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Author: John O'Meara
Publisher: iUniverse
ISBN: 1469746271
Category : Drama
Languages : en
Pages : 381
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Book Description
"O'Meara's work is the perfect supplement to [Ted] Hughes's "Shakespeare and the Goddess of Complete Being", shedding further illumination into those areas where Hughes's penetrating lens finally appears to dim. [This work] shines utterly clear light on the path of understanding we may re-win with regard to myth, forcing the reader to face the incredible starkness of the prospect we face—and the lack of options—ever closing in—and also giving the reader the necessary clues to follow, particularly Barfield, Shakespeare and Rudolf Steiner." —Richard Ramsbotham, author of Who Wrote Bacon? William Shakespeare, Francis Bacon and James I "Very interesting stuff. Particularly where you parallel the break through the tragic dead end to the transcendental-redemptive solution--that I follow from "Macbeth" through "Lear" to the last plays--with the Steinerian view of the same progress." —Ted Hughes on Othello's Sacrifice, Letter to John O'Meara, 21 November, 1996, in the Ted Hughes Archives, Emory University, Atlanta, Georgia This volume brings together virtually all of the published shorter critical work of John O'Meara, gathered from over 30 years of production. What emerges is an extensive, uniquely challenging interpretation of the evolution of, for the most part, English literary history, from Shakespeare's time to our own. "excellent Shakespearean explorations...The idea of Lutheran depravity without Lutheran grace or Lutheran-Calvinist justification is very strong and original..." —Anthony Gash, author of The Substance of Shadows: Shakespeare's Dialogue with Plato "O'Meara sets out to demonstrate... the essential fact that "full encounter with human depravity" was[/is] a necessary step in the attaining of true [otherworldly] Imagination." —Eric Philips-Oxford, on The New School of the Imagination from the Sektion fur Schone Wissenschaften, the Goetheanum, Newsletter, Issue No. 3, Winter/Spring 2008-2009.
Author: Ted Hughes
Publisher:
ISBN: 9780571362806
Category :
Languages : en
Pages : 560
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Book Description
Author: John O'Meara
Publisher: iUniverse
ISBN: 1469746271
Category : Drama
Languages : en
Pages : 381
Get Book Here
Book Description
"O'Meara's work is the perfect supplement to [Ted] Hughes's "Shakespeare and the Goddess of Complete Being", shedding further illumination into those areas where Hughes's penetrating lens finally appears to dim. [This work] shines utterly clear light on the path of understanding we may re-win with regard to myth, forcing the reader to face the incredible starkness of the prospect we face—and the lack of options—ever closing in—and also giving the reader the necessary clues to follow, particularly Barfield, Shakespeare and Rudolf Steiner." —Richard Ramsbotham, author of Who Wrote Bacon? William Shakespeare, Francis Bacon and James I "Very interesting stuff. Particularly where you parallel the break through the tragic dead end to the transcendental-redemptive solution--that I follow from "Macbeth" through "Lear" to the last plays--with the Steinerian view of the same progress." —Ted Hughes on Othello's Sacrifice, Letter to John O'Meara, 21 November, 1996, in the Ted Hughes Archives, Emory University, Atlanta, Georgia This volume brings together virtually all of the published shorter critical work of John O'Meara, gathered from over 30 years of production. What emerges is an extensive, uniquely challenging interpretation of the evolution of, for the most part, English literary history, from Shakespeare's time to our own. "excellent Shakespearean explorations...The idea of Lutheran depravity without Lutheran grace or Lutheran-Calvinist justification is very strong and original..." —Anthony Gash, author of The Substance of Shadows: Shakespeare's Dialogue with Plato "O'Meara sets out to demonstrate... the essential fact that "full encounter with human depravity" was[/is] a necessary step in the attaining of true [otherworldly] Imagination." —Eric Philips-Oxford, on The New School of the Imagination from the Sektion fur Schone Wissenschaften, the Goetheanum, Newsletter, Issue No. 3, Winter/Spring 2008-2009.
Author: J. Snodgrass
Publisher: City of Light Publishing
ISBN: 1952536375
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
In our culture, Shakespeare's works are classics and his characters have achieved mythical status. But what did William Shakespeare consider to be the great myths and classics? And who were the empowering role models for his bold and unforgettable heroines? In plays and poems throughout his career, Shakespeare explored many facets of the divine feminine, including Greek and Roman goddesses— he nearly deified Queen Elizabeth. His characters frequently refer to classical goddesses, some plays feature literal appearances of goddesses onstage, and the goddess of love starred in his epic poem Venus and Adonis. Shakespeare's Goddess explores the poet's many representations of the divine feminine, as a pantheon of individual deities, and also as diverse manifestations of a single, multifaceted goddess. This thoroughly researched sequel to Supernatural Shakespeare: Magic and Ritual in Merry Old England will appeal to scholars, but its playful and engaging tone also makes it accessible to anyone who appreciates Shakespeare.
Author: K. Stanton
Publisher: Springer
ISBN: 1137026332
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Shakespeare's 'Whores' studies each use of the word 'whore' in Shakespeare's canon, focusing especially on the positive personal and social effects of female sexuality, as represented in several major female characters, from the goddess Venus, to the queen Cleopatra, to the cross-dressing Rosalind, and many others.
Author: R. Chris Hassel Jr.
Publisher: Bloomsbury Publishing
ISBN: 1472577299
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
Religious issues and discourse are key to an understanding of Shakespeare's plays and poems. This dictionary discusses over 1000 words and names in Shakespeare's works that have a religious connotation. Its unique word-by-word approach allows equal consideration of the full nuance of each of these words, from 'abbess' to 'zeal'. It also gradually reveals the persistence, the variety, and the sophistication of Shakespeare's religious usage. Frequent attention is given to the prominence of Reformation controversy in these words, and to Shakespeare's often ingenious and playful metaphoric usage of them. Theological commonplaces assume a major place in the dictionary, as do overt references to biblical figures, biblical stories and biblical place-names; biblical allusions; church figures and saints.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author: Kim Köbnick
Publisher: GRIN Verlag
ISBN: 3346790177
Category : Literary Criticism
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2022 in the subject English Language and Literature Studies - Literature, grade: 1,2, University of Heidelberg, language: English, abstract: Terry Pratchett’s Wyrd Sisters is one of the few Fantasy novels in which nothing is as the reader would suspect when picking it up for the first time. One of the many examples is the way the author mocks gender roles and plays with certain stereotypes that are often criticized in the genre. Set in the framework of Shakespeare’s Macbeth, where witches have beards and women want to be ‘unsexed’, the witches in Wyrd Sisters show astonishingly few traits of character and behavior that would be seen as typically female or expectable in a witch. This essay will examine Wyrd Sisters and Macbeth from today’s angle, where gender and genderfluidity are a hotly discussed topic. By looking at the representation of manliness and womanhood, as well as the three witches as an old and a modern version of the Triple Goddess, I will show how William Shakespeare and Terry Pratchett treat the topic of gender and how genderfluidity is represented in their works. This will lead me to the conclusion on the question, in how far the representation of gender, genderfluidity and in line with it that of the triple goddess has evolved over the 300 years that lay in between the publication of the two works.
Author: Henry Green
Publisher:
ISBN:
Category : Emblem books, English
Languages : en
Pages : 636
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Book Description
Author: L. Starks-Estes
Publisher: Springer
ISBN: 1137349921
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Employing psychoanalysis, trauma theory, and materialist perspectives, this book examines Shakespeare's appropriations of Ovid's poetry in his Roman poems and plays. It argues that Shakespeare uses Ovid to explore violence, trauma, and virtus - the traumatic effects of aggression, sadomasochism, and the shifting notions of selfhood and masculinity.
Author: Paul Murray OP
Publisher: Bloomsbury Publishing
ISBN: 0567685829
Category : Religion
Languages : en
Pages : 191
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Book Description
Written with both passion and precision, God's Spies is a work that will be welcomed by anyone interested in the vital interplay between poetry and religion. The authors represented, including poets such as Michelangelo, St Francis of Assisi, Charles Péguy, Dante and Shakespeare, all possess one great and surprising quality in common: audacity. All of them in their work offer fresh and unforeseen perspectives on life and literature. Some of these authors are religious in the strict meaning of the word, their work indicating a devout turning away from the distractions of the world to focus on God. Others, in contrast, are poets whose work is distinguished by a remarkable visionary focus on the many small and great dramas of life, attending with bright, imaginative genius to what Shakespeare calls 'the mystery of things'.
