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Author: Lorna Flint
Publisher: University of Delaware Press
ISBN: 9780874136920
Category : Drama
Languages : en
Pages : 222
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Book Description
"This book springs from an unaccountable gap among the rows of "Shakespeare Studies" on bookshop and library shelves. Playgoers and readers with insatiable appetites for every kind of commentary on Shakespeare's work who discover some volumes devoted to his style may find a musical metaphor illuminating: that Shakespeare had three keyboards at his disposal. The first, blank verse, and the second, prose, have attracted some critical attention; but the third, his rime (as his contemporary printers spelled it), has been neglected. This study aims to fill that gap."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Lorna Flint
Publisher: University of Delaware Press
ISBN: 9780874136920
Category : Drama
Languages : en
Pages : 222
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Book Description
"This book springs from an unaccountable gap among the rows of "Shakespeare Studies" on bookshop and library shelves. Playgoers and readers with insatiable appetites for every kind of commentary on Shakespeare's work who discover some volumes devoted to his style may find a musical metaphor illuminating: that Shakespeare had three keyboards at his disposal. The first, blank verse, and the second, prose, have attracted some critical attention; but the third, his rime (as his contemporary printers spelled it), has been neglected. This study aims to fill that gap."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Lynne Magnusson
Publisher: Cambridge University Press
ISBN: 1107131936
Category : Drama
Languages : en
Pages : 313
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Book Description
Illuminates the pleasures and challenges of Shakespeare's complex language for today's students, teachers, actors and theatre-goers.
Author: Matteo A. Pangallo
Publisher: University of Pennsylvania Press
ISBN: 0812294254
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience. Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare's Theater shows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period's concepts of, and attitudes toward, playgoers' participation in the activity of playmaking. Plays by playgoers such as the rogue East India Company clerk Walter Mountfort or the highwayman John Clavell invite us into the creative imaginations of spectators, revealing what certain audience members wanted to see and how they thought actors might stage it. By reading Shakespeare's theater through these playgoers' works, Matteo Pangallo contributes a new category of evidence to our understanding of the relationships between the early modern stage, its plays, and its audiences. More broadly, he shows how the rise of England's first commercialized culture industry also gave rise to the first generation of participatory consumers and their attempts to engage with mainstream culture by writing early modern "fan fiction."
Author: Jonathan Post
Publisher: OUP Oxford
ISBN: 0191665053
Category : Literary Criticism
Languages : en
Pages : 775
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Book Description
The Oxford Handbook of Shakespeare's Poetry contains thirty-eight original essays written by leading Shakespeareans around the world. Collectively, these essays seek to return readers to a revivified understanding of Shakespeare's verbal artistry in both the poems and the drama. The volume understands poetry to be not just a formal category designating a particular literary genre but to be inclusive of the dramatic verse as well, and of Shakespeare's influence as a poet on later generations of writers in English and beyond. Focusing on a broad set of interpretive concerns, the volume tackles general matters of Shakespeare's style, earlier and later; questions of influence from classical, continental, and native sources; the importance of words, line, and rhyme to meaning; the significance of songs and ballads in the drama; the place of gender in the verse, including the relationship of Shakespeare's poetry to the visual arts; the different values attached to speaking 'Shakespeare' in the theatre; and the adaptation of Shakespearean verse (as distinct from performance) into other periods and languages. The largest section, with ten essays, is devoted to the poems themselves: the Sonnets, plus 'A Lover's Complaint', the narrative poems, Venus and Adonis and The Rape of Lucrece, and 'The Phoenix and the Turtle'. If the volume as a whole urges a renewed involvement in the complex matter of Shakespeare's poetry, it does so, as the individual essays testify, by way of responding to critical trends and discoveries made during the last three decades.
Author: Robert Stagg
Publisher: Oxford University Press
ISBN: 0192863274
Category : Blank verse, English
Languages : en
Pages : 241
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Book Description
Shakespeare's Blank Verse: An Alternative History is a study both of Shakespeare's versification and of its place in the history of early modern blank verse (unrhymed iambic pentameter). It ranges from the continental precursors of English blank verse in the early sixteenth century through thedrama and poetry of Shakespeare's contemporaries to the editing of blank verse in the eighteenth century and beyond.Alternative in its argumentation as well as its arguments, Shakespeare's Blank Verse tries out fresh ways of thinking about meter--by shunning doctrinaire methods of apprehending a writer's versification, and by reconnecting meter to the fundamental literary, dramatic, historical, and socialquestions that animate Shakespeare's drama.
Author: George T. Wright
Publisher: Univ of California Press
ISBN: 0520076427
Category : Drama
Languages : en
Pages : 367
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Book Description
This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language.
Author: Andrew Gurr
Publisher: Cambridge University Press
ISBN: 9780521807302
Category : Drama
Languages : en
Pages : 362
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Book Description
This is the first complete history of the theater company in which Shakespeare acted and which staged all his plays. Created in 1594, the company became the King's Men in 1603 and ran for forty-eight years up to the closure of 1642. Andrew Gurr provides a study of the company's activities, explores its social role in its time and examines its repertoire of plays. This comprehensive illustrated history will be an indispensable guide for anyone who wants to know more about the conditions under which Shakespeare and his successors worked.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
Author: Ross W. Duffin
Publisher: W. W. Norton & Company
ISBN: 9780393058895
Category : Art
Languages : en
Pages : 536
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Book Description
Eight years in the making, "Shakespeare's Songbook" is a meticulously researched collection of 160 songs--ballads and narratives, drinking songs, love songs, and rounds--that appear in, are quoted in, or alluded to in Shakespeare's plays.
Author: Jack Lynch
Publisher: Oxford University Press
ISBN: 0191019682
Category : Poetry
Languages : en
Pages : 817
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Book Description
In the most comprehensive and up-to-date overview of the poetry published in Britain between the Restoration and the end of the eighteenth century, forty-four authorities from six countries survey the poetry of the age in all its richness and diversity—serious and satirical, public and private, by men and women, nobles and peasants, whether published in deluxe editions or sung on the streets. The contributors discuss poems in social contexts, poetic identities, poetic subjects, poetic form, poetic genres, poetic devices, and criticism. Even experts in eighteenth-century poetry will see familiar poems from new angles, and all readers will encounter poems they've never read before. The book is not a chronologically organized literary history, nor an encyclopaedia, nor a collection of thematically related essays; rather it is an attempt to provide a systematic overview of these poetic works, and to restore it to a position of centrality in modern criticism.
