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Author: Luigi Pirandello
Publisher: London : Chatto & Windus
ISBN:
Category : Italy
Languages : en
Pages : 392
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Book Description
Author: Luigi Pirandello
Publisher: London : Chatto & Windus
ISBN:
Category : Italy
Languages : en
Pages : 392
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Book Description
Author: Luigi Pirandello
Publisher: University of Chicago Press
ISBN: 0226669823
Category : Fiction
Languages : en
Pages : 248
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Book Description
Publisher Description
Author: Costantino Maeder
Publisher: John Benjamins Publishing
ISBN: 9027294658
Category : Language Arts & Disciplines
Languages : en
Pages : 439
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Book Description
This fourth volume of the Iconicity series is like its predecessors devoted to the study of iconicity in language and literature in all its forms. Many of the papers turn the notion of iconicity ‘inside-out’, some suggesting that ‘less-is-more’; others focus on the cognitive factors ‘inside’ the brain that are important for the iconic phenomena that are produced in the ‘outside’ world. In addition this volume includes a paper related to iconicity in music and its interaction with language. Other papers range from the theoretical issues involved in the evolution of language, to those that offer many ‘inside-out’ claims, such as claiming that nouns are derived from pronouns, and as such should more properly be called ‘pro-pronouns’. Also, this volume includes perhaps the first English-language analysis of the iconic aspects of sound symbolism in a prayer from the Koran. This is a truly interdisciplinary collection that should turn some of the notions of iconicity in language and literature ‘outside-in’ and ‘inside-out’.
Author: Jacqueline Reich
Publisher: Indiana University Press
ISBN: 9780253215185
Category : History
Languages : en
Pages : 388
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Book Description
When Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism—ties that many scholars previously had denied in an attempt to view Fascism as an unfortunate deviation in Italian history. The postwar directors Luchino Visconti, Roberto Rossellini, and Vittorio de Sica all had important roots in the Fascist era, as did the Venice Film Festival. While government censorship loomed over Italian filmmaking, it did not prevent frank depictions of sexuality and representations of men and women that challenged official gender policies. Re-viewing Fascism brings together scholars from different cultural and disciplinary backgrounds as it offers an engaging and innovative look into Italian cinema, Fascist culture, and society.
Author: Jacob Smith
Publisher: Univ of California Press
ISBN: 0520270886
Category : History
Languages : en
Pages : 282
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Book Description
“Starring human flies, daredevil aviators, bridge jumpers, and lion tamers, The Thrill Makers is a great read, as evocative as it is theoretically savvy, and convincingly argued. Culling telling details from a host of long-overlooked sources, Jacob Smith’s account of sensational, high-risk public performance from the Victorian age to the 1930s unearths and illuminates the interwoven histories of public spectacle, masculinity, the motion picture industry, new forms of celebrity, and the expanding American metropolis.”—Greg Waller, Department of Communication and Culture, Indiana University. “The Thrill Makers is an historical tour-de-force that illuminates the origins of risk-taking performance in American entertainment, and shows how its practitioners were gradually marginalized as invisible stunt doubles during the rise of the motion picture industry. Smith’s analysis of the lion tamer, the human fly, and the airplane wing-walker—as well as the many others who thrilled audiences before and during the advent of cinema—inspires us to reconsider the nature of media spectacle, masculinity, performance, celebrity, and labor at the turn of the last century. Impeccably researched, this book is a captivating read that re-frames the emergence of cinema in the context of its relationship to other forms of modern entertainment.”—Barbara Klinger, author of Beyond the Multiplex: Cinema, New Technologies, and the Home.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 614
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : American drama
Languages : en
Pages : 2398
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Book Description
Part 1, Books, Group 1, v. 24 : Nos. 1-148 (March, 1927 - March, 1928)
Author: Chicago Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
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Book Description
Author: Michael Syrimis
Publisher: University of Toronto Press
ISBN: 144264401X
Category : Performing Arts
Languages : en
Pages : 377
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Book Description
The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy's writers with cinema, and in doing so offers vibrant new perspectives on the country's early twentieth-century culture. This comparative study focuses on the immediate responses to this cultural phenomenon of three highly influential intellectuals, each with a competing aesthetic vision Filippo Tommaso Marinetti, founder of Futurism; Gabriele D'Annunzio, leader of Italian Decadentism; and Luigi Pirandello, a father of modern European theatre and theorist of humour. Along with demonstrating how the popularization of the feature-length narrative influenced each author's outlook and theories, Michael Syrimis unravels the extent to which cinema enforced or neutralized the ideological and aesthetic differences between them.
Author: Michael J. Subialka
Publisher: University of Toronto Press
ISBN: 1487528655
Category : History
Languages : en
Pages : 401
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Book Description
Modernist Idealism develops a framework for understanding modernist production as the artistic realization of philosophical concepts elaborated in German idealism.
