Author: Michael Saffle
Publisher: Routledge
ISBN: 1135839522
Category : Music
Languages : en
Pages : 576
Book Description
Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
Richard Wagner: My Life
Author: Richard Wagner
Publisher: CUP Archive
ISBN: 9780521359009
Category : Biography & Autobiography
Languages : en
Pages : 812
Book Description
A reprint of the first English paperback edition of Richard Wagner's autobiography.
Publisher: CUP Archive
ISBN: 9780521359009
Category : Biography & Autobiography
Languages : en
Pages : 812
Book Description
A reprint of the first English paperback edition of Richard Wagner's autobiography.
Richard Wagner
Author: Michael Saffle
Publisher: Routledge
ISBN: 1135839530
Category : Art
Languages : en
Pages : 478
Book Description
Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
Publisher: Routledge
ISBN: 1135839530
Category : Art
Languages : en
Pages : 478
Book Description
Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
Siegfried
Author: Richard Wagner
Publisher: Inktank Publishing
ISBN: 9783747769775
Category :
Languages : en
Pages : 350
Book Description
Books are still among the most important cultural achievements of humanity. Their invention was as important as the Internet: for the first time, a mass transfer of information became possible. Education, science, research, but also entertainment was based on a new revolutionary basis. Books are changing society until today. The technical possibilities of mass printing led to a radical increase in titles in the 18th and 19th centuries. Nevertheless, the conditions were still very different than today: Who wrote a book at that time, often wrote a life's work. This is reflected in the high quality of old books. Unfortunately, books age. Paper is not made for eternity. Therefore, we have made it our mission to preserve the book of knowledge of humanity and to make old books available in high quality at low prices
Publisher: Inktank Publishing
ISBN: 9783747769775
Category :
Languages : en
Pages : 350
Book Description
Books are still among the most important cultural achievements of humanity. Their invention was as important as the Internet: for the first time, a mass transfer of information became possible. Education, science, research, but also entertainment was based on a new revolutionary basis. Books are changing society until today. The technical possibilities of mass printing led to a radical increase in titles in the 18th and 19th centuries. Nevertheless, the conditions were still very different than today: Who wrote a book at that time, often wrote a life's work. This is reflected in the high quality of old books. Unfortunately, books age. Paper is not made for eternity. Therefore, we have made it our mission to preserve the book of knowledge of humanity and to make old books available in high quality at low prices
Wagner
Author: Paul Lawrence Rose
Publisher: Yale University Press
ISBN: 9780300067453
Category : Music
Languages : en
Pages : 264
Book Description
It has long been acknowledged that Richard Wagner was a virulent antisemite, yet the composer has also been characterized as an idealistic revolutionary, and historians have puzzled over the paradox of these conflicting elements in his character. In this fascinating book, Paul Lawrence Rose argues that Wagner did not suddenly change from a progressive revolutionary into a reactionary racist; for him, as for many other Germans, the idea of revolution always contained a racial and antisemtic core. Rose approaches Wagner on varying levels so as to see him as he really was: he places Wagner within the context of mid-nineteenth-century German revolutionary culture; he studies the composer's whole range of theoretical and artistic works, tracing his career and the evolution of his thought; and he considers Wagner's personality and his personal relationships (especially with those Jews who considered themselves his friends). Rose demonstrates that Wagner's conversion to antisemitism dates not from 1850--the year in which his infamous essay Judaism in Music was published--but from his conflict with the Jewish composer Giacomo Meyerbeer three years earlier over the Berlin production of Rienze. This affects our understanding of the genesis of the Ring operas. In addition, Rose offers fresh and stimulating interpretations of Tristan und Isolde, Die Meistersinger, and Parsifal, based on an analysis of their revolutionary and antisemitic elements.
Publisher: Yale University Press
ISBN: 9780300067453
Category : Music
Languages : en
Pages : 264
Book Description
It has long been acknowledged that Richard Wagner was a virulent antisemite, yet the composer has also been characterized as an idealistic revolutionary, and historians have puzzled over the paradox of these conflicting elements in his character. In this fascinating book, Paul Lawrence Rose argues that Wagner did not suddenly change from a progressive revolutionary into a reactionary racist; for him, as for many other Germans, the idea of revolution always contained a racial and antisemtic core. Rose approaches Wagner on varying levels so as to see him as he really was: he places Wagner within the context of mid-nineteenth-century German revolutionary culture; he studies the composer's whole range of theoretical and artistic works, tracing his career and the evolution of his thought; and he considers Wagner's personality and his personal relationships (especially with those Jews who considered themselves his friends). Rose demonstrates that Wagner's conversion to antisemitism dates not from 1850--the year in which his infamous essay Judaism in Music was published--but from his conflict with the Jewish composer Giacomo Meyerbeer three years earlier over the Berlin production of Rienze. This affects our understanding of the genesis of the Ring operas. In addition, Rose offers fresh and stimulating interpretations of Tristan und Isolde, Die Meistersinger, and Parsifal, based on an analysis of their revolutionary and antisemitic elements.
Franz Liszt
Author: Michael Saffle
Publisher: Psychology Press
ISBN: 0415940117
Category :
Languages : en
Pages : 537
Book Description
A comprehensive bibliography and guide to this archetypical musical genius.
Publisher: Psychology Press
ISBN: 0415940117
Category :
Languages : en
Pages : 537
Book Description
A comprehensive bibliography and guide to this archetypical musical genius.
The Life of Richard Wagner
Author: Ernest Newman
Publisher: Cambridge University Press
ISBN: 1108007708
Category : Music
Languages : en
Pages : 669
Book Description
Newman's Life of Wagner, published between 1933 and 1947, the culmination of forty years' research, is a classic biography.
Publisher: Cambridge University Press
ISBN: 1108007708
Category : Music
Languages : en
Pages : 669
Book Description
Newman's Life of Wagner, published between 1933 and 1947, the culmination of forty years' research, is a classic biography.
Biographical Dictionary of Literary Influences
Author: John Powell
Publisher: Bloomsbury Publishing USA
ISBN: 0313096678
Category : Social Science
Languages : en
Pages : 539
Book Description
Over the past two decades, the process of cultural development and, in particular, the role of reading has been of growing interest, but recent research has been episodic and idiosyncratic. In this biographical dictionary, research devoted specifically to the reading habits of 19th century individuals who shaped Western culture is brought together for the first time. While giving prominent coverage to literary and political figures, the volume's 270 entries also include musicians, painters, educators, and explorers. Each entry includes brief biographical information, a concise summary of literary influences on the subject, and clear direction for further research. The book provides a practical tool for scholars wishing to trace the reading experience of important Western cultural figures. Subjects were selected from the people most responsible for the cultural development of Europe, Britain and the British Empire, and the Americas between 1800 and 1914. Although selective, the sample of 270 figures is substantial enough to suggest broad, cross-cultural habits and effects, enabling scholars to better understand the relationship between reading and culture. In an introductory essay, Powell explores the patterns and relationships that can be discerned from the entries. The first of three anticipated volumes, the book is an important step forward in researching the role of reading in cultural development.
Publisher: Bloomsbury Publishing USA
ISBN: 0313096678
Category : Social Science
Languages : en
Pages : 539
Book Description
Over the past two decades, the process of cultural development and, in particular, the role of reading has been of growing interest, but recent research has been episodic and idiosyncratic. In this biographical dictionary, research devoted specifically to the reading habits of 19th century individuals who shaped Western culture is brought together for the first time. While giving prominent coverage to literary and political figures, the volume's 270 entries also include musicians, painters, educators, and explorers. Each entry includes brief biographical information, a concise summary of literary influences on the subject, and clear direction for further research. The book provides a practical tool for scholars wishing to trace the reading experience of important Western cultural figures. Subjects were selected from the people most responsible for the cultural development of Europe, Britain and the British Empire, and the Americas between 1800 and 1914. Although selective, the sample of 270 figures is substantial enough to suggest broad, cross-cultural habits and effects, enabling scholars to better understand the relationship between reading and culture. In an introductory essay, Powell explores the patterns and relationships that can be discerned from the entries. The first of three anticipated volumes, the book is an important step forward in researching the role of reading in cultural development.
Richard Wagner and the Anti-Semitic Imagination
Author: Marc A. Weiner
Publisher: U of Nebraska Press
ISBN: 9780803297920
Category : Literary Criticism
Languages : en
Pages : 470
Book Description
This book addresses one of the most hotly contested debates in contemporary cultural life: the question of how anti-Semitism figures in the operas of Richard Wagner. Until now, scholars have generally acknowledged Wagner's anti-Semitism but have argued that it is irrelevant to the operas themselves. Marc A. Weiner challenges that traditional view by asserting that anti-Semitism is a crucial, pervasive feature in Wagner's operas. Weiner argues that the operas exemplify and contribute to a vast collection of images that are patently anti-Semitic - and that were readily recognized as such by nineteenth-century German audiences. These images were associated particularly with the body. Through a careful examination of Wagner's music, libretti, and stage directions, Weiner reconstructs iconographies of corporeal images - iconographies of the eye, voice, smell, gait, and sexuality - that were essential to the operas and were "associated with anti-Semitism and the longing for an imagined German community".
Publisher: U of Nebraska Press
ISBN: 9780803297920
Category : Literary Criticism
Languages : en
Pages : 470
Book Description
This book addresses one of the most hotly contested debates in contemporary cultural life: the question of how anti-Semitism figures in the operas of Richard Wagner. Until now, scholars have generally acknowledged Wagner's anti-Semitism but have argued that it is irrelevant to the operas themselves. Marc A. Weiner challenges that traditional view by asserting that anti-Semitism is a crucial, pervasive feature in Wagner's operas. Weiner argues that the operas exemplify and contribute to a vast collection of images that are patently anti-Semitic - and that were readily recognized as such by nineteenth-century German audiences. These images were associated particularly with the body. Through a careful examination of Wagner's music, libretti, and stage directions, Weiner reconstructs iconographies of corporeal images - iconographies of the eye, voice, smell, gait, and sexuality - that were essential to the operas and were "associated with anti-Semitism and the longing for an imagined German community".
Richard Wagner and His World
Author: Thomas S. Grey
Publisher: Princeton University Press
ISBN: 1400831784
Category : Music
Languages : en
Pages : 560
Book Description
Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories. Wagner and His World examines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction in Tristan und Isolde as psychology and symbol; Wagner as his own stage director; his conflicted relationship with pianist-composer Franz Liszt; the anti-French satire Eine Kapitulation in the context of the Franco-Prussian War; and responses of Jewish writers and musicians to Wagner's anti-Semitism. In addition to the editor, the contributors are Karol Berger, Leon Botstein, Lydia Goehr, Kenneth Hamilton, Katherine Syer, and Christian Thorau. This book also includes translations of essays, reviews, and memoirs by champions and detractors of Wagner; glimpses into his domestic sphere in Tribschen and Bayreuth; and all of Wagner's program notes to his own works. Introductions and annotations are provided by the editor and David Breckbill, Mary A. Cicora, James Deaville, Annegret Fauser, Steven Huebner, David Trippett, and Nicholas Vazsonyi.
Publisher: Princeton University Press
ISBN: 1400831784
Category : Music
Languages : en
Pages : 560
Book Description
Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories. Wagner and His World examines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction in Tristan und Isolde as psychology and symbol; Wagner as his own stage director; his conflicted relationship with pianist-composer Franz Liszt; the anti-French satire Eine Kapitulation in the context of the Franco-Prussian War; and responses of Jewish writers and musicians to Wagner's anti-Semitism. In addition to the editor, the contributors are Karol Berger, Leon Botstein, Lydia Goehr, Kenneth Hamilton, Katherine Syer, and Christian Thorau. This book also includes translations of essays, reviews, and memoirs by champions and detractors of Wagner; glimpses into his domestic sphere in Tribschen and Bayreuth; and all of Wagner's program notes to his own works. Introductions and annotations are provided by the editor and David Breckbill, Mary A. Cicora, James Deaville, Annegret Fauser, Steven Huebner, David Trippett, and Nicholas Vazsonyi.
Religious Experience in the Work of Richard Wagner
Author: Marcel Hebert
Publisher: CUA Press
ISBN: 0813227410
Category : Music
Languages : en
Pages : 177
Book Description
Philosopher Marcel Hébert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hébert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.
Publisher: CUA Press
ISBN: 0813227410
Category : Music
Languages : en
Pages : 177
Book Description
Philosopher Marcel Hébert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hébert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.