Sibylline Leaves PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Sibylline Leaves PDF full book. Access full book title Sibylline Leaves by Samuel Taylor Coleridge. Download full books in PDF and EPUB format.
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
Get Book Here
Book Description
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
Get Book Here
Book Description
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
Get Book Here
Book Description
![Sibylline Leaves; Or, Light Let in on “Lights and Shadows.” [By J. S. B. Monsell.] PDF](https://books.google.com/books/content/images/frontcover/2QJ2Fpbckq4C?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Get Book Here
Book Description
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
Get Book Here
Book Description
Author: Nathan Van Patten
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
Get Book Here
Book Description
Author: John Livingston Lowes
Publisher:
ISBN:
Category : Imagination
Languages : en
Pages : 690
Get Book Here
Book Description
Author: Annette R. Federico
Publisher: University of Missouri Press
ISBN: 0826272096
Category : Literary Criticism
Languages : en
Pages : 328
Get Book Here
Book Description
When it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imaginationwas hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Brontës, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar’s approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia. These contributions represent both the diversity of today’s feminist criticism and the tremendous expansion of the nineteenth-century canon. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis. And although each essay opens Madwoman to a different page, all provocatively circle back—with admiration and respect, objections and challenges, questions and arguments—to Gilbert and Gubar's groundbreaking work. The essays are as diverse as they are provocative. Susan Fraiman describes how Madwoman opened the canon, politicized critical practice, and challenged compulsory heterosexuality, while Marlene Tromp tells how it elegantly embodied many concerns central to second-wave feminism. Other chapters consider Madwoman’s impact on Milton studies, on cinematic adaptations of Wuthering Heights, and on reassessments of Ann Radcliffe as one of the book’s suppressed foremothers. In the thirty years since its publication, The Madwoman in the Attic has potently informed literary criticism of women’s writing: its strategic analyses of canonical works and its insights into the interconnections between social environment and human creativity have been absorbed by contemporary critical practices. These essays constitute substantive interventions into established debates and ongoing questions among scholars concerned with defining third-wave feminism, showing that, as a feminist symbol, the raging madwoman still has the power to disrupt conventional ideas about gender, myth, sexuality, and the literary imagination.
Author: Ebenezer Cobham Brewer
Publisher:
ISBN:
Category : Allusions
Languages : en
Pages : 1470
Get Book Here
Book Description
Author: Donald Reiman
Publisher: Taylor & Francis
ISBN: 1134970641
Category : Literary Criticism
Languages : en
Pages : 4202
Get Book Here
Book Description
First published in 1972, this set of 9 volumes contains all contemporary British periodical reviews of the first (or other significantly early) editions from 1793 and 1824 of works by William Wordsworth, Samuel Taylor Coleridge, George Gordon Byron, Percy Bysshe Shelley, and John Keats. In addition, a few later reviews are supplied, as well as a substantial number of reviews of other contemporary figures, including William Godwin, Robert Southey, Samuel Rogers, Thomas Campbell, Thomas Moore, Leigh Hunt, William Hazlitt, and Mary Wollstonecraft Shelley. Introductions to each periodical provide brief sketches of each publication as well as names, dates and bibliographical information. Headnotes offer bibliographical data of the reviews and suggested approaches to studying them. The index serves to locate authors and titles reviewed, reviewers, sources of quotations, other people and works mentioned and other proper nouns of interest. This comprehensive set will be of interest to those studying the Romantics and English literature.
Author: Elizabeth Wanning Harries
Publisher: University of Virginia Press
ISBN: 9780813915029
Category : Literary Collections
Languages : en
Pages : 244
Get Book Here
Book Description
"The Unfinished Manner examines the fragments produced by European writers and artists in the eighteenth century and earlier, fragments that were not the result of an inability to finish either texts or buildings but rather deliberate refusals to make the traditional gestures of conclusion. Most books published in the past few years on the fragment and the unfinished see it as a peculiarly "Romantic" early nineteenth-century exclusively poetic form. Elizabeth Wanning Harries argues, instead, that the fragment not only had a long history beginning with Petrarch but also played an important part in the history of the novel and other kinds of prose." "Conceptualizing the fragment as a genre, Harries sheds a new light on the practice of reading fiction and "reading" ruins in the eighteenth century, complex practices that often require oscillation between two perspectives or ways of reading. She also explores the gendering of forms in eighteenth-century aesthetics - the perception of fragments as feminine (beautiful) rather than masculine (sublime) - and speculates on the fragment's meaning within the context of eighteenth-century social mythologies as well as those of later eras. Finally, she rereads Coleridge's "Kubla Khan" to show its roots in eighteenth-century fragmentary textual practices." "The Unfinished Manner takes up the questions that arise when writers and artists treat apparently unfinished forms - fragments, ruins, torsos, sketches - as finished, both in the eighteenth century and, implicitly, today. Harries's treatments of Petrarch as the initiator of the fragment tradition, of Sterne in relation to biblical criticism, of Coleridge's "Kubla Khan" in relation to Sterne's Tristram Shandy, and of fragments in their relation to the feminine are original and revisionary contributions that seriously challenge some critical assumptions about Romanticism and its relationship to eighteenth-century texts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
