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Author: Michael Eric Dyson
Publisher: Macmillan + ORM
ISBN: 1250136008
Category : Social Science
Languages : en
Pages : 187
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Book Description
NOW A NEW YORK TIMES, PUBLISHER'S WEEKLY, INDIEBOUND, LOS ANGELES TIMES, WASHINGTON POST, CHRONICLE HERALD, SALISBURY POST, GUELPH MERCURY TRIBUNE, AND BOSTON GLOBE BESTSELLER | NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: The Washington Post • Bustle • Men's Journal • The Chicago Reader • StarTribune • Blavity• The Guardian • NBC New York's Bill's Books • Kirkus • Essence “One of the most frank and searing discussions on race ... a deeply serious, urgent book, which should take its place in the tradition of Baldwin's The Fire Next Time and King's Why We Can't Wait." —The New York Times Book Review Toni Morrison hails Tears We Cannot Stop as "Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish." Stephen King says: "Here’s a sermon that’s as fierce as it is lucid...If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know—what this white man needed to know, at least. This is a major achievement. I read it and said amen." Short, emotional, literary, powerful—Tears We Cannot Stop is the book that all Americans who care about the current and long-burning crisis in race relations will want to read. As the country grapples with racist division at a level not seen since the 1960s, one man's voice soars above the rest with conviction and compassion. In his 2016 New York Times op-ed piece "Death in Black and White," Michael Eric Dyson moved a nation. Now he continues to speak out in Tears We Cannot Stop—a provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted. "The time is at hand for reckoning with the past, recognizing the truth of the present, and moving together to redeem the nation for our future. If we don't act now, if you don't address race immediately, there very well may be no future."
Author: Michael Eric Dyson
Publisher: Macmillan + ORM
ISBN: 1250136008
Category : Social Science
Languages : en
Pages : 187
Get Book Here
Book Description
NOW A NEW YORK TIMES, PUBLISHER'S WEEKLY, INDIEBOUND, LOS ANGELES TIMES, WASHINGTON POST, CHRONICLE HERALD, SALISBURY POST, GUELPH MERCURY TRIBUNE, AND BOSTON GLOBE BESTSELLER | NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: The Washington Post • Bustle • Men's Journal • The Chicago Reader • StarTribune • Blavity• The Guardian • NBC New York's Bill's Books • Kirkus • Essence “One of the most frank and searing discussions on race ... a deeply serious, urgent book, which should take its place in the tradition of Baldwin's The Fire Next Time and King's Why We Can't Wait." —The New York Times Book Review Toni Morrison hails Tears We Cannot Stop as "Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish." Stephen King says: "Here’s a sermon that’s as fierce as it is lucid...If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know—what this white man needed to know, at least. This is a major achievement. I read it and said amen." Short, emotional, literary, powerful—Tears We Cannot Stop is the book that all Americans who care about the current and long-burning crisis in race relations will want to read. As the country grapples with racist division at a level not seen since the 1960s, one man's voice soars above the rest with conviction and compassion. In his 2016 New York Times op-ed piece "Death in Black and White," Michael Eric Dyson moved a nation. Now he continues to speak out in Tears We Cannot Stop—a provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted. "The time is at hand for reckoning with the past, recognizing the truth of the present, and moving together to redeem the nation for our future. If we don't act now, if you don't address race immediately, there very well may be no future."
Author: E. Tory Higgins
Publisher: Oxford University Press
ISBN: 0190948078
Category : Psychology
Languages : en
Pages :
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Book Description
What does it mean to be human? Why do we feel and behave in the ways that we do? The classic answer is that we have a special kind of intelligence. But to understand what we are as humans, we also need to know what we are like motivationally. And what is central to this story, what is special about human motivation, is that humans want to share with others their inner experiences about the world--share how they feel, what they believe, and what they want to happen in the future. They want to create a shared reality with others. People have a shared reality together when they experience having in common a feeling about something, a belief about something, or a concern about something. They feel connected to another person or group by knowing that this person or group sees the world the same way that they do--they share what is real about the world. In this work, Dr. Higgins describes how our human motivation for shared reality evolved in our species, and how it develops in our children as shared feelings, shared practices, and shared goals and roles. Shared reality is crucial to what we believe--sharing is believing. It is central to our sense of self, what we strive for and how we strive. It is basic to how we get along with others. It brings us together in fellowship and companionship, but it also tears us apart by creating in-group "bubbles" that conflict with one another. Our shared realities are the best of us, and the worst of us.
Author: Heather Christle
Publisher: Catapult
ISBN: 1948226456
Category : Family & Relationships
Languages : en
Pages : 208
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Book Description
This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.
Author: Judith Kay Nelson
Publisher: Routledge
ISBN: 1135412634
Category : Psychology
Languages : en
Pages : 266
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Book Description
Seeing Through Tears is a groundbreaking examination of crying behavior and the meaning behind our tears. Drawing from attachment theory and her own original research, Judith Nelson presents an exciting new view of crying as a part of our inborn equipment for establishing and maintaining emotional connections. In a comprehensive look at crying through the life cycle, this insightful volume presents a novel theoretical framework before offering useful and practical advice for dealing with this most fundamental of human behaviors.
Author: Randal S. Doaty
Publisher: Xlibris Corporation
ISBN: 1465379800
Category : Poetry
Languages : en
Pages : 163
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Book Description
A ray of sunlight came through a pane in the glass studio workshop. The scrap glass bucket was nearly full. On top of this heap was a hardened drip of glass that had carelessly fallen from a glass artists punti. Glimmering in the sunlight that morning was the very first Glass Teardrop. It may have remained just scrap until the simple words glass tears softly whispered in the imagination of a would-be poet. Two totally different art forms were about to be married. The story of Glass Tears is purely serendipitous. The need for a unique and meaningful sympathy gift happened at just about the same time as the glass teardrop appeared at the studio. The poem, Glass Tears came to Randal S. Doaty as unexpectedly as the teardrop itself. He had never written a poem before, but he felt the need to give his new teardrop a voice. The Glass Tears Poem Journal is a collection of what many different Glass Tears have spoken through the voice of this poet.
Author: Christine Reiko Yano
Publisher: Harvard Univ Asia Center
ISBN: 9780674012769
Category : History
Languages : en
Pages : 284
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Book Description
Enka, a sentimental ballad genre, epitomizes for many the nihonjin no kokoro (heart/soul of Japanese). To older members of the Japanese public, who constitute enka's primary audience, this music--of parted lovers, long unseen rural hometowns, and self-sacrificing mothers--evokes a direct connection to the traditional roots of "Japaneseness." Overlooked in this emotional invocation of the past, however, are the powerful commercial forces that, since the 1970s, have shaped the consumption of enka and its version of national identity. Informed by theories of nostalgia, collective memory, cultural nationalism, and gender, this book draws on the author's extensive fieldwork in probing the practice of identity-making and the processes at work when Japan becomes "Japan."
Author: Blaine-Wallace, William
Publisher: Orbis Books
ISBN: 1608338312
Category : Religion
Languages : en
Pages : 158
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Book Description
"Through narrative examples, the author describes "lament" as the act of bringing more of our lived experience into congregational and communal life"--
Author: John Updike
Publisher: Random House
ISBN: 0307272028
Category : Fiction
Languages : en
Pages : 305
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Book Description
A sensational collection of stories of the American experience from the Depression to the aftermath of 9/11, by one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. John Updike mingles narratives of Pennsylvania with stories of New England suburbia and of foreign travel: “Personal Archaeology” considers life as a sequence of half-buried layers, and “The Full Glass” distills a lifetime’s happiness into one brimming moment of an old man’s bedtime routine. High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.”
Author: Nhlanhla Collen Mabaso
Publisher: Xlibris Corporation
ISBN: 1493138774
Category : Fiction
Languages : en
Pages : 128
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Book Description
A collection of short stories depicting lifes dark side. It draws from real life situations and experiences but makes no references to real life characters.
Author: Michele Byers
Publisher: Cambridge Scholars Publishing
ISBN: 1443821950
Category : Art
Languages : en
Pages : 260
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Book Description
The idea for this book began with David Lavery’s 2007 column for flowtv.org. “The Crying Game: Why Television Brings Us to Tears” asked us to consider that “age-old mystery”: tears. The respondents to David’s initial survey—Michele Byers among them—didn’t agree on anything ... Some cried more over film, some television, some books; some felt their tears to be a release, others to be a manipulation. They did agree, however, as did the readers who responded to the column, that crying over stories, and even “things,” is something that is a shared and familiar cultural practice. This book was born from that moment of recognition. On the Verge of Tears is not the first book to think about crying. Tom Lutz’s Crying: The Natural & Cultural History of Tears, Judith Kay Nelson’s Seeing Through Tears: Crying and Attachment, Peter Schwenger’s The Tears of Things: Melancholy and Physical Objects, and Henry Jenkins’ The Wow Climax: Tracing the Emotional Impact of Popular Culture also offer forays into this familiar, if not always entirely comfortable, emotional space. This book differs markedly from each of these others, however. As a collection of essay by diverse hands, its point of view is multi-vocal. It is not a history of tears (as is Lutz’s superb book); nor is its approach psychological/sociological (as is Nelson’s). It does not limit itself to very contemporary popular culture (as does Jenkins’ book) or material culture (as does Schwenger’s study). What On the Verge of Tears offers are personal, cultural, and political ruminations on the tears we shed in our daily engagements with the world and its artifacts. The essays found within are often deeply personal, but also have broad implications for everyday life. The authors included here contemplate how and why art, music, film, literature, theatre, theory, and material artifacts make us weep. They consider the risks of tears in public and private spaces; the way tears implicate us in tragedy, comedy, and horror. On the Verge of Tears does not offer a unified theory of crying, but, instead, invites us to imagine tears as a multi-vocal language we can all, in some manner, understand.
