Sight-Reading for Baritone (bass Clef), Euphonium (bass Clef), E Flat Tuba (bass Clef), ABRSM Grades 1-5, from 2023 PDF Download
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Author: ABRSM
Publisher: ABRSM Sight-reading
ISBN: 9781786015037
Category :
Languages : en
Pages : 0
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Book Description
Author: ABRSM
Publisher: ABRSM Sight-reading
ISBN: 9781786015037
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: ABRSM
Publisher: ABRSM Sight-reading
ISBN: 9781786015105
Category :
Languages : en
Pages : 0
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Book Description
Author: ABRSM
Publisher: ABRSM Sight-reading
ISBN: 9781786015099
Category :
Languages : en
Pages : 0
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Book Description
Author: Paul Harris
Publisher: Faber Music Ltd
ISBN: 0571592546
Category : Music
Languages : en
Pages : 49
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Book Description
The full eBook version of Improve Your Sight-Reading! Trombone (Bass Clef) Grades 1-5 in fixed-layout format. This edition of Improve your sight-reading! Trombone (Bass Clef) Grades 1-5 has been revised to support the ABRSM syllabus from 2023. It also includes online audio of the 'going solo' pieces for students to check their performances against. The ability to sight-read fluently is a vital skill, enabling students to learn new pieces more quickly and play with other musicians. The best-selling Improve your sight-reading! series, by renowned educationalist Paul Harris, is designed to develop sight-reading skills and improve confidence. Step by step you build up a complete picture of each piece, firstly through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously graded sight-reading pieces.
Author: Nathan Petitpas
Publisher: Dots and Beams
ISBN: 1999035623
Category : Juvenile Nonfiction
Languages : en
Pages : 122
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Book Description
This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using “real music,” not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Write in articulations, dynamics, bowing, sticking, or fingering for your students to practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for these exercises as possible.
Author: Gayle Kowalchyk
Publisher: Alfred Music
ISBN: 9780739018460
Category : Music
Languages : en
Pages : 0
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Book Description
Designed for use by students who need additional reinforcement in reading music in the bass clef. Basic Bass Clef is especially useful for vocalists and instrumentalists who are beginning piano study and have some knowledge of treble clef and rhythmic notation. Each lesson contains a combination of written and playing exercises.
Author: Gaston Dufresne
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 76
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Book Description
"Develop Sight Reading complete, Volumes 1 & 2 is an established sight-reading method for all musicians. Technical in nature, it is indispensable for it stimulates, coordinates and stabilizes one's mental and physical reflexes. The studies are arranged in order of difficulty and designed to develop in the player a facility for dealing - at sight - with chromatic, intervallic, rhythmic and metric complexities. Volume 1 is on an intermediate level, Volume 2 is advanced."-- Preface
Author: Bob Mintzer
Publisher: Alfred Music Publishing
ISBN: 9781576235751
Category : Music
Languages : en
Pages : 64
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Book Description
A collection of studies composed for musicians who wish to extend themselves in improvisation, composition, sight reading and general musicianship skills. Each etude has a theoretical explanation, suggestions for performance and tips for practice routines. Two CDs of combo accompaniments performed by members of the Yellowjackets are included. All books are compatible and written so that they can be performed together.
Author: John Christian
Publisher: Createspace Independent Publishing Platform
ISBN: 9781979684347
Category :
Languages : en
Pages : 24
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Book Description
This book focuses on the notes in the bass clef. Using note card style graphics and bass lines in various keys. Your sight reading skills will greatly improve working your way through this book!
Author: Bob Mintzer
Publisher: Alfred Music Publishing
ISBN: 9780769230276
Category : Double bass
Languages : en
Pages : 44
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Book Description
