Author: G. Wilson Knight
Publisher: Routledge
ISBN: 1317833783
Category : Literary Collections
Languages : en
Pages : 361
Book Description
First published in 2002. This is Volume II of the collected works of G.Wilson Knight and this revised looks at the Shakespearian Tempest and includes a Chart of Shakespeare’s Dramatic Universe.
Shakespearian Tempest - V 2
Author: G. Wilson Knight
Publisher: Routledge
ISBN: 1317833783
Category : Literary Collections
Languages : en
Pages : 361
Book Description
First published in 2002. This is Volume II of the collected works of G.Wilson Knight and this revised looks at the Shakespearian Tempest and includes a Chart of Shakespeare’s Dramatic Universe.
Publisher: Routledge
ISBN: 1317833783
Category : Literary Collections
Languages : en
Pages : 361
Book Description
First published in 2002. This is Volume II of the collected works of G.Wilson Knight and this revised looks at the Shakespearian Tempest and includes a Chart of Shakespeare’s Dramatic Universe.
The Tempest
Author: William Shakespeare
Publisher: Paw Prints
ISBN: 9781442042247
Category :
Languages : en
Pages : 0
Book Description
Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.
Publisher: Paw Prints
ISBN: 9781442042247
Category :
Languages : en
Pages : 0
Book Description
Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.
Shakespeare's Tempest and Capitalism
Author: Helen Scott
Publisher: Routledge
ISBN: 1317055950
Category : Drama
Languages : en
Pages : 293
Book Description
In this forceful study, Helen C. Scott situates The Tempest within Marxist analyses of the ‘primitive accumulation’ of capital, which she suggests help explain the play’s continued and particular resonance. The ‘storm’ of the title refers both to Shakespeare’s Tempest hurtling through time, and to Walter Benjamin’s concept of history as a succession of violent catastrophes. Scott begins with an account of the global processes of dispossession—of the peasantry and indigenous populations—accompanying the emergence of capitalism, which generated new class relationships, new understandings of human subjectivity, and new forms of oppression around race, gender, and disability. Developing a detailed reading of the play at its moment of production in the business of theatre in 1611, Scott then moves gracefully through the global reception history, showing how its central thematic concerns and figurative patterns bespeak the upheavals and dispossessions of successive stages of capitalist development. Paying particular attention to moments of social crisis, and unearthing a radical political tradition, Scott follows the play from its hostile takeover in the Restoration, through its revival by the Romantics, and consolidation and contestation in the nineteenth century. In the twentieth century transatlantic modernism generated an acutely dystopic Tempest, then during the global transformations of the 1960s postcolonial writers permanently associated it with decolonization. At century’s end the play became a vehicle for exploring intersectional oppression, and the remarkable ‘Sycorax school’ featured iconoclastic readings by writers such as Abena Busia, May Joseph, and Sylvia Wynter. Turning to both popular culture and high-profile stage productions in the twenty-first century, Scott explores the ramifications and figurative potential of Shakespeare's Tempest for global social and ecological crises today. Sensitive to the play’s original concerns and informed by recent scholarship on performance and reception history as well as disability studies, Scott’s moving analysis impels readers towards a fresh understanding of sea-change and metamorphosis as potent symbols for the literal and figurative tempests of capitalism’s old age now threatening ‘the great globe itself.’
Publisher: Routledge
ISBN: 1317055950
Category : Drama
Languages : en
Pages : 293
Book Description
In this forceful study, Helen C. Scott situates The Tempest within Marxist analyses of the ‘primitive accumulation’ of capital, which she suggests help explain the play’s continued and particular resonance. The ‘storm’ of the title refers both to Shakespeare’s Tempest hurtling through time, and to Walter Benjamin’s concept of history as a succession of violent catastrophes. Scott begins with an account of the global processes of dispossession—of the peasantry and indigenous populations—accompanying the emergence of capitalism, which generated new class relationships, new understandings of human subjectivity, and new forms of oppression around race, gender, and disability. Developing a detailed reading of the play at its moment of production in the business of theatre in 1611, Scott then moves gracefully through the global reception history, showing how its central thematic concerns and figurative patterns bespeak the upheavals and dispossessions of successive stages of capitalist development. Paying particular attention to moments of social crisis, and unearthing a radical political tradition, Scott follows the play from its hostile takeover in the Restoration, through its revival by the Romantics, and consolidation and contestation in the nineteenth century. In the twentieth century transatlantic modernism generated an acutely dystopic Tempest, then during the global transformations of the 1960s postcolonial writers permanently associated it with decolonization. At century’s end the play became a vehicle for exploring intersectional oppression, and the remarkable ‘Sycorax school’ featured iconoclastic readings by writers such as Abena Busia, May Joseph, and Sylvia Wynter. Turning to both popular culture and high-profile stage productions in the twenty-first century, Scott explores the ramifications and figurative potential of Shakespeare's Tempest for global social and ecological crises today. Sensitive to the play’s original concerns and informed by recent scholarship on performance and reception history as well as disability studies, Scott’s moving analysis impels readers towards a fresh understanding of sea-change and metamorphosis as potent symbols for the literal and figurative tempests of capitalism’s old age now threatening ‘the great globe itself.’
The Shakespearian Tempest
Author: G. Wilsin Knight
Publisher: Taylor & Francis
ISBN: 9780415290715
Category : Drama
Languages : en
Pages : 368
Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Taylor & Francis
ISBN: 9780415290715
Category : Drama
Languages : en
Pages : 368
Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Tempest
Author: William Shakespeare
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 0
Book Description
Shakespeare's Allusions to Nature, on Land and Sea
Author: William Shakespeare
Publisher:
ISBN:
Category : Nature in literature
Languages : en
Pages : 142
Book Description
Publisher:
ISBN:
Category : Nature in literature
Languages : en
Pages : 142
Book Description
Hag-Seed
Author: Margaret Atwood
Publisher: Hogarth
ISBN: 0804141304
Category : Fiction
Languages : en
Pages : 286
Book Description
NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle
Publisher: Hogarth
ISBN: 0804141304
Category : Fiction
Languages : en
Pages : 286
Book Description
NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle
The Complete Concordance to Shakespeare
Author: Mary Cowden Clarke
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 880
Book Description
The Complete Concordance to Shakespeare: Being a Verbal Index to All the Passages in the Dramatic Works of the Poet
Author: Mary Cowden- Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 878
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 878
Book Description
Index to the Works of Shakespeare Giving Topics of Notable Passages and Significant Expressions
Author: Evangeline Maria O'Connor
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description