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Author: Arthur Gewirtz
Publisher: McFarland
ISBN: 9780786417513
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
In the 1920s, the playwright Sidney Howard and his wife, actress Clare Eames, were at the heart of the movement to change the American theater from a commercial enterprise to one with art at its center. Sidney gained fame writing They Knew What They Wanted (which won the Pulitzer Prize) in 1924. A dramatist for the Theatre Guild, he wrote Ned McCobb's Daughter and The Silver Cord and became the voice of American theater's fight against censorship. Energetic and ambitious Clare played some of the greatest dramatic roles for women, including Queen Elizabeth, Lady MacBeth, and Hedda Gabler. For a time, Sidney and Clare were an ideal couple, collaborating on dramas and drawing admirers in both England and America. This dual biography illuminates the growth of the American art theater, gives intimate details into the work of the couple, and reveals a glamorous doomed romance. The letters interspersed throughout the text detail the couple's thoughts on the artistic process, acting, writing, and the social and theatrical circles in which they moved. Including many letters and reviews from the era, this study describes Sidney and Clare's relationships, careers, and the dramatic disintegration of their marriage, set against the background of one of the most artistically fertile periods of American drama.
Author: Arthur Gewirtz
Publisher: McFarland
ISBN: 9780786417513
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
In the 1920s, the playwright Sidney Howard and his wife, actress Clare Eames, were at the heart of the movement to change the American theater from a commercial enterprise to one with art at its center. Sidney gained fame writing They Knew What They Wanted (which won the Pulitzer Prize) in 1924. A dramatist for the Theatre Guild, he wrote Ned McCobb's Daughter and The Silver Cord and became the voice of American theater's fight against censorship. Energetic and ambitious Clare played some of the greatest dramatic roles for women, including Queen Elizabeth, Lady MacBeth, and Hedda Gabler. For a time, Sidney and Clare were an ideal couple, collaborating on dramas and drawing admirers in both England and America. This dual biography illuminates the growth of the American art theater, gives intimate details into the work of the couple, and reveals a glamorous doomed romance. The letters interspersed throughout the text detail the couple's thoughts on the artistic process, acting, writing, and the social and theatrical circles in which they moved. Including many letters and reviews from the era, this study describes Sidney and Clare's relationships, careers, and the dramatic disintegration of their marriage, set against the background of one of the most artistically fertile periods of American drama.
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410360326
Category : Literary Criticism
Languages : en
Pages : 34
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Book Description
A Study Guide for Sidney Howard's "They Knew What They Wanted," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Author: Sheldon Cheney
Publisher:
ISBN:
Category : Performing arts
Languages : en
Pages : 370
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Book Description
Author:
Publisher:
ISBN:
Category : Book collecting
Languages : en
Pages : 1132
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Book Description
Author: Martha Kreisel
Publisher: Scarecrow Press
ISBN: 9780810856936
Category : Art
Languages : en
Pages : 470
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Book Description
While the Internet is an important source for locating photographic images, there still are hundreds of photography books published each year for whose contents there is no external access. This second supplement to Photography Books Index addresses this need by analyzing important photographic anthologies that have been published since 1985. Accessing more than fifty photographic anthologies that are widely held in libraries across the country--along with images from two critical annual compilations, Best of Photojournalism and Graphis Annual--this book identifies photographs that record the history of our times. This reference guide provides an important index to contemporary as well as historical photographers, including those for whom full monographs have not been published. Photographs of important individuals as well as photographic records of cataclysmic events can be located through this index. Extensive descriptions of the individual photographs--from the commonplace to the extraordinary--are identified in this volume. Organized into three sections--Photographers, Subjects of Photographs, and Portraits of Named Individuals--these descriptions provide the researcher with important information on each photograph. An essential volume for all public, special and academic libraries, this index will be an invaluable resource for reporters, historians, academics, students and anyone wishing to research photographs and photographers.
Author: John Wiley
Publisher: Rowman & Littlefield
ISBN: 1589798732
Category : Biography & Autobiography
Languages : en
Pages : 535
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Book Description
One month after her novel Gone With the Wind was published, Margaret Mitchell sold the movie rights for fifty thousand dollars. Fearful of what the studio might do to her story—“I wouldn’t put it beyond Hollywood to have . . . Scarlett seduce General Sherman,” she joked—the author washed her hands of involvement with the film. However, driven by a maternal interest in her literary firstborn and compelled by her Southern manners to answer every fan letter she received, Mitchell was unable to stay aloof for long. In this collection of her letters about the 1939 motion picture classic, readers have a front-row seat as the author watches the Dream Factory at work, learning the ins and outs of filmmaking and discovering the peculiarities of a movie-crazed public. Her ability to weave a story, so evident in Gone With the Wind,makes for delightful reading in her correspondence with a who’s who of Hollywood, from producer David O. Selznick, director George Cukor, and screenwriter Sidney Howard, to cast members Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland and Hattie McDaniel. Mitchell also wrote to thousands of others—aspiring actresses eager to play Scarlett O’Hara; fellow Southerners hopeful of seeing their homes or their grandmother’s dress used in the film; rabid movie fans determined that their favorite star be cast; and creators of songs, dolls and Scarlett panties who were convinced the author was their ticket to fame and fortune. During the film’s production, she corrected erring journalists and the producer’s over-the-top publicist who fed the gossip mills, accuracy be damned. Once the movie finished, she struggled to deal with friends and strangers alike who “fought and trampled little children and connived and broke the ties of lifelong friendship” to get tickets to the premiere. But through it all, she retained her sense of humor. Recounting an acquaintance’s denial of the rumor that the author herself was going to play Scarlett, Mitchell noted he “ungallantly stated that I was something like fifty years too old for the part.” After receiving numerous letters and phone calls from the studio about Belle Watling’s accent, the author related her father was “convulsed at the idea of someone telephoning from New York to discover how the madam of a Confederate bordello talked.” And in a chatty letter to Gable after the premiere, Mitchell coyly admitted being “feminine enough to be quite charmed” by his statement to the press that she was “fascinating,” but added: “Even my best friends look at me in a speculative way—probably wondering what they overlooked that your sharp eyes saw!” As Gone With the Wind marks its seventy-fifth anniversary on the silver screen, these letters, edited by Mitchell historian John Wiley, Jr., offer a fresh look at the most popular motion picture of all time through the eyes of the woman who gave birth to Scarlett.
Author: James Fisher
Publisher: Scarecrow Press
ISBN: 0810879506
Category : Performing Arts
Languages : en
Pages : 1003
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Book Description
From legends like Eugene O'Neill, Tennessee Williams, and Arthur Miller to successful present-day playwrights like Neil LaBute, Tony Kushner, and David Mamet, some of the most important names in the history of theater are from the past 80 years. Contemporary American theater has produced some of the most memorable, beloved, and important plays in history, including Death of a Salesman, A Streetcar Named Desire, Barefoot in the Park, Our Town, The Crucible, A Raisin in the Sun, and The Odd Couple. Historical Dictionary of Contemporary American Theater presents the plays and personages, movements and institutions, and cultural developments of the American stage from 1930 to 2010, a period of vast and almost continuous change. It covers the ever-changing history of the American theater with emphasis on major movements, persons, plays, and events. This is done through a chronology, an introductory essay, an extensive bibliography, and over 1,500 cross-referenced dictionary entries. This book is an excellent access point for students, researchers, and anyone wanting to know more about the history of American theater.
Author: Leonard Bacon
Publisher:
ISBN:
Category : History, Modern
Languages : en
Pages : 688
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Book Description
Author: Ellis Amburn
Publisher: Rowman & Littlefield
ISBN: 1493034103
Category : Biography & Autobiography
Languages : en
Pages : 441
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Book Description
This is classic Hollywood history as told through the life and career of one of its most iconic actresses. The book benefits tremendously from the author's meeting with Olivia de Havilland after he was assigned to handle her projected memoir at the Delacorte Press in 1973. Amburn also knew many of the key figures in her life and career, a veritable pantheon of Hollywood royalty from the 30s, 40s, and 50s: Jimmy Stewart, George Cukor, and David O. Selznick, and he was an editor at William Morrow when the company published the autobiography of de Havilland's difficult sister Joan Fontaine. Superbly researched and full of delicious anecdotes about Clark Gable, John Huston, Vivien Leigh, Laurence Olivier, Montgomery Clift, Errol Flynn, David Niven, and Bette Davis--particularly the bloody, bone-crunching fistfight Flynn and Huston waged over Olivia--this book not only profiles one of the finest actresses of her time, but also the culture of the film industry's Golden Age. It details de Havilland's relationships with the men who sought her--Howard Hughes, Jimmy Stewart, Errol Flynn, John F. Kennedy, Burgess Meredith, and John Huston, as well as her friendships with Grace Kelly, British Prime Minister Edward Heath, Ronald Reagan, Victor Fleming, and Ingrid Bergman. Here, too, are the fabulous and often surprising back stories of her 49 films, including Gone With the Wind, The Adventures of Robin Hood, The Snake Pit, Hush . . . Hush, Sweet Charlotte, and the two for which she won Oscars, The Heiress and To Each His Own. The account of the filming of Gone With the Wind is unique in that the author interviewed many of the people involved in the epic making of this masterpiece as Lois Dwight Cole, who discovered the novel, producer David O. Selznick, director George Cukor, agents Kay Brown and Annie Laurie Williams, Radie Harris, Vivien Leigh's closest friend in the press, and both Edie Goetz and Irene Mayer Selznick, daughters of Louis B. Mayer, head of MGM, the studio that funded, released, and ended up owning Gone With the Wind. Also included in this biography are Olivia's adventures with Bette Davis. They appeared together in four movies and Davis tried to destroy her, but Olivia stood up to Davis as no other actress had ever dared to do. She won Davis's respect, and by the time they made their biggest hit, Hush . . . Hush, Sweet Charlotte, a lasting friendship had blossomed. Undertaking a joint national publicity tour, they attracted mobs of boisterous fans and, in private, reminisced about the Golden Age of movies, evaluated the current crop of stars, and exchanged observations about love goddesses, nudity, and parenthood.
Author: Axel Nissen
Publisher: Scarecrow Press
ISBN: 0810891379
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Before she achieved immortality on the long-running situation comedy Bewitched, Agnes Moorehead had established a distinguished career as a character actress. After her screen debut in Citizen Kane (1941), Moorehead became one of the most familiar female faces on the silver screen. For moviegoers of the 1940s and ‘50s, she was the quintessential character actress, earning four Academy Award nominations during a career that saw her gain the respect of her peers in all four major entertainment media: radio, film, theater, and television. In The Films of Agnes Moorehead, Axel Nissen looks at the actress’s sixty-three feature films between 1941 and 1973. Each film is profiled here, with particular emphasis placed on the films that merit closer attention: Citizen Kane, The Magnificent Ambersons, Mrs. Parkington, Dark Passage, All That Heaven Allows, The Left Hand of God, The Swan, Tempest, The Bat, and Hush… Hush, Sweet Charlotte. Arranged in chronological order, the discussion of these films highlights Moorehead’s contribution to each feature. In addition to analyzing her performances, the author discusses the development of Moorehead’s career as a whole, along with her relationship with various studios, directors, producers, and fellow actors. Based on extensive interviews with the actress’s surviving friends and co-workers, as well as detailed archival research into primary sources, this book brings to light new information not just about Moorehead’s work in film, but on her life and career in general. Though this book will certainly appeal to movie buffs, The Films of Agnes Moorehead will also be of interest to students and scholars of classic Hollywood films, including those interested in women and film, gender studies, and film history.
