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Author: Hermine Weigel Williams
Publisher:
ISBN: 9780595500888
Category : Music
Languages : en
Pages : 0
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Book Description
When Erik Tawaststjerna completed his multi-volume study of Jean Sibelius (1865-1957) in the late 1980s, it was anticipated that it would become the definitive source for information about the life and music of Finland's most revered composer. While there is no denying the musicological significance of Tawaststjerna's contribution, one nevertheless searches in vain among the pages of this monumental work for any discussion of Sibelius's association with Freemasonry or his "Musique religieuse" (opus 113). Prior to 1998, only one study of Sibelius's Masonic music had been published. It was written by Einari Marvia in Finnish, a language not readily accessible to most scholars. It therefore seemed appropriate to publish, in English, another study of this work, one that would draw not only from Marvia's research but also from a number of newly discovered documents. The author's first edition of Sibelius and His Masonic Music (1998) and its supplement (1999) has now been revised and presented here in a single volume. Those who have expressed an interest in discerning Sibelius's views of religion will find this study offers considerable information about that aspect of the composer's life. Opus 113 had become for him an expression of his belief in the universality of the Divine, a belief given credence in the beauty and wonder of nature.
Author: Hermine Weigel Williams
Publisher:
ISBN: 9780595500888
Category : Music
Languages : en
Pages : 0
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Book Description
When Erik Tawaststjerna completed his multi-volume study of Jean Sibelius (1865-1957) in the late 1980s, it was anticipated that it would become the definitive source for information about the life and music of Finland's most revered composer. While there is no denying the musicological significance of Tawaststjerna's contribution, one nevertheless searches in vain among the pages of this monumental work for any discussion of Sibelius's association with Freemasonry or his "Musique religieuse" (opus 113). Prior to 1998, only one study of Sibelius's Masonic music had been published. It was written by Einari Marvia in Finnish, a language not readily accessible to most scholars. It therefore seemed appropriate to publish, in English, another study of this work, one that would draw not only from Marvia's research but also from a number of newly discovered documents. The author's first edition of Sibelius and His Masonic Music (1998) and its supplement (1999) has now been revised and presented here in a single volume. Those who have expressed an interest in discerning Sibelius's views of religion will find this study offers considerable information about that aspect of the composer's life. Opus 113 had become for him an expression of his belief in the universality of the Divine, a belief given credence in the beauty and wonder of nature.
Author: Gustav Djupsjöbacka
Publisher: Boydell & Brewer
ISBN: 1783277815
Category : Music
Languages : en
Pages : 437
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Book Description
A landmark in Sibelius scholarship, this is the first book that presents all of Sibelius's solo art songs in their musical and aesthetic context. Indispensable for scholars and performers alike. This is the first book to discuss the complete solo art songs of Jean Sibelius and to locate them in their musical, literary and artistic context. The book is organized around the poets Sibelius set to music and the literary themes associated with them, thus providing invaluable information for the scholar, student and performer. The musical and aesthetic contextualisation of the songs will help to enable new interpretations on the performance stage.
Author: Daniel M. Grimley
Publisher: Princeton University Press
ISBN: 1400840201
Category : Biography & Autobiography
Languages : en
Pages : 383
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Book Description
New perspectives on the greatest Finnish composer of all time Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865–1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends in music. At the height of his popular appeal, he was revered as the embodiment of Finnish nationalism and the apostle of a new musical naturalism. Yet he seemingly chose that moment to stop composing altogether, despite living for three more decades. Providing wide cultural contexts, contesting received ideas about modernism, and interrogating notions of landscape and nature, Jean Sibelius and His World sheds new light on the critical position occupied by Sibelius in the Western musical tradition. The essays in the book explore such varied themes as the impact of Russian musical traditions on Sibelius, his compositional process, Sibelius and the theater, his understanding of music as a fluid and improvised creation, his critical reception in Great Britain and America, his "late style" in the incidental music for The Tempest, and the parallel contemporary careers of Sibelius and Richard Strauss. Documents include the draft of Sibelius's 1896 lecture on folk music, selections from a roman à clef about his student circle in Berlin at the turn of the century, Theodor Adorno's brief but controversial tirade against the composer, and the newspaper debates about the Sibelius monument unveiled in Helsinki a decade after the composer's death. The contributors are Byron Adams, Leon Botstein, Philip Ross Bullock, Glenda Dawn Goss, Daniel Grimley, Jeffrey Kallberg, Tomi Mäkelä, Sarah Menin, Max Paddison, and Timo Virtanen.
Author: Andrew Barnett
Publisher: Yale University Press
ISBN: 9780300111590
Category : Music
Languages : en
Pages : 492
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Book Description
Informed by a wealth of information that has come to light in recent years, this engaging biography tells the complete story of the life and musical work of Finnish composer Jean Sibelius (1865-1957). Drawing on Sibelius’s own correspondence and diaries, contemporary reviews, and the remarks of family and friends, the book presents a rich account of the events of the musician’s life. In addition, this volume is the first to set every work and performable fragment by Sibelius in its historical and musical context. Filling a significant gap, the biography also provides the first accurate information about much of the composer’s early music. Writing for the general music-lover, Andrew Barnett combines his own extensive knowledge of Sibelius’s music with the insights of other scholars and musicians. He lays to rest a number of myths and untruths—that Sibelius wrote no chamber music of value, for example, and that he stopped composing in 1926 and didn’t need to compose to earn a living. Barnett completes the volume with the most thorough worklist available and an authoritative chronology of Sibelius’s entire output.
Author: Glenda Dawn Goss
Publisher: University of Chicago Press
ISBN: 0226304795
Category : Music
Languages : en
Pages : 589
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Book Description
One of the twentieth century’s greatest composers, Jean Sibelius (1865–1957) virtually stopped writing music during the last thirty years of his life. Recasting his mysterious musical silence and his undeniably influential life against the backdrop of Finland’s national awakening, Sibelius will be the definitive biography of this creative legend for many years to come. Glenda Dawn Goss begins her sweeping narrative in the Finland of Sibelius’s youth, which remained under Russian control for the first five decades of his life. Focusing on previously unexamined events, Goss explores the composer’s formative experiences as a Russian subject and a member of the Swedish-speaking Finnish minority. She goes on to trace Sibelius’s relationships with his creative contemporaries, with whom he worked to usher in a golden age of music and art that would endow Finns with a sense of pride in their heritage and encourage their hopes for the possibilities of nationhood. Skillfully evoking this artistic climate—in which Sibelius emerged as a leader—Goss creates a dazzling portrait of the painting, sculpture, literature, and music it inspired. To solve the deepest riddles of Sibelius’s life, work, and enigmatic silence, Goss contends, we must understand the awakening in which he played so great a role. Situating this national creative tide in the context of Nordic and European cultural currents, Sibelius dramatically deepens our knowledge of a misunderstood musical giant and an important chapter in the intellectual history of Europe.
Author: Tomi Mäkelä
Publisher: Boydell & Brewer Ltd
ISBN: 1843836882
Category : Biography & Autobiography
Languages : en
Pages : 538
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Book Description
Mäkelä's study brings together German, Nordic and Anglo-American work on Sibelius, and synthesizes these various strands of Sibelius reception into a single coherent critical narrative. This acclaimed study, available in English for the first time, looks at the music of Jean Sibelius in its biographical context. Myths have surrounded Sibelius [1865-1957] and his work, for more than 100 years, often diverting attention away from his creative output. Drawing on many unpublished sources, Mäkelä's study leads us back to Sibelius as a musician and a 'poet' of universal validity. Chapters examine the composer's creativity, inspiration, influence, aspects of genre, as well as the relationship of the artist with nature and homeland. Those who knew Sibelius at an early age tell of a youthful bohemian in the midst of European decadence. This 'age of Carmen'[Eduard Munch] marked Sibelius's formative years. The composer's most important works, dating from a time between his third symphony and Tapiola, reflect the modernistic mainstream. Sibelius's last three decades, known asthe 'Silence of Ainola', have inspired the masculine clichés that this book deconstructs. Sibelius was one of the least political artists of his time who nevertheless became heavily politicized. The first supreme musical talent in the region, he gave his nation a genuine sound. Europeans of the late nineteenth century showed increasing affinity with Nordic culture. Aino, Sibelius's wife, was instrumental in creating the image of her husband as a Nordic icon. The book closely scrutinizes this popular image. In an Anglo-American artistic context his mix of regionalism and modernity remained attractive even when these elements went out of fashion in the art movement of continental Europe. Ideas of Finland and the North vastly influenced the interpretation of meaning in Sibelius's music, a music that until this day remains enigmatic.
Author: Glenda Dawn Goss
Publisher: Routledge
ISBN: 1135541108
Category : Music
Languages : en
Pages : 325
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Book Description
First Published in 1998. This book is a comprehensive annotated bibliography of writings about the life, times, and music of Jean Sibelius (1865-1957). Over 1,000 sources in 11 different languages are represented, from the earliest writings, which appeared in the 1890s, to studies published through 1994. Historical information and background are supplied together with an indication of the reliability of each source. Translations of studies into English, German, and French are noted, particularly important in a field where so many items are in Finnish and Swedish. Introductory essays to each section discuss Sibelius in different contexts: for example, vis--vis his contemporaries in Scandinavia, in relation to folk music, in reception history, and in the scholarly literature. Individual musical compositions have their own sections with bibliography. Comprehensive indexes cover the musical works, authors, and people and subjects mentioned.
Author: Donald J. Grout
Publisher: Columbia University Press
ISBN: 0231507720
Category : Music
Languages : en
Pages : 1047
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Book Description
When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Author: Max Chop
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 360
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Book Description
Chop's main claim to fame is his 1904 study of Delius, the first on the composer to be published; it laid the foundations for future Delius biographers. Chop also produced several scholarly articles on Delius in 1907, and played a crucial role in ensuring his opera A Village Romeo and Juliet reached the stage of Berlin's Komische Oper that year. This volume brings together Chop's collected criticism of Delius in translation for the first time, and includes the original texts, a commentary and note on the author plus several previously unpublished letters. In his day he was widely respected as a musicologist, music journalist and newspaper editor. He published a number of compositions.
Author: Patrizia Barrera
Publisher: Tektime
ISBN: 883546661X
Category : Art
Languages : en
Pages : 469
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Book Description
A journey into the ancient world of Blues: how it was born, its origins, its path in the world. And then many stories and biographies about its protagonists, black and white, who helped create it and spread it to the general public. Translator: Ivan Alexandra PUBLISHER: TEKTIME
