Author:
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 74
Book Description
Sienese Paintings in Holland
Author:
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 74
Book Description
The Early Sienese Paintings in Holland
Author: H. W. van Os
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 168
Book Description
Netherlands Quarterly for the History of Art
Author: C. Broos
Publisher: Springer
ISBN: 9401532672
Category : Art
Languages : en
Pages : 67
Book Description
Publisher: Springer
ISBN: 9401532672
Category : Art
Languages : en
Pages : 67
Book Description
Sienese Painting, from Its Origins to the Fifteenth Century
Author: Bruce Cole
Publisher: New York : Harper & Row
ISBN:
Category : Painting, Gothic
Languages : en
Pages : 270
Book Description
"This is a beautiful book which covers the history of Sienese painting from the 13th to the 15th century. Color and black and white illustrations of numerous works of art."--Amazon.
Publisher: New York : Harper & Row
ISBN:
Category : Painting, Gothic
Languages : en
Pages : 270
Book Description
"This is a beautiful book which covers the history of Sienese painting from the 13th to the 15th century. Color and black and white illustrations of numerous works of art."--Amazon.
Italian Paintings
Author: Metropolitan Museum of Art (Nova York, Nova York)
Publisher: Metropolitan Museum of Art
ISBN: 0300086229
Category :
Languages : en
Pages : 246
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0300086229
Category :
Languages : en
Pages : 246
Book Description
Art and Architecture in Italy 1250-1400
Author: John White
Publisher: Yale University Press
ISBN: 9780300055856
Category : Art
Languages : en
Pages : 690
Book Description
The 14th century in Italian art is a very rich one, and Professor White's book gives architecture equal weight with painting and sculpture. The story of the Gothic style and the prehistory of the Renaissance is given: all the facts are related, but also the works of art are described with insight and for their own sakes, and not simply as data for fitting into schemes and theories. Among the great names are those of Arnolfo di Cambio, the Pisani, Cavallini, Cimabue, Duccio, Giotto, Simone Martini, and the Lorenzetti; among the buildings S. Croce, S. Maria Novella, the cathedral and the Palazzo Vecchio in Florence, and the cathedrals of Siena, Orvieto, and Milan, as well as churches, castles, and civic buildings from the Val d'Aosta to Sicily. The third edition of this work includes colour illustrations and incorporates textual revisions and an updated bibliography.
Publisher: Yale University Press
ISBN: 9780300055856
Category : Art
Languages : en
Pages : 690
Book Description
The 14th century in Italian art is a very rich one, and Professor White's book gives architecture equal weight with painting and sculpture. The story of the Gothic style and the prehistory of the Renaissance is given: all the facts are related, but also the works of art are described with insight and for their own sakes, and not simply as data for fitting into schemes and theories. Among the great names are those of Arnolfo di Cambio, the Pisani, Cavallini, Cimabue, Duccio, Giotto, Simone Martini, and the Lorenzetti; among the buildings S. Croce, S. Maria Novella, the cathedral and the Palazzo Vecchio in Florence, and the cathedrals of Siena, Orvieto, and Milan, as well as churches, castles, and civic buildings from the Val d'Aosta to Sicily. The third edition of this work includes colour illustrations and incorporates textual revisions and an updated bibliography.
Sienese Painting in the Age of the Renaissance
Author: Bruce Cole
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
The Craft of Art
Author: Georgia Museum of Art
Publisher: University of Georgia Press
ISBN: 9780820316482
Category : Art
Languages : en
Pages : 262
Book Description
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
Publisher: University of Georgia Press
ISBN: 9780820316482
Category : Art
Languages : en
Pages : 262
Book Description
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
Paintings in Dutch Museums
Author: Christopher Wright
Publisher: London ; Totowa, N.J. : Sotheby Parke Bernet
ISBN:
Category : Art
Languages : en
Pages : 624
Book Description
Publisher: London ; Totowa, N.J. : Sotheby Parke Bernet
ISBN:
Category : Art
Languages : en
Pages : 624
Book Description
Painting in Renaissance Sie
Author: Keith Christiansen
Publisher: Metropolitan Museum of Art
ISBN: 0810914735
Category : Art and society
Languages : en
Pages : 401
Book Description
Catalog of an exhibition which opened at The Metropolitan Museum of Art on Dec. 20, 1988. This first comprehensive study in English devoted to Sienese painting to be published in four decades centers on the fifteenth century, a fascinating but frequently neglected period when Sienese artists confronted the innovations of Renaissance painting in Florence. Two introductory essays survey fifteenth-century Sienese painting, and individual entries examine 139 key works in exhaustive detail, presenting new insights into long-debated issues of interpretation and attribution, and often utilizing previously unpublished material. Most of the major paintings are reproduced in color and supplemented with illustrations of related comparative works.
Publisher: Metropolitan Museum of Art
ISBN: 0810914735
Category : Art and society
Languages : en
Pages : 401
Book Description
Catalog of an exhibition which opened at The Metropolitan Museum of Art on Dec. 20, 1988. This first comprehensive study in English devoted to Sienese painting to be published in four decades centers on the fifteenth century, a fascinating but frequently neglected period when Sienese artists confronted the innovations of Renaissance painting in Florence. Two introductory essays survey fifteenth-century Sienese painting, and individual entries examine 139 key works in exhaustive detail, presenting new insights into long-debated issues of interpretation and attribution, and often utilizing previously unpublished material. Most of the major paintings are reproduced in color and supplemented with illustrations of related comparative works.