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Author: Xiang ge na hua lang (Shanghai, China)
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 102
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Book Description
Author: Xiang ge na hua lang (Shanghai, China)
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 102
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Book Description
Author: Alex Burchmore
Publisher: Univ of California Press
ISBN: 0520390016
Category : Art
Languages : en
Pages : 280
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Book Description
"New Export China provides a materials-focused framework for contemporary Chinese art, taking works in porcelain by international artists Ai Weiwei, Liu Jianhua, Ah Xian, and Sin-ying Ho as case studies for the role of travel and translation in global artistic practice. Porcelain has long been a vehicle for transmitting cultural knowledge, yet little has been written about its relevance for an era when our interconnection is clearer than ever. Taking a thematic approach, this book positions porcelain art within current debates around archival intervention, artistic authenticity, racial and gender identity, global capital and migrant labor, cultural stereotypes, and ownership of heritage"--
Author: Jiehong Jiang
Publisher: BRILL
ISBN: 9004703608
Category : Social Science
Languages : en
Pages : 272
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Book Description
Through the perspective of the ‘conformed body’, this groundbreaking book examines the role in art of everyday conformist practices in the People’s Republic of China, such as mass assemblies and bodily trainings and exercises, as well as their impact on people’s perceptions and collective memories. It identifies related artworks, reassesses artistic interpretations with critical reflections, and explores a key origin of artistic productions in post-Mao China. Featuring 200 colour illustrations, the book discusses works by more than 30 internationally acclaimed Chinese contemporary artists, including Ai Weiwei, Geng Jianyi, Song Dong, Xu Bing, Zhang Peili and Zhang Xiaogang.
Author: Jeanne Boden
Publisher: PUNCT
ISBN: 9464590327
Category : Art
Languages : en
Pages : 249
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Book Description
In the early 1990s artist Xu Bing stamped two pigs with respectively nonsensical Latin words and fake Chinese characters and allowed them to mate in an art gallery. The performance of ‘two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization’, engaging in the ‘most primal form of social intercourse’ confronted the public with the tension between nature and civilization. The work also addresses the tension between China and the West and therefore perfectly fits the core message of this book. Contemporary art in China takes place in a post-socialist (post-Mao) context, and at the same time a post-traditional one, searching for balance between aesthetic legacy and modernization. It also tries to find its position in the post-colonial globalized arena. This book explores the tension between individual artistic freedom and a dominant discourse of central Chinese government, between China’s cultural legacy and modernization, and between China and a global art world still dominated by a Western canon. As a case study it focuses on the artists who participated in the Venice Biennale in 1993, which was the first time contemporary art from mainland China was structurally invited to participate in a global art context. Jeanne Boden has a PhD in Oriental Languages and Cultures. Her research focuses on Eurocentrism, Sinocentrism and contemporary Chinese art. (jeanneboden.com) Cover picture: Xu Bing, A Case Study of Transference, 1993-94
Author: Jiang Jiehong
Publisher: Thames & Hudson
ISBN: 0500776288
Category : Art
Languages : en
Pages : 296
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Book Description
A redefinition of contemporary Chinese art from the last forty years in the context of unprecedented cultural, political, and urban transformation, written by an authority on the subject. Contemporary Chinese art is a subject of sustained and growing significance in present-day culture across the globe. This new volume in the World of Art series reframes Chinese art since the end of China’s Cultural Revolution more than four decades ago, placing it in the context of the nation’s unprecedented cultural, political, and urban transformation. Based on original research by writer, curator, and leading scholar in the field of contemporary Chinese art, Jiang Jiehong, this volume explores the area through firsthand materials and in-depth interviews with more than thirty artists. Providing the most up-to-date understanding of contemporary Chinese art, Jiang includes a variety of media, ranging from painting, printmaking, sculpture, and photography to installation, video, performance, and participatory art. Featuring over 150 color images of artworks by more than fifty internationally renowned Chinese artists, including Ai Weiwei and Zhang Peili, as well as emerging artists, such as Zhao Zhao, The Art of Contemporary China presents a wide variety of practices through curatorial discussions and images of original installation views and historical art events. What emerges are revelations on art, and new insights into contemporary China. Fulfilling a need for an accessible, affordable introduction to contemporary Chinese art, this volume offers a concise but far-reaching survey of the movement.
Author: Cheng Li
Publisher: Brookings Institution Press
ISBN: 0815739109
Category : Political Science
Languages : en
Pages : 488
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Book Description
The United States may be headed toward a disastrous conflict with China unless Washington updates its understanding of contemporary Chinese society After four decades of engagement, the United States and China now appear to be locked on a collision course that has already fomented a trade war, seems likely to produce a new cold war, and could even result in dangerous military conflict. The current deterioration of the bilateral relationship is the culmination of years of disputes, disillusionment, disappointment, and distrust between the two countries. Washington has legitimate concerns about Beijing's excessive domestic political control and aggressive foreign policy stances, just as Chinese leaders believe the United States still has futile designs on blocking their country's inevitable rise to great-power status. Cheng Li's Middle Class Shanghai argues that American policymakers must not lose sight of the expansive dynamism and diversity in present-day China. The caricature of the PRC as a monolithic Communist apparatus set on exporting its ideology and development model is simplistic and misguided. Drawing on empirical research in the realms of higher education, avant-garde art, architecture, and law, this unique study highlights the strong, constructive impact of bilateral exchanges. Combining eclectic human stories with striking new data analysis, this book addresses the possibility that the development of China's class structure and cosmopolitan culture—exemplified and led by Shanghai—could provide a force for reshaping U.S.-China engagement. Both countries should build upon the deep cultural and educational exchanges that have bound them together for decades. The author concludes that U.S. policymakers should neither underestimate the role and strength of the Chinese middle class, nor ostracize or alienate this force with policies that push it toward jingoistic nationalism to the detriment of both countries and the global community. With its unique focus, this book will enlighten policymakers, scholars, business leaders, and anyone interested in China and its increasingly fraught relations with the United States.
Author: 周铁海
Publisher:
ISBN:
Category : Painting, Modern
Languages : en
Pages : 100
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Book Description
Author: 杨冕
Publisher:
ISBN:
Category : Painting, Chinese
Languages : en
Pages : 72
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Book Description
Author: Lorenzo Sassoli de Bianchi
Publisher: Damiani Limited
ISBN:
Category : Art
Languages : en
Pages : 324
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Book Description
Edited by Lorenzo Sassoli de Bianchi. Essays by Lorenzo Sassoli de Bianchi and Shu Yang. Foreword by Francesca Jordon. Afterword Vittoria Coen.
Author: Xiaoping Lin
Publisher: University of Hawaii Press
ISBN: 0824833368
Category : Political Science
Languages : en
Pages : 330
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Book Description
Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. Xiaoping Lin provides illuminating close readings of a variety of visual texts and artistic practices, including installation, performance, painting, photography, video, and film. Throughout he sustains a theoretical discussion of representative artworks and films and succeeds in delineating a variegated postsocialist cultural landscape saturated by market forces, confused values, and lost faith. This refreshing approach is due to Lin’s ability to tackle both Chinese art and cinema rigorously within a shared discursive space. He, for example, aptly conceptualizes a central thematic concern in both genres as "postsocialist trauma" aggravated by capitalist globalization. By thus focusing exclusively on the two parallel and often intersecting movements or phenomena in the visual arts, his work brings about a fruitful dialogue between the narrow field of traditional art history and visual studies more generally. Children of Marx and Coca-Cola will be a major contribution to China studies, art history, film studies, and cultural studies. Multiple audiences—specialists, teachers, and students in these disciplines, as well as general readers with an interest in contemporary Chinese society and culture—will find that this work fulfills an urgent need for sophisticated analysis of China’s cultural production as it assumes a key role in capitalist globalization.
