Shakespeare's Representation of Weather, Climate and Environment PDF Download
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Author: Sophie Chiari
Publisher: Edinburgh University Press
ISBN: 1474442552
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
The first comprehensive history of Byzantine warfare in the tenth century
Author: Sophie Chiari
Publisher: Edinburgh University Press
ISBN: 1474442552
Category : Literary Criticism
Languages : en
Pages : 364
Get Book Here
Book Description
The first comprehensive history of Byzantine warfare in the tenth century
Author: Sophie Chiari
Publisher: Edinburgh University Press
ISBN: 1474442544
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
The first comprehensive history of Byzantine warfare in the tenth century.
Author: Simon C. Estok
Publisher: Springer
ISBN: 0230118747
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This book offers the term 'ecophobia' as a way of understanding and organizing representations of contempt for the natural world. Estok argues that this vocabulary is both necessary to the developing area of ecocritical studies and for our understandings of the representations of 'Nature' in Shakespeare.
Author: Liz Oakley-Brown
Publisher: Taylor & Francis
ISBN: 1003828930
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Shakespeare on the Ecological Surface uses the concept of the ‘surface’ to examine the relationship between contemporary performance and ecocriticism. Each section looks, in turn, at the 'surfaces' of slick, smoke, sky, steam, soil, slime, snail, silk, skin and stage to build connections between ecocriticism, activism, critical theory, Shakespeare and performance. While the word ‘surface’ was never used in Shakespeare’s works, Liz Oakley-Brown shows how thinking about Shakespearean surfaces helps readers explore the politics of Elizabethan and Jacobean culture. She also draws surprising parallels with our current political and ecological concerns. The book explores how Shakespeare uses ecological surfaces to help understand other types of surfaces in his plays and poems: characters’ public-facing selves; contact zones between characters and the natural world; surfaces upon which words are written; and physical surfaces upon which plays are staged. This book will be an illuminating read for anyone studying Shakespeare, early modern culture, ecocriticism, performance and activism.
Author: Intergovernmental Panel on Climate Change. Working Group II.
Publisher: Cambridge University Press
ISBN: 9780521634557
Category : Science
Languages : en
Pages : 532
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Book Description
Cambridge, UK : Cambridge University Press, 1998.
Author: Paula Marantz Cohen
Publisher: Yale University Press
ISBN: 0300258321
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
An award-winning scholar and teacher explores how Shakespeare's greatest characters were built on a learned sense of empathy While exploring Shakespeare's plays with her students, Paula Marantz Cohen discovered that teaching and discussing his plays unlocked a surprising sense of compassion in the classroom. In this short and illuminating book, she shows how Shakespeare's genius lay with his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways. Cohen takes her readers through a selection of Shakespeare's most famous plays, including Hamlet, Othello, King Lear, and The Merchant of Venice, to demonstrate the ways in which Shakespeare thought deeply and clearly about how we treat "the other." Cohen argues that only through close reading of Shakespeare can we fully appreciate his empathetic response to race, class, gender, and age. Wise, eloquent, and thoughtful, this book is a forceful argument for literature's power to champion what is best in us.
Author: Gwilym Jones
Publisher: Manchester University Press
ISBN: 1526111845
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
Whether the apocalyptic storm of King Lear or the fleeting thunder imagery of Hamlet, the shipwrecks of the comedies or the thunderbolt of Pericles, there is an instance of storm in every one of Shakespeare’s plays. This is the first comprehensive study of Shakespeare’s storms. With chapters on Julius Caesar, King Lear, Macbeth, Pericles and The Tempest, the book traces the development of the storm over the second half of the playwright’s career, when Shakespeare took the storm to new extremes. It explains the storm effects used in early modern playhouses, and how they filter into Shakespeare’s dramatic language. Interspersed are chapters on thunder, lightning, wind and rain, in which the author reveals Shakespeare’s meteorological understanding and offers nuanced readings of his imagery. Throughout, Shakespeare’s storms brings theatre history to bear on modern theories of literature and the environment. It is essential reading for anyone interested in early modern drama.
Author: Evelyn O'Malley
Publisher: Bloomsbury Publishing
ISBN: 1350078077
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
From The Pastoral Players' 1884 performance of As You Like It to contemporary site-specific productions activist interventions, there is a rich history of open air performances of Shakespeare's plays beyond their early modern origins. Weathering Shakespeare reveals how new insights from the environmental humanities can transform our understanding of this popular performance practice. Drawing on audience accounts of outdoor productions of those plays most commonly chosen for open air performance – including A Midsummer Night's Dream and The Tempest – the book examines how performers and audiences alike have reacted to unpredictable natural environments.
Author: Evelyn Gajowski
Publisher: Bloomsbury Publishing
ISBN: 1350093238
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
The Arden Research Handbook of Contemporary Shakespeare Criticism is a wide-ranging, authoritative guide to research on critical approaches to Shakespeare by an international team of leading scholars. It contains chapters on 20 specific critical practices, each grounded in analysis of a Shakespeare play. These practices range from foundational approaches including character studies, close reading and genre studies, through those that emerged in the 1970s and 1980s that challenged the preconceptions on which traditional liberal humanism is based, including feminism, cultural materialism and new historicism. Perspectives drawn from postcolonial, queer studies and critical race studies, besides more recent critical practices including presentism, ecofeminism and cognitive ethology all receive detailed treatment. In addition to its coverage of distinct critical approaches, the handbook contains various sections that provide non-specialists with practical help: an A–Z glossary of key terms and concepts, a chronology of major publications and events, an introduction to resources for study of the field and a substantial annotated bibliography.
Author: CHLOE KATHLEEN. PREEDY
Publisher: Oxford University Press
ISBN: 019284332X
Category :
Languages : en
Pages : 353
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Book Description
During the early days of the professional English theatre, dramatists including Dekker, Greene, Heywood, Jonson, Marlowe, Middleton, and Shakespeare wrote for playhouses that, though enclosed by surrounding walls, remained open to the ambient air and the sky above. The drama written for performance at these open-air venues drew attention to and reflected on its own relationship to the space of the air. At a time when theories of the imagination emphasized dramatic performance's reliance upon and implication in the air from and through which its staged fictions were presented and received, plays written for performance at open-air venues frequently draw attention to the nature and significance of that elemental relationship. Aerial Environments on the Early Modern Stage considers the various ways in which the air is brought into presence within early modern drama, analyzing more than a hundred works that were performed at the London open-air playhouses between 1576 and 1609, with reference to theatrical atmospheres and aerial encounters. It explores how various theatrical effects and staging strategies foregrounded early modern drama's relationship to, and impact on, the actual playhouse air. In considering open-air drama's pervasive and ongoing attention to aerial imagery, actions, and representational strategies, the book suggest that playwrights and their companies developed a dramaturgical awareness that extended from the earth to encompass and make explicit the space of air.
