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Author: C. J. Sisson
Publisher: Routledge
ISBN: 1315306379
Category : Drama
Languages : en
Pages : 107
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Book Description
The problem of justice seems to have haunted Shakespeare as it haunted Renaissance Christendom. In this book, first published in 1963, four aspects of the problems of justice in action in Shakespeare’s great tragedies are explored. This study is based on the lifetime’s research of Elizabethan habits of mind by one of the most distinguished Shakespearean scholars, and will be of interest to students of English Literature, Drama and Performance.
Author: C. J. Sisson
Publisher: Routledge
ISBN: 1315306379
Category : Drama
Languages : en
Pages : 107
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Book Description
The problem of justice seems to have haunted Shakespeare as it haunted Renaissance Christendom. In this book, first published in 1963, four aspects of the problems of justice in action in Shakespeare’s great tragedies are explored. This study is based on the lifetime’s research of Elizabethan habits of mind by one of the most distinguished Shakespearean scholars, and will be of interest to students of English Literature, Drama and Performance.
Author: Derek Dunne
Publisher: Springer
ISBN: 1137572876
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
This book, the first to trace revenge tragedy's evolving dialogue with early modern law, draws on changing laws of evidence, food riots, piracy, and debates over royal prerogative. By taking the genre's legal potential seriously, it opens up the radical critique embedded in the revenge tragedies of Kyd, Shakespeare, Marston, Chettle and Middleton.
Author: Hillary Caroline Eklund
Publisher:
ISBN: 9781474477130
Category : English literature
Languages : en
Pages : 271
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Book Description
Provides diverse perspectives on Shakespeare and early modern literature that engage innovation, collaboration, and forward-looking practices.
Author: Regina Mara Schwartz
Publisher: Oxford University Press
ISBN: 0192514601
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
In thinking about Justice, we ignore Love to our peril. Loving Justice, Living Shakespeare asks why love is considered a 'soft' subject, fit for the arts and religion perhaps, but unfit for boardrooms, parliamentary and congressional debates, law schools and courtrooms, all of whom are engaged in the 'serious' discourse of justice, including questions of distribution, questions of contract, and questions of retribution. Love is separate, out of order in the decidedly rational public sphere of justice. But for all of this separation of love and justice, it turns out that in the biblical tradition, no such distinction is even imaginable. The biblical law is summed up as loving the neighbour—this is further elaborated as loving the stranger, loving the widow, the orphan, and the poor—those who lack a protecting community. Analysis of these foundational 'love commands' shows that in them, love means care, that is, apprehending and responding to the needs of others. This is both love and justice. Prevailing political concepts of justice are incomplete for they are premised on a belief in scarcity: limited supply (of goods, opportunities, even forgiveness) suggests they must be meted out in fair measure. To the contrary, with love, the good sought is not in scarce supply. Its distribution is not a problem for the more of it you give, the more it is replenished. So with love, the emphasis is not on how to apportion fairly—how much love do I give each of my children!—but how to understand and respond to need. This understanding of justice as including mutual care has a rich history in religious thought as constituting social glue. The revival of the Bible during the Reformation and the ubiquitous allusions to neighbor love in the Book of Common Prayer made it ever-present in Renaissance discourse, and Shakespeare brought this ethos to audiences in many of his plays. Part of the reason Shakespeare endures is that this ethic resonates for audiences today: we abhor the evil of Iago, the greed of Macbeth, the narcissism of Lear, and to even begin to understand how the sacrifices of Romeo and Juliet could heal ancient social conflict, we must assent to the power of love to create justice.
Author: Lily Bess Campbell
Publisher: CUP Archive
ISBN:
Category : Emotions
Languages : en
Pages : 296
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Book Description
Author: A. C. Bradley
Publisher: Prabhat Prakashan
ISBN:
Category : Literary Criticism
Languages : en
Pages : 639
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Book Description
Book 1: Delve into the profound analysis of Shakespearean tragedy with “Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth by A. C. Bradley.” A. C. Bradley offers insightful lectures that explore the depths of some of Shakespeare's greatest tragedies. Through detailed examinations of "Hamlet," "Othello," "King Lear," and "Macbeth," Bradley provides readers with a deeper understanding of the tragic elements and psychological complexities within these timeless plays. Book 2: Witness the unraveling of a powerful kingdom in “The Tragedy of King Lear by William Shakespeare.” Shakespeare's play follows the tragic story of King Lear as he descends into madness, exploring themes of family, betrayal, and the consequences of unchecked power. This enduring tragedy continues to captivate audiences with its poignant depiction of human frailty. Book 3: Experience a blend of humor and satire with “A Connecticut Yankee in King Arthur's Court by Mark Twain.” Mark Twain's novel follows the adventures of Hank Morgan, a man from Connecticut who inexplicably finds himself in King Arthur's legendary court. Through humor and social commentary, Twain explores the clash of cultures and the absurdities of anachronism in this imaginative and thought-provoking tale.
Author: Charles Jasper Sisson
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
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Book Description
Author: Victor Kiernan
Publisher: Zed Books Ltd.
ISBN: 1783606908
Category : Literary Criticism
Languages : en
Pages : 438
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Book Description
'This book rests on a lifetime’s thinking about history. It helps us see Shakespeare in “a more realistic light”.’ Times Literary Supplement The seventeenth century saw the brief flowering of tragic drama across Western Europe. And in the plays of William Shakespeare, this form of drama found its greatest exponent. These Tragedies, Kiernan argues, represented the artistic expression of a new social and political consciousness which permeated every aspect of life in this period. In this book, Kiernan sets out to rescue the Tragedies from the reductionist interpretations of mainstream literary criticism, by uncovering the wider historical context which shaped Shakespeare's writings. Opening with an overview of contemporary England, the development of the theatre, and a portrait of Shakespeare as a writer, Kiernan goes on to provide an in-depth analysis of eight of his Tragedies – from Julius Caesar to Coriolanus – drawing out their contrasts and recurring themes, and exploring their attitudes to monarchy, war, religion, philosophy, and changing relations between men and women. Featuring a new introduction by Terry Eagleton, this is an invaluable resource for those looking for a new perspective on Shakespeare's writings.
Author: R. S. White
Publisher: Humanities Press International
ISBN:
Category : Poetic justice
Languages : en
Pages : 130
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Book Description
Author: Maria L. Howell
Publisher: University Press of America
ISBN: 0761840745
Category : Drama
Languages : en
Pages : 57
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Book Description
"Maria Howell's Manhood and Masculine Identity in William Shakespeare's "The Tragedy of Macbeth" is an important and compelling scholarly work which seeks to examine the sixteenth century's greatest concern, echoed by Hamlet himself, "What is a man?" In an attempt to analyze the concept of manhood in Macbeth, Howell explores the contradictions and ambiguities that underlie heroic notions of masculinity dramatized throughout the play. From Lady Macbeth's capacity to control and destroy Macbeth's masculine identity, to Macbeth himself, who corrupts his military prowess to become a ruthless and murderous tyrant, Howell demonstrates that heroic notions of masculinity not only reinforce masculine power and authority, paradoxically, these ideals are also the source of man's disempowerment and destruction. Howell argues that in an attempt to attain a higher principle, the means (violence and destruction) and the ends (justice and peace) become fused and indistinguishable, so that those values that inform man's actions for good no longer provide moral clarity. Howell's poignant and timely analysis of manhood and masculine identity in Shakespeare's Macbeth will no doubt resonate with readers today."--BOOK JACKET.
