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Author: William Kerrigan
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
After a discussion of promises in philosophy, law, psychology, politics, language, and ordinary life, the author presents detailed studies of Richard III, The Merchant of Venice, and Othello, and concludes with a brief visit to the swearing scene in Hamlet."--BOOK JACKET.
Author: William Kerrigan
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
After a discussion of promises in philosophy, law, psychology, politics, language, and ordinary life, the author presents detailed studies of Richard III, The Merchant of Venice, and Othello, and concludes with a brief visit to the swearing scene in Hamlet."--BOOK JACKET.
Author: Yael Ziegler
Publisher: BRILL
ISBN: 9004168435
Category : Religion
Languages : en
Pages : 325
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Book Description
While many studies explore the literary role of the oath in general literature, none have contended with the role of the oath in the biblical narratives. This study seeks to fill that vacuum. This study demonstrates that by perceiving the oath as a literary device for plot and character development, additional or more precise meanings may be revealed in the biblical stories.
Author: John Kerrigan
Publisher: Oxford University Press
ISBN: 0198757581
Category : Drama
Languages : en
Pages : 635
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Book Description
Shakespeare's Binding Language is an innovative, substantial but highly readable study exploring the significance in Shakespeare's plays of oaths, vows, contracts, pledges and the other verbal and performative acts by which characters commit themselves to the truth of things past, present, and to come.
Author: Herbert J. Schlesinger
Publisher: Routledge
ISBN: 1135469504
Category : Psychology
Languages : en
Pages : 216
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Book Description
Considering that getting along in civil society is based on the expectation that (most) people will do what they say they will do, i.e., essentially live up to their explicit or implicit promises, it is amazing that so little scientific attention has been given to the act of promising. A great deal of research has been done on the moral development of children, for example, but not on the child’s ability to make and keep a promise, one of the highest moral achievements. What makes it possible developmentally, cognitively, and emotionally to make a promise in the first place? And on the other hand, what compels one to keep a promise (or vow or threat) when there seems to be no personal advantage in doing so, and even when harm can be predicted? How do we know when a promise is offered seriously to be taken at face value, and how do we understand that another is only a polite gesture, not to be taken seriously? In Promises, Oaths, and Vows: On the Psychology of Promising, Herbert Schlesinger addresses these questions, drawing on the literature of moral development in children; the psychotherapy of a patient who regularly broke promises that were unnecessary in the first place; those who were regarded as "promising youngsters" who did not fulfill their "promise"; and those who feared making a promise, a commitment, or a threat out of fear that, once made, the utterance would take on a life of its own and could never be taken back. Furthermore, he illustrates his conclusions by examining the widespread use of promising in classical literature, such as Greek drama and the plays of Shakespeare, as well as the motivating and reifying power of the promise in Western religious traditions. With a style honed over the penning of two previous books, Schlesinger once again produces a work grounded in a firm analytic sensibility, but which also retains the wit and candor of the seasoned analyst. His seminal investigation of this all but neglected topic in the clinical literature is as timely as it is scholarly, and – with the title firmly in mind – Promises, Oaths, and Vows is assured to be a worthy addition to any clinician’s library and a provoking investigation into Nietzsche’s notion of man as "the animal who makes promises."
Author: John F. Forbis
Publisher:
ISBN:
Category : Sonnets, English
Languages : en
Pages : 364
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Book Description
Author: Richard Wilson
Publisher: Manchester University Press
ISBN: 152618415X
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived. Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist. This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies.
Author: John H. Cameron
Publisher: Taylor & Francis
ISBN: 1003809022
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
This book argues that Shakespeare's first tetralogy is informed by the Italian ‘politic histories’ of the early modern period, those works of history, inspired by the Roman historian Tacitus, that sought to explore the machinations of power politics in governance and in the shaping of historical events; that a close reading of these Italian ‘politic histories’ will greatly aid our understanding of the ‘politic’ qualities dramatized in Shakespeare’s early English History plays; that the writings of Niccolò Machiavelli in particular will likewise aid to such understanding; that these ‘politic histories’ were available (in a variety of forms) to many English early modern writers, Shakespeare included, and are thus helpful as grounds for political and strategic analogy and for informing our reading of Shakespeare's politic histories. While a reading of the Italian ‘politic’ historians can aid in our understanding of Shakespeare’s achievement, we should regard the English History plays as ‘politic histories’ in their own right, i.e. as dramatized versions of precisely the same kinds of ‘politic’ historical writing, with its emphasis on ragion di Stato or raison d’état. This emphasis on what the Elizabethans called ‘stratagems’ suggests new ways to read the plays and to interpret the motivation and action of its characters, ways that challenge some of our more established reading of the plays’ ‘Machiavellian’ characters (particularly Richard III) and suggest far greater strategic acumen on the part of previously overlooked characters (particularly Buckingham and Stanley), providing new ways to read the Shakespeare's politic histories and to better appreciate their Italian connection.
Author: Lisa Freinkel
Publisher: Columbia University Press
ISBN: 9780231504867
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
The most influential treatments of Shakespeare's Sonnets have ignored the impact of theology on his poetics, examining instead the poet's "secular" emphasis on psychology and subjectivity. Reading Shakespeare's Will offers the first systematic account of the theology behind the poetry. Investigating the poetic stakes of Christianity's efforts to assimilate Jewish scripture, the book reads Shakespeare through the history of Christian allegory. To "read Shakespeare's will," Freinkel argues, is to read his bequest to and from a literary history saturated by religious doctrine. Freinkel thus challenges the common equation of subjectivity with secularity, and defines Shakespeare's poetic voice in theological rather than psychoanalytic terms. Tracing from Augustine to Luther the religious legacy that informs Shakespeare's work, Freinkel suggests that we cannot properly understand his poetry without recognizing it as a response to Luther's Reformation. Delving into the valences and repercussions of this response, Reading Shakespeare's Will charts the notion of a "theology of figure" that helped to shape the themes, tropes, and formal structures of Renaissance literature and thought.
Author: Ron Rosenbaum
Publisher: Random House
ISBN: 0307807924
Category : Biography & Autobiography
Languages : en
Pages : 626
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Book Description
“[Ron Rosenbaum] is one of the most original journalists and writers of our time.” –David Remnick In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.
Author: Susan Zimmermann
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640753
Category : Drama
Languages : en
Pages : 338
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Book Description
'Shakespeare Studies' is an international volume containing essays & studies by critics & cultural historians from both hemispheres. Volume 33 continues the series in which specialists in theatrical traditions in the time of Shakespeare discuss the state of scholarly study in their areas.
