Author: Stephen T. Sohmer
Publisher: Manchester University Press
ISBN: 9780719055669
Category : Drama
Languages : en
Pages : 308
Book Description
Through considerable detective work, this work sets out to show that Julius Caeser was the first play performed at the new Globe Theatre on 12 June 1599. Drawing on many areas of expertise, which are rarely allied in Shakespeare scholarship to such an extent, including biblical, liturgical, social and theatrical history, the author sheds new light not only on Julius Caeser but on a variety of accepted beliefs. These include: why Hamlet was not crowned king when his father died; why Brutus would not swear to murder Caeser; why the Elizabethan authorities retained the Julian calender; and why the orthodox dates of the first composition of both Twelfth Night and Hamlet can be called into question.
Shakespeare's Mystery Play
Author: Stephen T. Sohmer
Publisher: Manchester University Press
ISBN: 9780719055669
Category : Drama
Languages : en
Pages : 308
Book Description
Through considerable detective work, this work sets out to show that Julius Caeser was the first play performed at the new Globe Theatre on 12 June 1599. Drawing on many areas of expertise, which are rarely allied in Shakespeare scholarship to such an extent, including biblical, liturgical, social and theatrical history, the author sheds new light not only on Julius Caeser but on a variety of accepted beliefs. These include: why Hamlet was not crowned king when his father died; why Brutus would not swear to murder Caeser; why the Elizabethan authorities retained the Julian calender; and why the orthodox dates of the first composition of both Twelfth Night and Hamlet can be called into question.
Publisher: Manchester University Press
ISBN: 9780719055669
Category : Drama
Languages : en
Pages : 308
Book Description
Through considerable detective work, this work sets out to show that Julius Caeser was the first play performed at the new Globe Theatre on 12 June 1599. Drawing on many areas of expertise, which are rarely allied in Shakespeare scholarship to such an extent, including biblical, liturgical, social and theatrical history, the author sheds new light not only on Julius Caeser but on a variety of accepted beliefs. These include: why Hamlet was not crowned king when his father died; why Brutus would not swear to murder Caeser; why the Elizabethan authorities retained the Julian calender; and why the orthodox dates of the first composition of both Twelfth Night and Hamlet can be called into question.
Shakespeare's Medieval Craft
Author: Kurt A. Schreyer
Publisher: Cornell University Press
ISBN: 080145509X
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
In Shakespeare's Medieval Craft, Kurt A. Schreyer explores the relationship between Shakespeare’s plays and a tradition of late medieval English biblical drama known as mystery plays. Scholars of English theater have long debated Shakespeare’s connection to the mystery play tradition, but Schreyer provides new perspective on the subject by focusing on the Chester Banns, a sixteenth-century proclamation announcing the annual performance of that city’s cycle of mystery plays. Through close study of the Banns, Schreyer demonstrates the central importance of medieval stage objects—as vital and direct agents and not merely as precursors—to the Shakespearean stage.As Schreyer shows, the Chester Banns serve as a paradigm for how Shakespeare’s theater might have reflected on and incorporated the mystery play tradition, yet distinguished itself from it. For instance, he demonstrates that certain material features of Shakespeare’s stage—including the ass’s head of A Midsummer Night’s Dream, the theatrical space of Purgatory in Hamlet, and the knocking at the gate in the Porter scene of Macbeth—were in fact remnants of the earlier mysteries transformed to meet the exigencies of the commercial London playhouses. Schreyer argues that the ongoing agency of supposedly superseded theatrical objects and practices reveal how the mystery plays shaped dramatic production long after their demise. At the same time, these medieval traditions help to reposition Shakespeare as more than a writer of plays; he was a play-wright, a dramatic artisan who forged new theatrical works by fitting poetry to the material remnants of an older dramatic tradition.
Publisher: Cornell University Press
ISBN: 080145509X
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
In Shakespeare's Medieval Craft, Kurt A. Schreyer explores the relationship between Shakespeare’s plays and a tradition of late medieval English biblical drama known as mystery plays. Scholars of English theater have long debated Shakespeare’s connection to the mystery play tradition, but Schreyer provides new perspective on the subject by focusing on the Chester Banns, a sixteenth-century proclamation announcing the annual performance of that city’s cycle of mystery plays. Through close study of the Banns, Schreyer demonstrates the central importance of medieval stage objects—as vital and direct agents and not merely as precursors—to the Shakespearean stage.As Schreyer shows, the Chester Banns serve as a paradigm for how Shakespeare’s theater might have reflected on and incorporated the mystery play tradition, yet distinguished itself from it. For instance, he demonstrates that certain material features of Shakespeare’s stage—including the ass’s head of A Midsummer Night’s Dream, the theatrical space of Purgatory in Hamlet, and the knocking at the gate in the Porter scene of Macbeth—were in fact remnants of the earlier mysteries transformed to meet the exigencies of the commercial London playhouses. Schreyer argues that the ongoing agency of supposedly superseded theatrical objects and practices reveal how the mystery plays shaped dramatic production long after their demise. At the same time, these medieval traditions help to reposition Shakespeare as more than a writer of plays; he was a play-wright, a dramatic artisan who forged new theatrical works by fitting poetry to the material remnants of an older dramatic tradition.
Shakespeare's Mystery Play
Author: Colin Still
Publisher: Literary Licensing, LLC
ISBN: 9781498000864
Category :
Languages : en
Pages : 256
Book Description
This Is A New Release Of The Original 1921 Edition.
Publisher: Literary Licensing, LLC
ISBN: 9781498000864
Category :
Languages : en
Pages : 256
Book Description
This Is A New Release Of The Original 1921 Edition.
Shakespeare's Secret
Author: Elise Broach
Publisher: Macmillan
ISBN: 9780312371326
Category : Juvenile Fiction
Languages : en
Pages : 276
Book Description
A missing diamond, a mysterious neighbor, a link to Shakespeare—can Hero uncover the connections?
Publisher: Macmillan
ISBN: 9780312371326
Category : Juvenile Fiction
Languages : en
Pages : 276
Book Description
A missing diamond, a mysterious neighbor, a link to Shakespeare—can Hero uncover the connections?
Shakespearean Whodunnits
Author:
Publisher: Carroll & Graf Pub
ISBN: 9780786704828
Category : Fiction
Languages : en
Pages : 422
Book Description
A collection of Shakespearean detective stories featuring such private eyes as Falstaff, Mark Antony and Orlando. The cases they investigate range from the death of Romeo and Juliet to Cleopatra's suicide.
Publisher: Carroll & Graf Pub
ISBN: 9780786704828
Category : Fiction
Languages : en
Pages : 422
Book Description
A collection of Shakespearean detective stories featuring such private eyes as Falstaff, Mark Antony and Orlando. The cases they investigate range from the death of Romeo and Juliet to Cleopatra's suicide.
Shakespeare the Player
Author: John Southworth
Publisher: The History Press
ISBN: 0752472445
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
Man of the Millennium' he may be but William Shakespeare is a shadowy historical figures. His writings have been analysed exhaustively but much of his life remains a mystery. This controversial biography aims to redress the balance. To his contemporaries, Shakespeare was known not as a playwright but as an actor, yet this has been largely ignored or marginalised by most modern writers. here John Southworth overturns traditional images of the Bard and his work, arguing that Shakespeare cannot be separated from his profession as a player any more than he can be separated from his works. Only by approaching Shakespeare's life from this new angle can we hope to learn or understand anything new about him. Following Shakespeare's life as an actor as he learns his craft and begins work on his own plays, Southworth presents the Bard and his plays in their proper context for the first time. Groundbreaking, contentious and a work of deep scholarship and understanding, 'Shakespeare the Player' should change the way we think about the English language's greatest artist.
Publisher: The History Press
ISBN: 0752472445
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
Man of the Millennium' he may be but William Shakespeare is a shadowy historical figures. His writings have been analysed exhaustively but much of his life remains a mystery. This controversial biography aims to redress the balance. To his contemporaries, Shakespeare was known not as a playwright but as an actor, yet this has been largely ignored or marginalised by most modern writers. here John Southworth overturns traditional images of the Bard and his work, arguing that Shakespeare cannot be separated from his profession as a player any more than he can be separated from his works. Only by approaching Shakespeare's life from this new angle can we hope to learn or understand anything new about him. Following Shakespeare's life as an actor as he learns his craft and begins work on his own plays, Southworth presents the Bard and his plays in their proper context for the first time. Groundbreaking, contentious and a work of deep scholarship and understanding, 'Shakespeare the Player' should change the way we think about the English language's greatest artist.
Much Ado About Murder
Author: Simon Hawke
Publisher: Macmillan
ISBN: 9780765308368
Category : Fiction
Languages : en
Pages : 242
Book Description
Fledgling playwright Will Shakespeare and Symington Smythe, ostler and would-be thespian, and are now firmly ensconced in their theater company . . . But due to the plague, all of London's theaters have been closed, its players now broke, forcing our intrepid duo to seek employment in other lines of work--Smythe smithing and Will poeting. Then a murder rocks all of London. Shakespeare and Smythe decide to solve the crime, but they must rely on their wits to survive both the conspiriacies and the cutthroat business of Elizabethan theater
Publisher: Macmillan
ISBN: 9780765308368
Category : Fiction
Languages : en
Pages : 242
Book Description
Fledgling playwright Will Shakespeare and Symington Smythe, ostler and would-be thespian, and are now firmly ensconced in their theater company . . . But due to the plague, all of London's theaters have been closed, its players now broke, forcing our intrepid duo to seek employment in other lines of work--Smythe smithing and Will poeting. Then a murder rocks all of London. Shakespeare and Smythe decide to solve the crime, but they must rely on their wits to survive both the conspiriacies and the cutthroat business of Elizabethan theater
The Councillor
Author: E. J. Beaton
Publisher: Penguin
ISBN: 075641699X
Category : Fiction
Languages : en
Pages : 450
Book Description
When the death of Iron Queen Sarelin Brey fractures the realm of Elira, Lysande Prior, the palace scholar and the queen's closest friend, is appointed Councillor. Publically, Lysande must choose the next monarch from amongst the city-rulers vying for the throne. Privately, she seeks to discover which ruler murdered the queen, suspecting the use of magic. Resourceful, analytical, and quiet, Lysande appears to embody the motto she was raised with: everything in its place. Yet while she hides her drug addiction from her new associates, she cannot hide her growing interest in power. She becomes locked in a game of strategy with the city-rulers - especially the erudite prince Luca Fontaine, who seems to shift between ally and rival. Further from home, an old enemy is stirring: the magic-wielding White Queen is on the move again, and her alliance with a traitor among the royal milieu poses a danger not just to the peace of the realm, but to the survival of everything that Lysande cares about
Publisher: Penguin
ISBN: 075641699X
Category : Fiction
Languages : en
Pages : 450
Book Description
When the death of Iron Queen Sarelin Brey fractures the realm of Elira, Lysande Prior, the palace scholar and the queen's closest friend, is appointed Councillor. Publically, Lysande must choose the next monarch from amongst the city-rulers vying for the throne. Privately, she seeks to discover which ruler murdered the queen, suspecting the use of magic. Resourceful, analytical, and quiet, Lysande appears to embody the motto she was raised with: everything in its place. Yet while she hides her drug addiction from her new associates, she cannot hide her growing interest in power. She becomes locked in a game of strategy with the city-rulers - especially the erudite prince Luca Fontaine, who seems to shift between ally and rival. Further from home, an old enemy is stirring: the magic-wielding White Queen is on the move again, and her alliance with a traitor among the royal milieu poses a danger not just to the peace of the realm, but to the survival of everything that Lysande cares about
This Is Shakespeare
Author: Emma Smith
Publisher: Vintage
ISBN: 1524748552
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
Publisher: Vintage
ISBN: 1524748552
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
Shakespeare in Shorthand
Author: Adele Davidson
Publisher: Associated University Presse
ISBN: 9780874130478
Category : Drama
Languages : en
Pages : 332
Book Description
The year 2008 marks the four hundredth anniversary of the first publication of King Lear, and for four centuries the play has remained a consummate bibliographical mystery. Winner of the 2007 Jay L. Halio prize for best manuscript in Shakespeare studies, Shakespeare in Shorthand demonstrates that many textual anomalies derive from the play's transcription in Elizabethan shorthand. The shorthand system of John Willis, Stenographie (1602), shows a high correlation with the unusual textual features found in the first quarto of Lear (1608). The patterns of variants in the quarto conform to Willis' rules regarding the reduction of diphthongs and digraphs and the omission of aspirated, doubled, or unsounded letters. In the past two decades the textual interrelation of quarto and folio (1623) Lear has proven one of the most contested issues in Shakespearean studies, and an examination of Stenographie reveals that some of these textual differences result not from authorial revision, but from transmission in abbreviated writing. Bibliographical evidence also indicates that some textual omissions from the folio version are neither authorial nor theatrical, but derive from the printing house.
Publisher: Associated University Presse
ISBN: 9780874130478
Category : Drama
Languages : en
Pages : 332
Book Description
The year 2008 marks the four hundredth anniversary of the first publication of King Lear, and for four centuries the play has remained a consummate bibliographical mystery. Winner of the 2007 Jay L. Halio prize for best manuscript in Shakespeare studies, Shakespeare in Shorthand demonstrates that many textual anomalies derive from the play's transcription in Elizabethan shorthand. The shorthand system of John Willis, Stenographie (1602), shows a high correlation with the unusual textual features found in the first quarto of Lear (1608). The patterns of variants in the quarto conform to Willis' rules regarding the reduction of diphthongs and digraphs and the omission of aspirated, doubled, or unsounded letters. In the past two decades the textual interrelation of quarto and folio (1623) Lear has proven one of the most contested issues in Shakespearean studies, and an examination of Stenographie reveals that some of these textual differences result not from authorial revision, but from transmission in abbreviated writing. Bibliographical evidence also indicates that some textual omissions from the folio version are neither authorial nor theatrical, but derive from the printing house.