Author: Matilda Tomaryn Bruckner
Publisher: University of Pennsylvania Press
ISBN: 1512801054
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Examines a set of five twelfth-century romance texts—complete and fragmentary, canonical and now neglected, long and short—to map out the characteristics and boundaries of the genre in its formative period.
Shaping Romance
Author: Matilda Tomaryn Bruckner
Publisher: University of Pennsylvania Press
ISBN: 1512801054
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Examines a set of five twelfth-century romance texts—complete and fragmentary, canonical and now neglected, long and short—to map out the characteristics and boundaries of the genre in its formative period.
Publisher: University of Pennsylvania Press
ISBN: 1512801054
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Examines a set of five twelfth-century romance texts—complete and fragmentary, canonical and now neglected, long and short—to map out the characteristics and boundaries of the genre in its formative period.
Shaping Courtliness in Medieval France
Author: Laurie Shepard
Publisher: DS Brewer
ISBN: 1843843358
Category : History
Languages : en
Pages : 314
Book Description
The question of what medieval "courtliness" was, both as a literary influence and as a historical "reality", is debated in this volume. The concept of courtliness forms the theme of this collection of essays. Focused on works written in the Francophone world between the twelfth and fifteenth centuries, they examine courtliness as both an historical privilege and aliterary ideal, and as a concept that operated on and was informed by complex social and economic realities. Several essays reveal how courtliness is subject to satire or is the subject of exhortation in works intended for noblemen and women, not to mention ambitious bourgeois. Others, more strictly literary in their focus, explore the witty, thoughtful and innovative responses of writers engaged in the conscious process of elevating the new vernacular culture through the articulation of its complexities and contradictions. The volume as a whole, uniting philosophical, theoretical, philological, and cultural approaches, demonstrates that medieval "courtliness" is an ideal that fascinates us to this day. It is thus a fitting tribute to the scholarship of Matilda Tomaryn Bruckner, in its exploration of the prrofound and wide-ranging ideas that define her contribution to the field. DANIEL E O'SULLIVAN is Associate Professor of French at the University of Mississippi; LAURIE SHEPHARD is Associate Professor of Italian at Boston College in Chestnut Hill, Massachusetts. Contributors: Peter Haidu, Donald Maddox, Michel-André Bossy, Kristin Burr, Joan Tasker Grimbert, David Hult, Virgine Greene, Logan Whalen, Evelyn Birge Vitz, Elizabeth W. Poe, Daniel E. O'Sullivan, William Schenck, Nadia Margolis, Laine Doggett, E. Jane Burns, Nancy FreemanRegalado, Laurie Shephard, Sarah White
Publisher: DS Brewer
ISBN: 1843843358
Category : History
Languages : en
Pages : 314
Book Description
The question of what medieval "courtliness" was, both as a literary influence and as a historical "reality", is debated in this volume. The concept of courtliness forms the theme of this collection of essays. Focused on works written in the Francophone world between the twelfth and fifteenth centuries, they examine courtliness as both an historical privilege and aliterary ideal, and as a concept that operated on and was informed by complex social and economic realities. Several essays reveal how courtliness is subject to satire or is the subject of exhortation in works intended for noblemen and women, not to mention ambitious bourgeois. Others, more strictly literary in their focus, explore the witty, thoughtful and innovative responses of writers engaged in the conscious process of elevating the new vernacular culture through the articulation of its complexities and contradictions. The volume as a whole, uniting philosophical, theoretical, philological, and cultural approaches, demonstrates that medieval "courtliness" is an ideal that fascinates us to this day. It is thus a fitting tribute to the scholarship of Matilda Tomaryn Bruckner, in its exploration of the prrofound and wide-ranging ideas that define her contribution to the field. DANIEL E O'SULLIVAN is Associate Professor of French at the University of Mississippi; LAURIE SHEPHARD is Associate Professor of Italian at Boston College in Chestnut Hill, Massachusetts. Contributors: Peter Haidu, Donald Maddox, Michel-André Bossy, Kristin Burr, Joan Tasker Grimbert, David Hult, Virgine Greene, Logan Whalen, Evelyn Birge Vitz, Elizabeth W. Poe, Daniel E. O'Sullivan, William Schenck, Nadia Margolis, Laine Doggett, E. Jane Burns, Nancy FreemanRegalado, Laurie Shephard, Sarah White
Thinking Medieval Romance
Author: Katherine C. Little
Publisher:
ISBN: 0198795149
Category : History
Languages : en
Pages : 256
Book Description
Theoretically savvy and polemical arguments about a broad range of French, Middle English, and Mediterranean romances, that will revise scholars' and students' understanding of what medieval romances are and, more importantly, what they do to and for their readers.
Publisher:
ISBN: 0198795149
Category : History
Languages : en
Pages : 256
Book Description
Theoretically savvy and polemical arguments about a broad range of French, Middle English, and Mediterranean romances, that will revise scholars' and students' understanding of what medieval romances are and, more importantly, what they do to and for their readers.
Chrétien Continued
Author: Matilda Tomaryn Bruckner
Publisher: Oxford University Press
ISBN: 0199557217
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
Chr--eacute--;tien de Troyes's unfinished Grail story Conte du Graal generated numerous rewritings from the late 12th to the 15th centuries. This book shows how closely Chr--eacute--;tien's verse continuators used his narrative techniques to ask the questions about love, chivalry, religion, and violence that entered Arthurian romance in the first 'Story of the Grail'.
Publisher: Oxford University Press
ISBN: 0199557217
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
Chr--eacute--;tien de Troyes's unfinished Grail story Conte du Graal generated numerous rewritings from the late 12th to the 15th centuries. This book shows how closely Chr--eacute--;tien's verse continuators used his narrative techniques to ask the questions about love, chivalry, religion, and violence that entered Arthurian romance in the first 'Story of the Grail'.
Love and Death in Medieval French and Occitan Courtly Literature
Author: Simon Gaunt
Publisher: Oxford University Press, USA
ISBN: 0199272077
Category : Language Arts & Disciplines
Languages : en
Pages : 248
Book Description
Examines the association of love and death in medieval French and Occitan courtly literature using an approach informed by Lacanian psychoanalysis and Jacques Derrida. Offers new readings of canonical authors and texts, including Bernart de Ventadorn, Jaufre Rudel, Chrétien de Troyes, Thomas's Tristan, the Prose Lancelot, the Tristan en prose, La Mort le roi Artu, Marie de France, Le Chastelaine de Vergy, Le Castelain deCouci, and Le Roman de la Rose.
Publisher: Oxford University Press, USA
ISBN: 0199272077
Category : Language Arts & Disciplines
Languages : en
Pages : 248
Book Description
Examines the association of love and death in medieval French and Occitan courtly literature using an approach informed by Lacanian psychoanalysis and Jacques Derrida. Offers new readings of canonical authors and texts, including Bernart de Ventadorn, Jaufre Rudel, Chrétien de Troyes, Thomas's Tristan, the Prose Lancelot, the Tristan en prose, La Mort le roi Artu, Marie de France, Le Chastelaine de Vergy, Le Castelain deCouci, and Le Roman de la Rose.
Medieval Marvels and Fictions in the Latin West and Islamic World
Author: Michelle Karnes
Publisher: University of Chicago Press
ISBN: 0226819752
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
"It is a commonplace that marvels like enchanted rings and sorcerers' stones were topics of fascination in the Middle Ages, not only in romance and travel literature, but also in the period's philosophic writing: magical objects with hard-to-explain powers abound. This is the first book to analyze these different bodies of writing alongside one another, comparing texts from both the Latin West (including writings in English, French, Italian, and Spanish) and in Arabic on the topic, attempting a unifying theory of marvels across different disciplines and cultures. Michelle Karnes tells an untold story of the parallels between Arabic and Latin thought, reminding us that the strange and the unfamiliar travel unusually well across a range of genres, spanning geographical and conceptual space, and offers an ideal vantage point from which to understand Arabic and Latin intercultural exchange. Employing the notion of the near-impossibility, Karnes traverses this diverse archive, marking the outer boundaries of both nature's capabilities and human creativity. Imagination, she shows, invests marvels with their character and, ultimately, their power. Skirting the distinction between the real and unreal, the true and the false, imagination, for Karnes, endows marvels with indeterminacy and import, imbuing them with inherently interdisciplinary, boundary-resistant, perplexing properties. These near-impossibilities cannot be conclusively discounted; rather, they challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers here a rare, comparative perspective and a new methodology to study a topic long recognized to be central to medieval culture"--
Publisher: University of Chicago Press
ISBN: 0226819752
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
"It is a commonplace that marvels like enchanted rings and sorcerers' stones were topics of fascination in the Middle Ages, not only in romance and travel literature, but also in the period's philosophic writing: magical objects with hard-to-explain powers abound. This is the first book to analyze these different bodies of writing alongside one another, comparing texts from both the Latin West (including writings in English, French, Italian, and Spanish) and in Arabic on the topic, attempting a unifying theory of marvels across different disciplines and cultures. Michelle Karnes tells an untold story of the parallels between Arabic and Latin thought, reminding us that the strange and the unfamiliar travel unusually well across a range of genres, spanning geographical and conceptual space, and offers an ideal vantage point from which to understand Arabic and Latin intercultural exchange. Employing the notion of the near-impossibility, Karnes traverses this diverse archive, marking the outer boundaries of both nature's capabilities and human creativity. Imagination, she shows, invests marvels with their character and, ultimately, their power. Skirting the distinction between the real and unreal, the true and the false, imagination, for Karnes, endows marvels with indeterminacy and import, imbuing them with inherently interdisciplinary, boundary-resistant, perplexing properties. These near-impossibilities cannot be conclusively discounted; rather, they challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers here a rare, comparative perspective and a new methodology to study a topic long recognized to be central to medieval culture"--
Making, Selling and Wearing Boys' Clothes in Late-Victorian England
Author: Clare Rose
Publisher: Routledge
ISBN: 1351920596
Category : History
Languages : en
Pages : 278
Book Description
There has been a great deal of recent interest in masculine clothing, examining both its production and consumption, and the ways in which it was used to create individual identities and to build businesses, from 1850 onwards. Drawing upon a wide range of sources this book studies the interaction between producers and consumers at a key period in the development of the ready-made clothing industry. It also shows that many innovations in advertising clothing, usually considered to have been developed in America, had earlier British precedents. To counter the lack of documentary evidence that has hitherto hampered research into the dress practices of non-elite groups, this book utilises thousands of unpublished visual documents. These include hundreds of manufacturers' designs, which underline an unexpected degree of investment by manufacturers in boys' clothing, and which was matched by heavy investment in advertising, with thousands of images of boys' clothing for shop catalogues in the Stationers' Hall copyright archive. Another key source is the archives of Dr Barnardo's Homes. This extraordinary collection contains over 15,000 documented photographs of boys entering between 1875 and 1900, allowing us to look beyond official polarization of 'raggedness' and 'respectability' used by charities and social reformers of all stripes and to establish the clothing that was actually worn by a large sample of boys. A close analysis of 1,800 images reveals that even when families were impoverished, they strove to present their boys in ways that reflected their position in the family group and in society. By drawing on these visual sources, and linking the design and retailing of boys' clothing with social, cultural and economic issues, this book shows that an understanding of the production and consumption of the boys clothing is central to debates on the growth of the consumer society, the development of mass-market fashion, and concepts of childhood and masculinity.
Publisher: Routledge
ISBN: 1351920596
Category : History
Languages : en
Pages : 278
Book Description
There has been a great deal of recent interest in masculine clothing, examining both its production and consumption, and the ways in which it was used to create individual identities and to build businesses, from 1850 onwards. Drawing upon a wide range of sources this book studies the interaction between producers and consumers at a key period in the development of the ready-made clothing industry. It also shows that many innovations in advertising clothing, usually considered to have been developed in America, had earlier British precedents. To counter the lack of documentary evidence that has hitherto hampered research into the dress practices of non-elite groups, this book utilises thousands of unpublished visual documents. These include hundreds of manufacturers' designs, which underline an unexpected degree of investment by manufacturers in boys' clothing, and which was matched by heavy investment in advertising, with thousands of images of boys' clothing for shop catalogues in the Stationers' Hall copyright archive. Another key source is the archives of Dr Barnardo's Homes. This extraordinary collection contains over 15,000 documented photographs of boys entering between 1875 and 1900, allowing us to look beyond official polarization of 'raggedness' and 'respectability' used by charities and social reformers of all stripes and to establish the clothing that was actually worn by a large sample of boys. A close analysis of 1,800 images reveals that even when families were impoverished, they strove to present their boys in ways that reflected their position in the family group and in society. By drawing on these visual sources, and linking the design and retailing of boys' clothing with social, cultural and economic issues, this book shows that an understanding of the production and consumption of the boys clothing is central to debates on the growth of the consumer society, the development of mass-market fashion, and concepts of childhood and masculinity.
Medieval Identity Machines
Author: Jeffrey Jerome Cohen
Publisher: U of Minnesota Press
ISBN: 9781452905815
Category : Civilization, Medieval
Languages : en
Pages : 424
Book Description
Publisher: U of Minnesota Press
ISBN: 9781452905815
Category : Civilization, Medieval
Languages : en
Pages : 424
Book Description
The Palgrave Handbook of Philosophy and Literature
Author: Barry Stocker
Publisher: Springer
ISBN: 1137547944
Category : Philosophy
Languages : en
Pages : 768
Book Description
This comprehensive Handbook presents the major perspectives within philosophy and literary studies on the relations, overlaps and tensions between philosophy and literature. Drawing on recent work in philosophy and literature, literary theory, philosophical aesthetics, literature as philosophy and philosophy as literature, its twenty-nine chapters plus substantial Introduction and Afterword examine the ways in which philosophy and literature depend on each other and interact, while also contrasting with each other in that they necessarily exclude or incorporate each other. This book establishes an enduring framework for structuring the broad themes defining the relations between philosophy and literature and organising the main topics in the field. Key Features • Structured in five parts addressing philosophy as literature, philosophy of literature, philosophical aesthetics, literary criticism and theory, and main areas of work within philosophy and literature • An Introduction setting out the main concerns of the field through discussion of the major themes along with the individual topics • An Afterword looking at the interactions between philosophy and literature through itself enacting philosophical and literary writing while examining the question of how they can be brought together The Palgrave Handbook of Philosophy and Literature is an essential resource for scholars, researchers and advanced students in philosophy of literature, philosophy as literature, literary theory, literature as philosophy, and the philosophical aesthetics of literature. It is an ideal volume for researchers, advanced students and scholars in philosophy, literary studies, philosophy and literature, cultural studies, classical studies and other related fields.
Publisher: Springer
ISBN: 1137547944
Category : Philosophy
Languages : en
Pages : 768
Book Description
This comprehensive Handbook presents the major perspectives within philosophy and literary studies on the relations, overlaps and tensions between philosophy and literature. Drawing on recent work in philosophy and literature, literary theory, philosophical aesthetics, literature as philosophy and philosophy as literature, its twenty-nine chapters plus substantial Introduction and Afterword examine the ways in which philosophy and literature depend on each other and interact, while also contrasting with each other in that they necessarily exclude or incorporate each other. This book establishes an enduring framework for structuring the broad themes defining the relations between philosophy and literature and organising the main topics in the field. Key Features • Structured in five parts addressing philosophy as literature, philosophy of literature, philosophical aesthetics, literary criticism and theory, and main areas of work within philosophy and literature • An Introduction setting out the main concerns of the field through discussion of the major themes along with the individual topics • An Afterword looking at the interactions between philosophy and literature through itself enacting philosophical and literary writing while examining the question of how they can be brought together The Palgrave Handbook of Philosophy and Literature is an essential resource for scholars, researchers and advanced students in philosophy of literature, philosophy as literature, literary theory, literature as philosophy, and the philosophical aesthetics of literature. It is an ideal volume for researchers, advanced students and scholars in philosophy, literary studies, philosophy and literature, cultural studies, classical studies and other related fields.
The Continuations of Chrétien's Perceval
Author: Leah Tether
Publisher: DS Brewer
ISBN: 1843843161
Category : Literary Collections
Languages : en
Pages : 258
Book Description
The Continuations of Chretien de Troyes' Perceval are here examined as constituting a discrete genre of medieval literature. The notion of Continuation in medieval literature is a familiar one - but difficult to define precisely. Despite the existence of important texts which are commonly referred to as Continuations, such as Le Roman de la Rose,Le Chevalier de la Charrette and, of course, the Perceval Continuations, the mechanics and processes involved in actually producing a Continuation have found themselves indistinguishable from those associated with other forms of medieval réécriture. The Perceval Continuations (composed c.1200-1230) constitute a vast body of material which incorporates four separately authored Continuations, each of which seeks to further,in some way, the unfinished Perceval of Chrétien de Troyes - though they are not merely responses to his work. Chronologically, they were composed one after the other, and the next in line picks up where the previous one left off; they thus respond intertextually to each other as well as to Chrétien, and only one actually furnishes the story as a whole with an ending. Here, these fascinating texts are used as a lens for examining, defining and distinguishing the whole concept of a Continuation; the author also employs theories as to what constitutes an "end" and what is "unfinished", alongside scrutiny of other medieval "ends" and Continuations. Dr Leah Tether isa Postdoctoral Research Fellow at the Cultures of the Digital Economy Institute, Anglia Ruskin University.
Publisher: DS Brewer
ISBN: 1843843161
Category : Literary Collections
Languages : en
Pages : 258
Book Description
The Continuations of Chretien de Troyes' Perceval are here examined as constituting a discrete genre of medieval literature. The notion of Continuation in medieval literature is a familiar one - but difficult to define precisely. Despite the existence of important texts which are commonly referred to as Continuations, such as Le Roman de la Rose,Le Chevalier de la Charrette and, of course, the Perceval Continuations, the mechanics and processes involved in actually producing a Continuation have found themselves indistinguishable from those associated with other forms of medieval réécriture. The Perceval Continuations (composed c.1200-1230) constitute a vast body of material which incorporates four separately authored Continuations, each of which seeks to further,in some way, the unfinished Perceval of Chrétien de Troyes - though they are not merely responses to his work. Chronologically, they were composed one after the other, and the next in line picks up where the previous one left off; they thus respond intertextually to each other as well as to Chrétien, and only one actually furnishes the story as a whole with an ending. Here, these fascinating texts are used as a lens for examining, defining and distinguishing the whole concept of a Continuation; the author also employs theories as to what constitutes an "end" and what is "unfinished", alongside scrutiny of other medieval "ends" and Continuations. Dr Leah Tether isa Postdoctoral Research Fellow at the Cultures of the Digital Economy Institute, Anglia Ruskin University.