacrum as a theoretical concept that assumes varying analytical and ideological valences in the writings of such theorists as Jean Baudrillard, Fredric Jameson, Michel Foucault, and Gilles Deleuze. In so doing, Phantom Communities intervenes in ongoing interdisciplinary debates concerning the historical and ideological limits of postmodernism, as well as the utopian possibilities of art, literature, and philosophy in a postmodern context. Moving between these debates and the interpretation of individual works, the author shows how they converge on the fundamental aesthetic and ideological problem raised by the postmodern culture of the simulacrum: imagining the virtual communities that, at the margins of postmodern culture, are at once figured and eclipsed by its proliferating images.
Author: C. Richard King
Publisher: University of Illinois Press
ISBN: 9780252068522
Category : Civilization
Languages : en
Pages : 380
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Book Description
Scholars from a wide array of disciplines describe and debate postcolonialism as it applies to America in this authoritative and timely collection. Investigating topics such as law and public policy, immigration and tourism, narratives and discourses, race relations, and virtual communities, Postcolonial America clarifies and challenges prevailing conceptualizations of postcolonialism and accepted understandings of American culture. Advancing multiple, even conflicted visions of postcolonial America, this important volume interrogates postcolonial theory and traces the emergence and significance of postcolonial practices and precepts in the United States. Contributors discuss how the unique status of the United States as the colony that became a superpower has shaped its sense of itself. They assess the global networks of inequality that have displaced neocolonial systems of conquest, exploitation, and occupation. They also examine how individuals and groups use music, the Internet, and other media to reconfigure, reinvent, and resist postcoloniality in American culture. Candidly facing the inherent contradictions of "the American experience," this collection demonstrates the patterns, connections, and histories characteristic of postcoloniality in America and initiates important discussions about how these conditions might be changed.
