Author: John Vollmer
Publisher:
ISBN: 9782951883611
Category : Buddhist silk
Languages : en
Pages : 151
Book Description
SILKS FOR THRONES AND ALTARS presents 77 Chinese textiles from the 14th through the 18th century, divided into three groups. The first group consists of clothing and furnishing fabrics made for and used by the ruling elite of China. Regardless of their dates or the ethnic origins of various dynastic rulers, these trappings of nobility served the political and social goals of those in power. The second group contains Chinese silks found beyond the borders of the empire, specifically in Tibet, Japan, and Western Europe. The presence of Chinese luxury in a foreign context, whether the result of commerce or diplomacy, affected local ideas of status and prestige. The last group presents textiles made for Taoist and Buddhist liturgical use. Within the Buddhist traditions of Tibet and Japan, secular textiles found new uses without losing the prestige with which they had originally been imbued. A catalog of ancient silks and robes from the collection of Myrna and Samuel Myers. Includes full-page color plates of all the pieces.
Silks for Thrones and Altars
Author: John Vollmer
Publisher:
ISBN: 9782951883611
Category : Buddhist silk
Languages : en
Pages : 151
Book Description
SILKS FOR THRONES AND ALTARS presents 77 Chinese textiles from the 14th through the 18th century, divided into three groups. The first group consists of clothing and furnishing fabrics made for and used by the ruling elite of China. Regardless of their dates or the ethnic origins of various dynastic rulers, these trappings of nobility served the political and social goals of those in power. The second group contains Chinese silks found beyond the borders of the empire, specifically in Tibet, Japan, and Western Europe. The presence of Chinese luxury in a foreign context, whether the result of commerce or diplomacy, affected local ideas of status and prestige. The last group presents textiles made for Taoist and Buddhist liturgical use. Within the Buddhist traditions of Tibet and Japan, secular textiles found new uses without losing the prestige with which they had originally been imbued. A catalog of ancient silks and robes from the collection of Myrna and Samuel Myers. Includes full-page color plates of all the pieces.
Publisher:
ISBN: 9782951883611
Category : Buddhist silk
Languages : en
Pages : 151
Book Description
SILKS FOR THRONES AND ALTARS presents 77 Chinese textiles from the 14th through the 18th century, divided into three groups. The first group consists of clothing and furnishing fabrics made for and used by the ruling elite of China. Regardless of their dates or the ethnic origins of various dynastic rulers, these trappings of nobility served the political and social goals of those in power. The second group contains Chinese silks found beyond the borders of the empire, specifically in Tibet, Japan, and Western Europe. The presence of Chinese luxury in a foreign context, whether the result of commerce or diplomacy, affected local ideas of status and prestige. The last group presents textiles made for Taoist and Buddhist liturgical use. Within the Buddhist traditions of Tibet and Japan, secular textiles found new uses without losing the prestige with which they had originally been imbued. A catalog of ancient silks and robes from the collection of Myrna and Samuel Myers. Includes full-page color plates of all the pieces.
Silks for Thrones and Altars
Author: John E. Vollmer
Publisher: Ten Speed Press
ISBN: 9781580085908
Category : Art
Languages : en
Pages : 151
Book Description
This title presents 77 Chinese textiles from the 14th to the 18th centuries, divided into three groups.
Publisher: Ten Speed Press
ISBN: 9781580085908
Category : Art
Languages : en
Pages : 151
Book Description
This title presents 77 Chinese textiles from the 14th to the 18th centuries, divided into three groups.
Chinese Silk
Author: S. J. Vainker
Publisher: Rutgers University Press
ISBN: 9780813534466
Category : Art
Languages : en
Pages : 238
Book Description
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Publisher: Rutgers University Press
ISBN: 9780813534466
Category : Art
Languages : en
Pages : 238
Book Description
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The Grove Encyclopedia of Decorative Arts
Author: Gordon Campbell
Publisher: Oxford University Press
ISBN: 0195189485
Category : Architecture
Languages : en
Pages : 1277
Book Description
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Publisher: Oxford University Press
ISBN: 0195189485
Category : Architecture
Languages : en
Pages : 1277
Book Description
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Silk
Author: Mary Schoeser
Publisher: Yale University Press
ISBN: 0300117418
Category : Art
Languages : en
Pages : 267
Book Description
Geschiedenis van zijde wat betreft teelt en toepassing in kleding en andere producten, daarnaast komen verschillende modeontwerpers aan bod alsmede de toekomst van deze stof.
Publisher: Yale University Press
ISBN: 0300117418
Category : Art
Languages : en
Pages : 267
Book Description
Geschiedenis van zijde wat betreft teelt en toepassing in kleding en andere producten, daarnaast komen verschillende modeontwerpers aan bod alsmede de toekomst van deze stof.
A Fashionable Century
Author: Rachel Silberstein
Publisher: University of Washington Press
ISBN: 0295747196
Category : Art
Languages : en
Pages : 296
Book Description
Honorable Mention for the 2023 Bei Shan Tang Monograph Prize, sponsored by the Association for Asian Studies An innovative look at late-Qing cultural and fashion history Clothing and accessories from nineteenth-century China reveal much about women’s participation in the commercialization of textile handicrafts and the flourishing of urban popular culture. Focusing on women’s work and fashion, A Fashionable Century presents an array of visually compelling clothing and accessories neglected by traditional histories of Chinese dress, examining these products’ potential to illuminate issues of gender and identity. In the late Qing, the expansion of production systems and market economies transformed the Chinese fashion system, widening access to fashionable techniques, materials, and imagery. Challenging the conventional production model, in which women embroidered items at home, Silberstein sets fashion within a process of commercialization that created networks of urban guilds, commercial workshops, and subcontracted female workers. These networks gave rise to new trends influenced by performance and prints, and they offered women opportunities to participate in fashion and contribute to local economies and cultures. Rachel Silberstein draws on vernacular and commercial sources, rather than on the official and imperial texts prevalent in Chinese dress history, to demonstrate that in these fascinating objects—regulated by market desires, rather than imperial edict—fashion formed at the intersection of commerce and culture. A Fashionable Century is the winner of the Costume Society of America's Millia Davenport Publication Award and was long-listed for the Textile Society of America's R. L. Shep Award. The judges described the book as "an extraordinary achievement in scholarship working with source materials that are little-known outside of China and not otherwise available in English."
Publisher: University of Washington Press
ISBN: 0295747196
Category : Art
Languages : en
Pages : 296
Book Description
Honorable Mention for the 2023 Bei Shan Tang Monograph Prize, sponsored by the Association for Asian Studies An innovative look at late-Qing cultural and fashion history Clothing and accessories from nineteenth-century China reveal much about women’s participation in the commercialization of textile handicrafts and the flourishing of urban popular culture. Focusing on women’s work and fashion, A Fashionable Century presents an array of visually compelling clothing and accessories neglected by traditional histories of Chinese dress, examining these products’ potential to illuminate issues of gender and identity. In the late Qing, the expansion of production systems and market economies transformed the Chinese fashion system, widening access to fashionable techniques, materials, and imagery. Challenging the conventional production model, in which women embroidered items at home, Silberstein sets fashion within a process of commercialization that created networks of urban guilds, commercial workshops, and subcontracted female workers. These networks gave rise to new trends influenced by performance and prints, and they offered women opportunities to participate in fashion and contribute to local economies and cultures. Rachel Silberstein draws on vernacular and commercial sources, rather than on the official and imperial texts prevalent in Chinese dress history, to demonstrate that in these fascinating objects—regulated by market desires, rather than imperial edict—fashion formed at the intersection of commerce and culture. A Fashionable Century is the winner of the Costume Society of America's Millia Davenport Publication Award and was long-listed for the Textile Society of America's R. L. Shep Award. The judges described the book as "an extraordinary achievement in scholarship working with source materials that are little-known outside of China and not otherwise available in English."
Emblems of Empire
Author: John E. Vollmer
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 376
Book Description
Emblems of Empire: Selections from the Mactaggart Art Collection publishes the textiles and paintings related to the Qing (1644-1911) imperial court, one of the unique strengths of the collection.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 376
Book Description
Emblems of Empire: Selections from the Mactaggart Art Collection publishes the textiles and paintings related to the Qing (1644-1911) imperial court, one of the unique strengths of the collection.
Through a Forest of Chancellors
Author: Anne Burkus-Chasson
Publisher: BRILL
ISBN: 1684170508
Category : History
Languages : en
Pages : 412
Book Description
Liu Yuan’s Lingyan ge, a woodblock-printed book from 1669, re-creates a portrait gallery that memorialized 24 vassals of the early Tang court. Liu accompanied each figure, presented under the guise of a bandit, with a couplet; the poems, written in various scripts, are surrounded by marginal images that allude to a contemporary novel. Religious icons supplement the portrait gallery. Liu’s re-creation is fraught with questions. This study examines the dialogues created among the texts and images in Lingyan ge from multiple perspectives. Analysis of the book’s materialities demonstrates how Lingyan ge embodies, rather than reflects, the historical moment in which it was made. Liu unveiled and even dramatized the interface between manuscript and printed book in Lingyan ge. Authority over the book’s production is negotiated, asserted, overturned, and reinstated. Use of pictures to construct a historical argument intensifies this struggle. Anne Burkus-Chasson argues that despite a general epistemological shift toward visual forms of knowledge in the seventeenth century, looking and reading were still seen as being in conflict. This conflict plays out among the leaves of Liu Yuan’s book.
Publisher: BRILL
ISBN: 1684170508
Category : History
Languages : en
Pages : 412
Book Description
Liu Yuan’s Lingyan ge, a woodblock-printed book from 1669, re-creates a portrait gallery that memorialized 24 vassals of the early Tang court. Liu accompanied each figure, presented under the guise of a bandit, with a couplet; the poems, written in various scripts, are surrounded by marginal images that allude to a contemporary novel. Religious icons supplement the portrait gallery. Liu’s re-creation is fraught with questions. This study examines the dialogues created among the texts and images in Lingyan ge from multiple perspectives. Analysis of the book’s materialities demonstrates how Lingyan ge embodies, rather than reflects, the historical moment in which it was made. Liu unveiled and even dramatized the interface between manuscript and printed book in Lingyan ge. Authority over the book’s production is negotiated, asserted, overturned, and reinstated. Use of pictures to construct a historical argument intensifies this struggle. Anne Burkus-Chasson argues that despite a general epistemological shift toward visual forms of knowledge in the seventeenth century, looking and reading were still seen as being in conflict. This conflict plays out among the leaves of Liu Yuan’s book.
The Handbook of Fashion Studies
Author: Sandy Black
Publisher: A&C Black
ISBN: 1472577442
Category : Social Science
Languages : en
Pages : 654
Book Description
The Handbook of Fashion Studies identifies an innovative spectrum of thematic approaches, key strands and interdisciplinary concepts that continue to push forward the boundaries of fashion studies. The book is divided into seven sections: Fashion, Identity and Difference; Spaces of Fashion; Fashion and Materiality; Fashion, Agency and Policy; Science, Technology and New fashion; Fashion and Time and, Sustainable Fashion in a Globalised world. Each section consists of approximately four essays authored by established researchers in the field from the UK, USA, Netherlands, Sweden, Canada and Australia. The essays are written by international subject specialists who each engage with their section's theme in the light of their own discipline and provide clear case-studies to further knowledge on fashion. This consistency provides clarity and permits comparative analysis. The handbook will be essential reading for students of fashion as well as professionals in the industry.
Publisher: A&C Black
ISBN: 1472577442
Category : Social Science
Languages : en
Pages : 654
Book Description
The Handbook of Fashion Studies identifies an innovative spectrum of thematic approaches, key strands and interdisciplinary concepts that continue to push forward the boundaries of fashion studies. The book is divided into seven sections: Fashion, Identity and Difference; Spaces of Fashion; Fashion and Materiality; Fashion, Agency and Policy; Science, Technology and New fashion; Fashion and Time and, Sustainable Fashion in a Globalised world. Each section consists of approximately four essays authored by established researchers in the field from the UK, USA, Netherlands, Sweden, Canada and Australia. The essays are written by international subject specialists who each engage with their section's theme in the light of their own discipline and provide clear case-studies to further knowledge on fashion. This consistency provides clarity and permits comparative analysis. The handbook will be essential reading for students of fashion as well as professionals in the industry.
Mongol Court Dress, Identity Formation, and Global Exchange
Author: Eiren L. Shea
Publisher: Routledge
ISBN: 1000027899
Category : Art
Languages : en
Pages : 231
Book Description
The Mongol period (1206-1368) marked a major turning point of exchange – culturally, politically, and artistically – across Eurasia. The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Eiren Shea investigates how a group of newly-confederated tribes from the steppe conquered the most sophisticated societies in existence in less than a century, creating a courtly idiom that permanently changed the aesthetics of China and whose echoes were felt across Central Asia, the Middle East, and even Europe. This book will be of interest to scholars in art history, fashion design, and Asian studies.
Publisher: Routledge
ISBN: 1000027899
Category : Art
Languages : en
Pages : 231
Book Description
The Mongol period (1206-1368) marked a major turning point of exchange – culturally, politically, and artistically – across Eurasia. The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Eiren Shea investigates how a group of newly-confederated tribes from the steppe conquered the most sophisticated societies in existence in less than a century, creating a courtly idiom that permanently changed the aesthetics of China and whose echoes were felt across Central Asia, the Middle East, and even Europe. This book will be of interest to scholars in art history, fashion design, and Asian studies.